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Ajouter une intrigue dans votre langueA docudrama depicting a hypothetical nuclear attack on Britain.A docudrama depicting a hypothetical nuclear attack on Britain.A docudrama depicting a hypothetical nuclear attack on Britain.
- Récompensé par 1 Oscar
- 5 victoires au total
Dave Baldwin
- Schoolmaster
- (non crédité)
- …
Kathy Staff
- Interviewee
- (non crédité)
Peter Watkins
- Documentist
- (non crédité)
Avis à la une
...saw THE WAR GAME last year and I really enjoyed it... Just caught it on DVD and I can't help but wonder if scenes were cut out of the DVD as I remembered it to be much much longer!?!?
Anyway I digress
I brilliant film made by the BBC which was banned for many years because of the fact it was too real... In most cases it's re-released because films from the 60's tend to date somewhat compared to modern cinema standards. But the War Game is still as hard hitting as it was the day the BBC decided they couldn't put it on television.
Some truely horrible scenes involving the collapse of the nation when bombed by the enemy
For what it set out to do.
10/10
Anyway I digress
I brilliant film made by the BBC which was banned for many years because of the fact it was too real... In most cases it's re-released because films from the 60's tend to date somewhat compared to modern cinema standards. But the War Game is still as hard hitting as it was the day the BBC decided they couldn't put it on television.
Some truely horrible scenes involving the collapse of the nation when bombed by the enemy
For what it set out to do.
10/10
The War Game........ I saw this movie in a limited engagement in Toronto at an underground theater when it was first shown here. For the time the film was very " in your face " and I recall people coming from the small theater with shocked looks on their faces, one couple I recall the man was being sick at the curb, others seemed to have just blank stares on their faces.
It was a very impacting movie, very much ahead of its time and no where could have Hollywood or any other film makers here or in the US could have come close to making. It was an very intense for the subject and it was the ending that did it to everyone there who saw it. For 46 minutes of black & white film it had impact that I have not seen since in any of the much vaunted films over the last 40 odd years or so. If you do get a chance to see it do so, and try to see it in the temper of the times that it was produced in..........Enjoy
inquist4
It was a very impacting movie, very much ahead of its time and no where could have Hollywood or any other film makers here or in the US could have come close to making. It was an very intense for the subject and it was the ending that did it to everyone there who saw it. For 46 minutes of black & white film it had impact that I have not seen since in any of the much vaunted films over the last 40 odd years or so. If you do get a chance to see it do so, and try to see it in the temper of the times that it was produced in..........Enjoy
inquist4
'The War Game' is a fascinating and deeply disturbing documentary which dramatizes what might happen in the event of a nuclear strike. Of course in many ways it is dated but I still think its central message is as powerful and as frightening as ever. It was banned (either officially or non-officially, there is some debate) by the BBC for many years, and it's no wonder. The film is political dynamite. This is not a film you would choose to watch for entertainment, but I highly recommend it to anyone who is willing to look at something confrontational and REAL. The Cold War is long over but the threat of nuclear annihilation remains, and therefore 'The War Game' still deserves to be seen by a mass audience before it's too late.
The War Game (1965)
The ongoing horrific black and white "footage" of nuclear war preparations and aftermath in Britain is gripping and terrifying. I was a kid in this era, the 1960s, and remember only the official side of it--the government warnings, the bomb shelter information--but I've retained enough of the scariness to really get this inside.
You don't need to be fifty to feel the genuine pain of these people. Yet you have to remind yourself, over and over, that this is all fiction, that it's a movie, that it's just a projection of likely effects. The more amazing aspect is that the movie concentrates on areas on the far fringes of the bomb's explosion (6 to 20 miles away), and leaves the closer damages, the total annihilation, to your imagination.
It's a short movie, and an amazing one. There's nothing like this, for sure, and I think it's should be required viewing for anyone wondering about the current threats of atomic warfare in a dozen different places. It's too real, and it's avoidable, I believe, if everyone does the right thing. Amazing.
The ongoing horrific black and white "footage" of nuclear war preparations and aftermath in Britain is gripping and terrifying. I was a kid in this era, the 1960s, and remember only the official side of it--the government warnings, the bomb shelter information--but I've retained enough of the scariness to really get this inside.
You don't need to be fifty to feel the genuine pain of these people. Yet you have to remind yourself, over and over, that this is all fiction, that it's a movie, that it's just a projection of likely effects. The more amazing aspect is that the movie concentrates on areas on the far fringes of the bomb's explosion (6 to 20 miles away), and leaves the closer damages, the total annihilation, to your imagination.
It's a short movie, and an amazing one. There's nothing like this, for sure, and I think it's should be required viewing for anyone wondering about the current threats of atomic warfare in a dozen different places. It's too real, and it's avoidable, I believe, if everyone does the right thing. Amazing.
10Baroque
Although this film clocks in at a mere 48 minutes, not a scene, second or frame is put to waste. A level-headed and all too analytical examination of civil preparedness versus the yield of nuclear weapons. What this film presents is the absolute horror of nuclear war in simulated newsreel footage so realistic, you may feel the pain of those on screen. Fire-storms, asphyxiation, flash-burns, over-burdened hospitals leaving victims to die in pain, street executions under martial law, total social collapse, all filmed in a typical English suburb. Originally planned to be a simple documentary on nuclear warfare made for BBC-TV, the film was banned from television (officially because of it's graphic depictions of suffering, but most likely for it's anti-authoritarian stance and defiance of the official line). Later released to theaters, it went on to win major film awards. Two scenes in particular, one of men being executed for violating water rationing and an interview with children at a medical camp, haunted me for days. This is the great-grandfather of such films as "Threads" and "The Day After", but the matter-of-fact narration in BBC English to the devastation on screen adds an element of sheer horror that no other film comes close to. If anyone you know talks about the survivability of nuclear attack, show them this film, and watch their reaction. This film is too important to ignore, and too powerful to dismiss.
Le saviez-vous
- AnecdotesDespite being produced by the British Broadcasting Corporation (BBC), the film was banned from television. The official reason was violence and depiction of human suffering, but others hinted that the real reason was because it went against the official government line concerning the survivability of a nuclear attack. The ban didn't forbid cinematic distribution, so the film had a wide theatrical release and won four major film awards.
- GaffesLight can be seen reflecting off a woman's "broken" teeth.
- Citations
Scientist: Technically and intellectually, we are living in an atomic age. Emotionally, we are still living in the Stone Age. The Aztecs on their feast days would sacrifice 20,000 men to their gods in the belief that this would keep the universe on its proper course. We feel superior to them.
- Versions alternativesSome prints replace the stills of Lyndon B. Johnson and Alexey Kosygin with stills of the White House and the Red Square
- ConnexionsFeatured in Peter Watkins reflects on the War Game and the media (1983)
- Bandes originalesStille Nacht, heilige Nacht (Silent Night, Holy Night)
(uncredited)
Music by Franz Xaver Gruber
Lyrics by Joseph Mohr
Played on phonograph at Dover refugee compound
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Détails
- Durée
- 48min
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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