Tokyo Olympiades

A true celebration of the poetry of the human body, as athletes attempt to live up to the Olympic motto, "Citius, Altius, Fortius," Faster, Higher, Stronger.

Director Kon Ichikawa knew that impressionistic images of the athletes, audience, and even those working at the games held great power, and used cinematic artistry instead of giving viewers a dry accounting of the results for all events. The way he shot this was brilliant. There's a medley of long shots, close-ups, unique camera angles, and an attention to little details that are completely irrelevant to the outcome of events, and yet are strangely compelling. He isolates sounds the athletes were making, e.g. Footfalls, shot put landings, the whoosh of an athlete swinging around on the uneven bar, and integrates it with other elements of the soundtrack which gives the documentary an epic feel.

He tells the human story of some of the athletes but even there he uses a light touch, not expounding on all of the details in the packaged, glitzy form you might see in modern games. This feels very much like the things that caught his eye as an observer, spanning the gamut from sublime moments of athletic achievement to silly little rituals or facial expressions. He realizes an athlete from Chad is older than his country, and shows not just his race (where he didn't qualify for the final) but also him quietly eating in isolation from other athletes afterwards. At other moments he focuses on those who have fallen or are struggling to finish, something the epitomized the spirit of the games well.

There are drawbacks to this approach, however. The coverage of the events is uneven to say the least, with some getting less than a minute and others going on for so long that my attention wandered. Because he's presenting this more as art as opposed to journalism, we're not told of some of the more interesting aspects of the games. Some examples: the 1-0 result of the field hockey final between bitter rivals India and Pakistan, the fact that Joe Frazier (initially just a reserve) was boxing with a broken thumb en route to his gold medal, how Ann Packer of England was originally going to take a shopping trip instead of run the 800m, and had only run five 800m domestic races before winning gold, and how gymnast Larisa Latynina of the USSR set the lifetime record for medals (18!) at these games (one which stood until Michael Phelps came along).

We don't hear of how Billy Mills from the United States was an Oglala Lakota Native-American who was a virtual unknown going into the games, making his stunning gold in the 10km race one of the greatest upsets of all time, or how the Olympic torch was lit by a man who was born on the day of the Hiroshima bombing. We also don't see anything at all of the basketball final between undefeated Cold War rivals USA and USSR, but do see quite a bit of coverage for events that Japan medaled in. It can't all be presented given the sheer breadth of the games, and one person's interests are bound to be different from another's, but those were some of the things that ended up a little frustrating for me, much as I admired how artistic the documentary was.

Kon Ichikawa's "Tokyo Olympiad," a record of the 1964 Tokyo Olympics, is not only arguably one of the best sports documentaries ever made, it is also among the best documentaries ever made, period. It is everything one would expect from a man who is known as one of the premiere stylists of the cinema and more. It is poetry, it is art, and it is almost ruthlessly compelling.

Whereas most sports documentaries are relatively cut and dry in that they focus mainly on the winners, Ichikawa has almost no regard for winning or losing at all. For him, it is about the event, the preparation and the movement embodied in Olympic competition - and the film follows both the winners and the losers. The film is incredibly textural. Sight, sound, and movement - even the most imperceptible - all weave together to form a remarkable tapestry that is as much about the director's own concerns as it is about the Games themselves. It is for this reason that the film initially had a rather stormy reception from those that had commissioned Ichikawa to make the film (and given him an army of cameramen to do so), though if my recollection is correct it went on to break box-office records in Japan. "Tokyo Olympiad" is not a film about the victory of winning, it is about the victory of attending - of being amongst the awesome crowds, the athletes, the bodies in motion. Being there is it's own victory, which is why Ichikawa focuses so much on the athletes from the newly formed African nation of Chad who, although they do not come close to winning any medals, are the first representatives of their country to appear in the Olympic Games. For Ichikawa their story is just as triumphant as that of the Ethiopian long-distance runner who unflinchingly leaves all his opponents in the dust and goes on to win his event by a mile. "Tokyo Olympiad" is not just about the realm of athletic or Olympic experience, it is about the human experience and about creating cinema out of it. At nearly 3 hours in length it is neither a minute too short or too long, and I personally feel privileged to have seen it.

Of course it's easy to compare this movie to Leni Riefenstahl's Olympiad movies, about the Olympic summer games in Berlin, of 1936 but there is also a very good reason to compare both ambitious projects, besides the fact that they share the same subject. Both are also being shot and told in a very similar way, with as of course big difference that this documentary is in color and filmed with more modern technologies.

The documentary shows everything involving the Olympic games. From athletes preparing, to the crowds cheering for their favorites. Winners and losers, the ignition of the Olympic flame and the closing ceremony. But foremost it still focuses on the sports, for obvious reasons. It shows beautifully how it's being experienced and executed by the athletes. This is more than just a camera registration of the Olympics. It takes us to places no other camera's are ever allowed and shows us shots from multiple different angles and of things that are never shown on TV.

It extensively shows a lot of the sports, some featured still more prominently than others. It's of course impossible to give all 163 events and 5,151 athletes from 93 different countries an equal amount of attention. But the movie manages to find a nice balance between the most important and popular sports and the more surprising and shocking moments of the 1964 Olympics. Basically each sport gets filmed and edited in a different stylish way but at all times the movie feels like one whole, that just flies by, even though it's quite a long one.

And stylish is certainly a good word to describe this documentary as. Some of the sports are filmed simply beautifully and are absolutely captivating to watch. They even manage to at times build up a good tension, even though the outcomes of it are already known for almost 50 years by now. There are too many moments that stand out to name but I would nevertheless still like to mention the registration of the marathon, which got featured at the end of the documentary. It's also the sport that gets featured the longest and it's absolutely beautiful and special to watch. It also really makes you respect the athletes all the more.

Like basically every Olympics some memorable and legendary events occurred during the games. Don Schollander winning 4 golden medals, Joe Frazier becoming the heavyweight boxing winner, Abebe Bikila winning the Olympic marathon for the second time, Anton Geesink become the very first Olympic open category judo champion, which was entire an Asian dominated sport at the time and many more memorable moments, which are all shown in an unique and beautiful way within this documentary.

It's also fun to see how non of the sports have really changed over the years and how all of the athletes in this documentary show all of the same emotions and passion for their sport. Thing that changed the most are some of the country's flags, it seems.

The entire documentary still feels pretty dark but as it turns out, the 1964 were also considered to be dark and cold at the time. In other words, the documentary simply does a great job at capturing the mood and atmosphere of its time and place.

If I have to say still one real negative thing about this documentary it would be the fact that basically all of the sounds were obviously later added to the documentary. Athletes breathing, athletes running, athletes hitting a ball. All of the sounds come straight out of a studio, which just doesn't always sound natural enough. It's even somewhat comical and annoying at times, especially when the images and sounds don't really go together. It's weird hearing a crowed go ballistic while in the background the mostly Japanese spectators are all calmly sitting and watching.

A real more than great and uniquely beautiful registration of the 1964 Tokyo Olympic summer games. A must-see for the lovers of sport and documentary film-making.

8/10

http://bobafett1138.blogspot.com/

See, I usually find watching sports boring as hell, but the way this is shot and assembled makes them compelling. And I did love the focus on things other than the sports themselves- the drink stations in the marathon, the weather conditions, the Olympic village, and of course the overview of the Olympics history + the opening ceremony at the film's beginning, which was probably overall my favourite sequence. The shots of Japan from the air, as well as that long shot of the runner with the torch ascending the staircase to light the flame are staggering.

Almost all the individual segments are fantastic, though. And it moves fast enough so if you don't find a sport particularly compelling (shotput was a snooze for me, and I don't like the weightlifting because it makes me incredibly uneasy and nervous), there will soon enough be a new sport covered. The filmmakers also had a good sense of how to long spend on each sport, and by and large made almost all of them cinematic in some way.

There's too many highlights to mention. Other than the opening, I did love the cycling and marathon (seeing the Japanese landscapes helped), and the USSR vs Japan in the women's volleyball final was fantastic, too. And don't know if this counts as a spoiler, but the story of the runner from the young nation of Chad was quite heartbreaking.

I have no idea how some of the shots in this were pulled off. Music is generally quite good too, and the voiceover/commentary was appreciated, too.

Even though I'm Australian, I couldn't help but want Japan to win most of the time. They seem like such wonderful people, as well as excellent hosts for a huge event like this.

From the shot of the rising sun at the beginning to the shot of the setting or rising sun (couldn't tell to be honest) at the end, I was really engaged, and even moved, particularly at the beginning and especially the end.

See, even if you don't like watching sports, or are intimidated by a nearly 3-hour runtime on a documentary, I would still highly recommend watching this. If it counts as a sports movie, it might well be one of my all-time favourites, and as far as documentaries go, it's an excellent example of that genre near its very best, too.

It might even be a suitable alternative to anyone disappointed about not getting any Tokyo Olympics in 2020.

While I've yet to see all of what many consider to be THE document of 20th century Olympics in Riefensthal's Olympia (it is, of course, a very long movie, and we only saw bits in a class), this document of the 1964 Tokyo Olympics by Kon Ichikawa is quite the spectacle on its own. Ichikawa understands something that five years later Michael Wadleigh, director of Woodstock, would understand about filming an event (though Woodstock will always be the better, more incredibly watchable film for me). And it is, simply put, to make it an EVENT- in bold letters- for people who may not even really usually watch the Olympics. The way he uses his many, many, many cameras an exhaustively large crew is staggering, and just in the first half hour or so, when the countries all line up and the audience fills in as the games kick off, it's done in a very dynamic style. He alternates interestingly between big wide shots of the crowds (like Woodstock, seeming larger than it really is with everyone packed in thousands of masses), the stadium itself, and then to close-ups of individuals and bodies moving. It's this side of the film, the technical one, that is most worthwhile to see in the film.

If it's less than perfect, it's because, frankly, it almost does become 'too much' to see so many games that go on in the near three-hour running time. And the narration voice that pops up now and again sounds way too much like a narrator from old newsreels, trying to add emphasis where it's not really needed. It's too immense an event with too many goals vied for victory to add on extra words. But there are highlights though, such as the 100 meter dash, done in a slow-motion that might echo some of Ichikawa's other narrative films. And the Joe Frazier boxing match, while brief, is memorable. Sometimes Tokyo Olympiad comes off almost like an avant-garde film as much as it does just straight-on documentary, and it's here that I got drawn in. Of all major events involving sports and other games and activities and trials and such, the Olympics brings together all cultures for the sake of competing for a country's honor and respect, and Ichikawa has a very good balance between showing that and adding a distinct style to the numerous events. In fact, Ichikawa has what might be the best avant-garde sports documentary ever made, at least in the past forty or so years.