Sergeant Dead Head

Many of AIPs main players are there including writers, direction etc. However, the script is very weak. There is very little of the classic AIP interplays or humor at work here. It feels flat and barely has any redeeming features. However, Fred Clark is good as the general and he's pretty funny. And great to see all those other character actors from those times. But something is missing here, it just has a weird vapid meandering vibe to it. Literally any previous AIP generated beach movie or knock offs such. 'Fireball 500' are much better. This film has its moments but really, if you're wanting to delve into the AIP library, this is not the place to start. Like I said, for completists only.

Disappointing movie, weak comedy and not very interesting if not downright bad. I did not find characters that intrigued me nor a captivating plot. If the best things you notice in a movie are explosive cigars then there is audacity that doesn't work.

This film essentially begins with an airman by the name of "Sergeant O. K. Deadhead" (Frankie Avalon) being sent to the guardhouse due to a series of mishaps which have caused problems on the base. Needless to say, this doesn't sit well with his fiancé "Airman Lucy Turner" (Deborah Walley) who had hoped to marry him that weekend. Likewise, Sergeant Deadhead also wanted to be married and as a result he tells his other two cellmates that he intends to be a model prisoner so that he can be released early. However, one of his cellmates named "Airman McEvoy" (Harvey Lembeck) doesn't share his concern and detonates an explosive that very night which compels Sergeant Deadhead to escape from the guardhouse as well. To that effect, upon being chased by the military police, Sergeant Deadhead takes refuge in a rocket destined for outer space--and returns as a completely different person. Now, rather than reveal any more, I will just say that this movie started off real well due in large part to the performances of Buster Keaton (as "Airman Blinken") and Gale Gordon ("Captain Weiskopf"). Unfortunately, the film seemed to run out of steam around the halfway mark and became less interesting at that point. Even so, I suppose it was good enough for the time spent and for that reason I have rated it accordingly. Average.

Accidentally fired into space, Sergeant Deadhead (Frankie Avalon) returns to Earth with strange personality changes. This upsets the brass, who hoped to make him a press hero.

"Sergeant Deadhead" isn't as funny as the better Avalon beach movies, nor the spy spoof "Doctor Goldfoot and His Bikini Machine."

Part of the problem is the movie's dated theme: the space race, during the era animals were being sent up in rockets (actually, it was made after that, but we'll have to stretch a point).

The cast is first rate. The top brass of the service include Fred Clark, Cesar Romero, Gale Gordon and Reginald Gardiner. Also on hand are Eve Arden, Buster Keaton and Pat Butram as the president. A great comedy cast.

Unfortunately, a comic is only as good as his material. The aim, apparently, was to turn Avalon into a sort of Jerry Lewis. As if we needed two of them.

With so many old pros in the cast, you'd think one might've risked his contract to stand up and say the material isn't working. It has a few laughs, but no more than you'd squeeze out of a so-so Carol Burnett sketch. Not good for a comedy running an hour and a half.

Too bad. I hate to see a talented cast go to waste.

Second-string drive-in fare from American-International Pictures, here trying to evolve their "Beach Party" series into a more standard comedy genre--but with Frankie Avalon on-board, who could tell the difference? Sergeant Avalon is sent into orbit with a chimpanzee. Deborah Walley is his love-interest, Buster Keaton is an Air Force handyman, and Fred Clark is the befuddled general (no Annette Funicello this time, not even in a cameo). The nickname "Dead Head" was very popular with AIP's stable of writers; Frankie gets to wear the moniker this time, and he looks more than a little embarrassed monkeying around with this script. Eve Arden has a few funny lines and gets her own number, "You Should've Seen the One That Got Away", composed by Guy Hemric and Jerry Styner (who also contribute a cute love song for the gals in the barracks, "How Can You Tell"). Some frisky scenes--such as when the female Airmen drop their bath towels to salute the brass--but the rest is slapstick-stupid and routine. *1/2 from ****