Les Sables du Kalahari

I have read most of the comments about Sands of the Kalahari, and like most of you have been looking for several years for the tape or DVD of this movie. Well, great news movie lovers, I found a site that offers the DVD of this movie and ships free. Price as advertised is 11.99. I have already ordered my copy and thought you would be interested in getting yours. Here's the web site. http://store.thesmallscreen.org/index.html Check under the action section. I saw this movie in 1965 when it first came out and was struck by the realism the movie contained. I think any one that likes action type films will surely like this movie. Of course Susannah York is also a very good actress and gives this movie an added attraction for watching it.

... it's been haunting my memory for years.

All I can really remember (I'm 37, I must've seen it when I was 15) is a feeling of the vastness of the desert, the apparent futility of their situation, and an ending that I couldn't ever forget.

I couldn't remember the name, so I did a search in IMDb's 'Plot' category for 'baboons'. And up it came - good old IMDb! How I'd love to see this again, but I guess it'll never end up on DVD, and I'll be lucky to spot it on TV (even here in the UK, where there are dozens of movie channels).

Review: tough, after all this time, but this film - I think - started me off on a lifelong quest for films that DO NOT COP OUT AT THE END. My God, these films are so much more memorable than the rest. If memory serves, the final images in Sands Of The Kalahari are utterly chilling. Top marks to the team behind it. Fingers crossed I get to see it again one day. For impact, I'd put the ending up there with The Vanishing (1988), The Wicker Man and Runaway Train. I think ... hope my memory's not playing tricks on me!

I am like most of the reviewer of this film in that it has been so long since I've had a chance to see it again. I saw this film as a child of 11 or 12. The plane crashes because of a enormous cloud/flight of locusts that so muck up the plane's engines that it cannot sustain the speed to remain airborne. Some of the most memorable scenes for me is when the survivors first find the melons. Then when they finally slay the desert antelope. And, of course the ending is something that you just have to see for yourself. This movie along with another movie, "The Lion" are my two lost movies that I fear that I will go to my grave not owning. How does a person go about pleading to Paramount pictures for the movies to be released on DVD to the public?

Sands of the Kalahari is directed by Cy Endfield who also adapts the screenplay from the novel of the same name written by William Mulvihill. It stars Stuart Whitman, Stanley Baker, Susannah York, Harry Andrews, Theodore Bikel and Nigel Davenport. Music is by John Dankworth and cinematography by Erwin Hillier.

A raw survivalist thriller that finds a disparate group of people crash land in the deserts of Africa and promptly start to come apart as a group. Cue arguments, attempted rape, killings, animal slaughter, alpha male posturing and Adam and Eve complexes. The allegory is obvious but handled with skill by Endfield, and it all builds with great intensity towards a truly bleak, yet delightfully ambiguous finale. There's some over acting going on and the dialogue can stretch credibility at times, but yes this is a worthy entry in the survivalist hall of fame. 7/10

Sands of the Kalahari sounds as if it is based on a book by Wilbur Smith, but actually it isn't. It features a top-drawer cast, some blazing African location photography, and a genuinely exciting storyline about survival in the wilderness.

The story deals with a plane crash. The survivors find themselves in the middle of the Kalahari desert, close to a barren, rocky outcrop inhabited by baboons. They manage to make a shelter in the rocks and await rescue, but after a while it becomes clear that no-one is coming to look for them. Tensions begin to rise, and various characters react in various ways: Stuart Whitman's character becomes more and more like the savage, primitive monkeys; Nigel Davenport finds himself sexually craving for one of the ladies in the party; Susannah York becomes increasingly flirtatious; Harry Andrews scientifically toils away trying to come up with a rational escape plan; Stanley Baker just deals with the situation in a quietly courageous way.

The film is very exciting. You get to know the characters quite well, and you find yourself considering their plight very seriously and pondering on how you would cope in similar circumstances. The unpredictable nature of Whitman's character and Davenport's character means that you are always on your guard, expecting the unexpected. This is a really good little film, generally forgotten now but well worth seeking out. If you get the chance to view it... do!