Ajouter une intrigue dans votre langueIn Sedona, two aging cowpokes bust broncos, charm local ladies and bet on outcomes at the rodeo.In Sedona, two aging cowpokes bust broncos, charm local ladies and bet on outcomes at the rodeo.In Sedona, two aging cowpokes bust broncos, charm local ladies and bet on outcomes at the rodeo.
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The Camp Verde Saddlebags
- The Camp Verde Saddlebags
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Bill Catching
- Brawler
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My husband and I saw this film when it was first released and all I remembered these many years later was that we had liked it, so I taped it when TCM reran it and loved it! The fellow from England who complained that it seems more like the 1880s just didn't know that in S. Texas, where we're from, and I guess AZ where the film was set, cowboying was still much the same. All of this, including the small town parade rang really true. I absolutely fell in love with the horse all over again; he should have had top billing. I wonder where there might be a bio of him...anybody know? And for the one who regrets they didn't show baby animals being killed...I thank them for that. I see movies for entertainment!
This is truly the number 1, modern cowboy "cult" movie. The film captures the true life of a modern day working cowboy. All aspects of this film are the most realistic and true, day to day accounts of the REAL cowboy. The mundane, humor, drama, suspense and romance of the American Cowboy are captured in The Rounders. A must see!
The Rounders is one of those oddly well-crafted movies which seems to have benefited from a fortunate gathering of the stars at its making. Good movie-making alone seems insufficient to account for its success; every frame of the film seems almost hand-painted; every minute scripted with more than common care (if not with up-to-date cinematic technique).
Director and screenwriter Burt Kennedy is the center around which this gem of a movie formed - the same wry humor that has characterized most of his movie and TV productions shines through here (Kennedy created a small swath of "Simon and Simon" episodes, a span of "Combat" episodes, little, memorable Westerns like "Dirty Dingus Magee," a little of almost every genre before passing on in 2001.) The cast, though, was one of those companies of actors you didn't often see together in low-budget Westerns then (1965) and still don't often see thirty-some years later. And, for a wonder, every actor and actress - from a remarkable cast - pulled his or her weight.
Denver Pyle ("Bull") would go on to anchor "The Dukes of Hazzard" as "Uncle Jesse" after a life in Westerns; Edgar Buchanan (as the irascible "Vince Moore," creator of "that wonderful stuff" in a still located under his barn floor) was just embarking on a long stretch of soft duty as "Uncle Joe" in "Petticoat Junction," plus a number of cameo roles in various other TV and movie projects after spending a good career in movies; Sue Ane Langdon was playing one of a number of sexy/innocent ingenue roles that ran from the late 1940s to the mid-1970s, then after a short hiatus, she would go on to play a series of older roles); Chill Wills would stay with the role of tightwad ranch owner "Jim Ed Love" for the movie AND the TV show which spun off of it the following year.
"The Rounders - The TV Series" ran in the 1966 and 1967 seasons, not a bad run, considering the two leads were replaced by younger, less seasoned actors (including Patrick Wayne as "Howdy Lewis"); not only do we see Glenn Ford and Henry Fonda as the stars of this rollicking epic but as a bonus, Peter Ford and Peter Fonda (sons of the stars) appear in uncredited roles.
The production, if it can be said to have a weak spot, suffers from Disney Disease - that bogus-homespun touch which afflicted Disney's Wonderful World of Color's series of outdoor documentaries (in which announcers with wrinkly, familiar old voices narrated carefully-edited wildlife documentaries in which little baby animals hardly ever got caught by predators). Fortunately, the screenwriter played off of this ambiance for laughs, so that the overall feel is something like "Mister Roberts Goes West."
Fonda ("Howdy Lewis")and Ford ("Ben Jones") work well together on screen as a pair of itinerant, half-clever cowboys who seem always to get the worst from every deal they make with Jim Ed Love. Both actors spent time with the novel, apparently, and their performances benefited from the extra work. This compensates for clumsy special effects (clumsily faked double takes from the "plug-head" horse who is the bane of "Howdy's" existence, for example).
But "The Rounders'" main failing is also its saving grace - an artlessness which makes the show much more enjoyable (to me, anyway) than if it had been a little more polished. It earns a solid eight out of ten points for a great off-beat Western comedic style.
"The Rounders" may just be the last good OLD Western movie; the genre lay in a restless, unquiet coma with brief flashes of lucidity (and a few unlamented "electric westerns") until Clint Eastwood and a handful of other talented directors brought it back to vibrant life. But "The Rounders" is a valedictory for all of those great westerns (and all the not-so-great ones that were worth having, anyway) that Henry Fonda, Glenn Ford, Chill Wills, Edgar Buchanan, Denver Pyle and all the rest of those guys gave us.
Director and screenwriter Burt Kennedy is the center around which this gem of a movie formed - the same wry humor that has characterized most of his movie and TV productions shines through here (Kennedy created a small swath of "Simon and Simon" episodes, a span of "Combat" episodes, little, memorable Westerns like "Dirty Dingus Magee," a little of almost every genre before passing on in 2001.) The cast, though, was one of those companies of actors you didn't often see together in low-budget Westerns then (1965) and still don't often see thirty-some years later. And, for a wonder, every actor and actress - from a remarkable cast - pulled his or her weight.
Denver Pyle ("Bull") would go on to anchor "The Dukes of Hazzard" as "Uncle Jesse" after a life in Westerns; Edgar Buchanan (as the irascible "Vince Moore," creator of "that wonderful stuff" in a still located under his barn floor) was just embarking on a long stretch of soft duty as "Uncle Joe" in "Petticoat Junction," plus a number of cameo roles in various other TV and movie projects after spending a good career in movies; Sue Ane Langdon was playing one of a number of sexy/innocent ingenue roles that ran from the late 1940s to the mid-1970s, then after a short hiatus, she would go on to play a series of older roles); Chill Wills would stay with the role of tightwad ranch owner "Jim Ed Love" for the movie AND the TV show which spun off of it the following year.
"The Rounders - The TV Series" ran in the 1966 and 1967 seasons, not a bad run, considering the two leads were replaced by younger, less seasoned actors (including Patrick Wayne as "Howdy Lewis"); not only do we see Glenn Ford and Henry Fonda as the stars of this rollicking epic but as a bonus, Peter Ford and Peter Fonda (sons of the stars) appear in uncredited roles.
The production, if it can be said to have a weak spot, suffers from Disney Disease - that bogus-homespun touch which afflicted Disney's Wonderful World of Color's series of outdoor documentaries (in which announcers with wrinkly, familiar old voices narrated carefully-edited wildlife documentaries in which little baby animals hardly ever got caught by predators). Fortunately, the screenwriter played off of this ambiance for laughs, so that the overall feel is something like "Mister Roberts Goes West."
Fonda ("Howdy Lewis")and Ford ("Ben Jones") work well together on screen as a pair of itinerant, half-clever cowboys who seem always to get the worst from every deal they make with Jim Ed Love. Both actors spent time with the novel, apparently, and their performances benefited from the extra work. This compensates for clumsy special effects (clumsily faked double takes from the "plug-head" horse who is the bane of "Howdy's" existence, for example).
But "The Rounders'" main failing is also its saving grace - an artlessness which makes the show much more enjoyable (to me, anyway) than if it had been a little more polished. It earns a solid eight out of ten points for a great off-beat Western comedic style.
"The Rounders" may just be the last good OLD Western movie; the genre lay in a restless, unquiet coma with brief flashes of lucidity (and a few unlamented "electric westerns") until Clint Eastwood and a handful of other talented directors brought it back to vibrant life. But "The Rounders" is a valedictory for all of those great westerns (and all the not-so-great ones that were worth having, anyway) that Henry Fonda, Glenn Ford, Chill Wills, Edgar Buchanan, Denver Pyle and all the rest of those guys gave us.
So said the agreeable Henry Fonda to just about every suggestion Glenn Ford or other cast members made to him.
This the first of a series of very agreeable entertaining comic westerns that Burt Kennedy directed and/or wrote starring some of Hollywood's great but aging male stars. I think for the first and only time both Ford and Fonda play a pair of losers. They seem to forever be in financial bondage to their off-and-on employer Chill Wills. Wills just out-slickers Ford and Fonda just goes along with that line that must have been repeated about 8 times in The Rounders.
But their biggest problem comes from a white-faced roan horse that Wills has talked the gullible Ford into taking. The horse named "Old Fooler" has a streak of cunning malevolence that provides most of the laughs in this comedy. If there was a special award given to animals for performances Old Fooler should have won it in 1965. In fact that horse created his own acting genre, the animal anti-hero.
Burt Kennedy gave us a lot of good laughs starting in the mid60s with his films and this is one of the funniest.
This the first of a series of very agreeable entertaining comic westerns that Burt Kennedy directed and/or wrote starring some of Hollywood's great but aging male stars. I think for the first and only time both Ford and Fonda play a pair of losers. They seem to forever be in financial bondage to their off-and-on employer Chill Wills. Wills just out-slickers Ford and Fonda just goes along with that line that must have been repeated about 8 times in The Rounders.
But their biggest problem comes from a white-faced roan horse that Wills has talked the gullible Ford into taking. The horse named "Old Fooler" has a streak of cunning malevolence that provides most of the laughs in this comedy. If there was a special award given to animals for performances Old Fooler should have won it in 1965. In fact that horse created his own acting genre, the animal anti-hero.
Burt Kennedy gave us a lot of good laughs starting in the mid60s with his films and this is one of the funniest.
The Rounders is directed by Burt Kennedy and Kennedy adapts the screenplay from Max Evans' novel. Music is by Jeff Alexander and cinematography by Paul Vogel. It stars Glenn Ford, Henry Fonda, Sue Ane Langdon, Hope Holiday, Chill Wills and Edgar Buchanan.
Two ageing bronco-busting rounders get into (mis)adventures with a crafty old equine along for the ride...
It's one of those films that has amiable blood coursing through its veins. We are in very good company with Ford and Fonda, two likable and most reliable veterans of the silver screen, and crucially it looks like they are having fun - and it's infectious. Teamed up with a splendid comedy horse who gets up to mischief when ever possible, the boys also find some sexy lady love interests that puts a nice little risqué cheek on things, cheek actually being a very literal word at times.
Technically it's a very good production. Filmed in Metrocolor/Panavision, the vistas are superbly photographed by Vogel, with Arizona locations including Coconino National Forest, Red Rock Crossing, San Francisco Peaks and Village of Oak Creek. The stunt work is high quality, well shot by the wily Western movie veteran Kennedy, while Alexander's musical compositions have the desired jolification. Rounding off is a splendid and comforting support cast that sees Denver Pyle joining Buchanan and Wills for further Western genre reassurance. 7/10
Two ageing bronco-busting rounders get into (mis)adventures with a crafty old equine along for the ride...
It's one of those films that has amiable blood coursing through its veins. We are in very good company with Ford and Fonda, two likable and most reliable veterans of the silver screen, and crucially it looks like they are having fun - and it's infectious. Teamed up with a splendid comedy horse who gets up to mischief when ever possible, the boys also find some sexy lady love interests that puts a nice little risqué cheek on things, cheek actually being a very literal word at times.
Technically it's a very good production. Filmed in Metrocolor/Panavision, the vistas are superbly photographed by Vogel, with Arizona locations including Coconino National Forest, Red Rock Crossing, San Francisco Peaks and Village of Oak Creek. The stunt work is high quality, well shot by the wily Western movie veteran Kennedy, while Alexander's musical compositions have the desired jolification. Rounding off is a splendid and comforting support cast that sees Denver Pyle joining Buchanan and Wills for further Western genre reassurance. 7/10
Le saviez-vous
- AnecdotesVince (Edgar Buchanan) asks Howdy (Henry Fonda) how he came to have such a name as Howdy. "Made it up. Why?" "Marion . . . that was my given name. A man can't ride bucking horses with a handle like that so I changed it." This was a poke at fellow actor John Wayne, who became famous playing cowboys and who was born Marion Michael Morrison.
- GaffesThe bucking horses all have bucking straps attached. One wouldn't attach such a strap to a horse you're trying to train for riding.
- Citations
Howdy Lewis: Whatever suits you just tickles me plumb to death.
- ConnexionsFeatured in MGM 40th Anniversary (1964)
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- How long is The Rounders?Alimenté par Alexa
Détails
- Durée1 heure 25 minutes
- Rapport de forme
- 2.35 : 1
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By what name was Le Mors aux dents (1965) officially released in India in English?
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