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Ajouter une intrigue dans votre langueIn Paris, a Polish gigolo marries a rich Jewish doctor and stands to inherit her estate when she is deported to Dachau by the Nazis.In Paris, a Polish gigolo marries a rich Jewish doctor and stands to inherit her estate when she is deported to Dachau by the Nazis.In Paris, a Polish gigolo marries a rich Jewish doctor and stands to inherit her estate when she is deported to Dachau by the Nazis.
- Réalisation
- Scénario
- Casting principal
Jacques B. Brunius
- 1st Detective
- (as Jacques Brunius)
Henri Vidon
- Man in Train
- (as Henry Vidon)
Avis à la une
J. Lee Thompson may have been only a jobbing director but he was one of the best, graduating from British studio pictures in the fifties to international hits such as "Ice Cold in Alex", "Northwest Frontier" and "The Guns of Navarone". The latter earned him an Oscar nomination and the chance to work almost exclusively in America where he made "Cape Fear", one of the best thrillers of the sixties. In 1965 he made another first-rate thriller, "Return from the Ashes", which used the War and the Holocaust as jumping off points for an almost Hitchcockian tale of murder and greed, set in Paris but filmed in a British studio with an international cast.
If the plot is more than a little convoluted, Thompson's handling of Julius Epstein's fine script and first-rate performances from Maximilian Schell, Ingrid Thulin and Samantha Eggar go a long way in making this one of his most entertaining films. Thulin is the rich Jewish doctor, thought to have died in a concentration camp, Schell the gigolo who marries her for her money and Eggar the duplicitous daughter who's having an affair with Schell and the good thing is it doesn't quite go the way you expect it to. It's also superbly shot in widescreen black and white by Christopher Challis and is certainly worth seeing.
If the plot is more than a little convoluted, Thompson's handling of Julius Epstein's fine script and first-rate performances from Maximilian Schell, Ingrid Thulin and Samantha Eggar go a long way in making this one of his most entertaining films. Thulin is the rich Jewish doctor, thought to have died in a concentration camp, Schell the gigolo who marries her for her money and Eggar the duplicitous daughter who's having an affair with Schell and the good thing is it doesn't quite go the way you expect it to. It's also superbly shot in widescreen black and white by Christopher Challis and is certainly worth seeing.
In a flash of incredible foresight, I recorded this gem as I watched it for the first time (maybe like 2 years ago...) The signature music has a waltzy, hypnotic cadence that completely draws you in, & a fascinating story unfolds in "post-war Paris", shot in appropriately atmospheric black & white. >From the very opening train scene, I was riveted. This one is on my shelf of films that I watch over & over again. Maximilian Schell is brilliantly handsome/wicked, as Stanislaus. I'd never even heard of Ingrid Thulin before -- someone on here mentioned her character, Michele, as "middle-aged" - that's not the impression I got. Michele is a jaw-droppingly gorgeous, dazzling blonde Swede{?}, who was married to a much older man, with a daughter. So she appears to be a young widow with a step-daughter in her late teens. On top of her late husband's sizable estate, Michele is also an X-ray technician. Ingrid Thulin is wonderful as Michele, combining just the right balance of high intellect yet vulnerability - very believable central character. Herbert Lom & Samantha Eggar also give stand-out performances.
I'm completely amazed that this incredible film has never "made it to video".... I'd really love to know who/how/why these decisions are made - seems like some really great work is allowed to sink without a trace.
I'm completely amazed that this incredible film has never "made it to video".... I'd really love to know who/how/why these decisions are made - seems like some really great work is allowed to sink without a trace.
Certain films travel just below the radar. "Return from the Ashes" is such a film. The ones who've seen it never forget it but somehow it's nowhere to be found. Never on video and so far not on DVD. I'm not going to tell you about the devilish plot because that's most of the pleasure of seeing it for the first time. Just let me wet your appetite by saying that Maximilian Schell plays a young amoral polish guy who seduces a French, older, wealthy widow, played for real by a great Ingrid Thulin. The action takes place at the dawn of the German occupation. She is Jewish he is not. When Schell asks her to marry him, she laughs it off as a surprisingly conventional request but he means it saying "At this time is not convention but defiance" So he marries the older Jewish woman...that's all I'm going to tell you about the story. Samantha Eggar, beautiful and skinny gives a powerful performance of seductive evilness. She is a stand out of major proportions. The ending seems a bit of a commercial concession but it doesn't spoil the cleverly tailored plot. If you see it announced on late night TV, set up your VCR or whatever contraption at your disposal.
TCM gave this movie two stars. Ridiculous. I saw this film YEARS ago. I never forgot it and at one point, I tried to find out the name of it and was directed to another film. I suspected when I read the plot on the channel guide that this was the movie.
Set in flashback in pre-war Paris and in the present in post-war Paris, the story concerns a doctor, Michele, (beautiful Ingrid Thulin) hopelessly in love with Stanislaus, a chess-playing roué, excellently played by Maximillian Schell.
He doesn't pretend to love her - he likes her, but what he loves is her money. They marry, but because she's Jewish, she's picked up and sent to Dachau.
During the time she's gone, her husband becomes involved with her now grown-up albeit unstable stepdaughter Fabienne (Samantha Eggar). After the war ends, and Michele doesn't return, Fabienne and Stan assume she's dead. However, because of the laws in France they can't get their hands on her money.
The truth is that Michele is alive, but had to go to a sanitarium after the war to recover from her horrendous experiences in the camp. She's scarred and aged, and when she finally returns to Paris, she stays in a hotel and turns to an old colleague, Charles (Herbert Lom) to fix her up.
When Fabienne spots what she thinks is a Michele-lookalike (actually Michele), she comes up with a plan to have her stepmother return from the dead, with the imposter taking a cut.
A really good movie, very intriguing, with good performances all around and excellent photography. I'm so sick of being burned by TCM's ratings - four stars for trash and two stars for a fine movie like this (not all the time, but occasionally).
By the way, this story is based on a novel by Hubert Monteilhet called "Return from the Ashes," and was remade into the magnificent German film "Phoenix."
Highly recommended.
Set in flashback in pre-war Paris and in the present in post-war Paris, the story concerns a doctor, Michele, (beautiful Ingrid Thulin) hopelessly in love with Stanislaus, a chess-playing roué, excellently played by Maximillian Schell.
He doesn't pretend to love her - he likes her, but what he loves is her money. They marry, but because she's Jewish, she's picked up and sent to Dachau.
During the time she's gone, her husband becomes involved with her now grown-up albeit unstable stepdaughter Fabienne (Samantha Eggar). After the war ends, and Michele doesn't return, Fabienne and Stan assume she's dead. However, because of the laws in France they can't get their hands on her money.
The truth is that Michele is alive, but had to go to a sanitarium after the war to recover from her horrendous experiences in the camp. She's scarred and aged, and when she finally returns to Paris, she stays in a hotel and turns to an old colleague, Charles (Herbert Lom) to fix her up.
When Fabienne spots what she thinks is a Michele-lookalike (actually Michele), she comes up with a plan to have her stepmother return from the dead, with the imposter taking a cut.
A really good movie, very intriguing, with good performances all around and excellent photography. I'm so sick of being burned by TCM's ratings - four stars for trash and two stars for a fine movie like this (not all the time, but occasionally).
By the way, this story is based on a novel by Hubert Monteilhet called "Return from the Ashes," and was remade into the magnificent German film "Phoenix."
Highly recommended.
This film has suffered a strange fate. It used to be shown on tv all the time and was inevitably given two stars, when it is in fact a four-star movie. It is inconceivable that there is not plot summary here, so here goes:
Michelle, a currently single middle-aged medical doctor with a young daughter [already daring for the time], encounters the young fortune hunter Stanislaus in a casual meeting and makes him her boy toy. Michelle happens to be Jewish in Nazi-occupied Paris. When the Nazis do their thing, gentile Stan marries her in a moment of bravura that belies his true character. Nevertheless, they carry Michelle off to concentration camp. Several years after the war ends, she turns up and reunites with Charles, her former colleague at the hospital. She is so worn and haggard that she is hardly recognizable. Charles performs some plastic surgery, then she runs into Stan, who has taken up with Michelle's beautiful and still somewhat girlish daughter Gabby. Stan sees the striking resemblance and asks "Mme. Robert" if she will impersonate his supposedly late wife because French law won't give Gabby access to her mother's assets without a dead or alive body. Michelle agrees because she thinks it might be fun, but soon reveals herself as the real Michelle. Stan pretends to be reconciled with Michelle but plots with Gabby against her life.
This is the longest summary I have written because it is a very convoluted but masterfully managed plot. This is a much more convincing movie about mistaken/not mistaken identity than Hitchcock's "Vertigo." It is a three-character movie and all three are magnificent. I have left enough out of the summary to keep you in considerable suspense.
Michelle, a currently single middle-aged medical doctor with a young daughter [already daring for the time], encounters the young fortune hunter Stanislaus in a casual meeting and makes him her boy toy. Michelle happens to be Jewish in Nazi-occupied Paris. When the Nazis do their thing, gentile Stan marries her in a moment of bravura that belies his true character. Nevertheless, they carry Michelle off to concentration camp. Several years after the war ends, she turns up and reunites with Charles, her former colleague at the hospital. She is so worn and haggard that she is hardly recognizable. Charles performs some plastic surgery, then she runs into Stan, who has taken up with Michelle's beautiful and still somewhat girlish daughter Gabby. Stan sees the striking resemblance and asks "Mme. Robert" if she will impersonate his supposedly late wife because French law won't give Gabby access to her mother's assets without a dead or alive body. Michelle agrees because she thinks it might be fun, but soon reveals herself as the real Michelle. Stan pretends to be reconciled with Michelle but plots with Gabby against her life.
This is the longest summary I have written because it is a very convoluted but masterfully managed plot. This is a much more convincing movie about mistaken/not mistaken identity than Hitchcock's "Vertigo." It is a three-character movie and all three are magnificent. I have left enough out of the summary to keep you in considerable suspense.
Le saviez-vous
- AnecdotesJulius J. Epstein, the screenwriter of this film, also co-wrote the screenplay for Casablanca (1942).
- GaffesIngrid Thulin's clothes and hairstyle in the beginning of the film are very mid-1960s, although the film begins around 1940.
- Citations
Dr. Michele 'Mischa' Wolf: Don't grovel. If I have to remember you at all I want to remember Stan the actor, the cynic, the complete bastard.
- ConnexionsVersion of Phoenix (2014)
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- How long is Return from the Ashes?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Return from the Ashes
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 44 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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By what name was Le démon est mauvais joueur (1965) officially released in India in English?
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