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Répulsion

Titre original : Repulsion
  • 1965
  • 16
  • 1h 45min
NOTE IMDb
7,6/10
60 k
MA NOTE
Catherine Deneuve in Répulsion (1965)
Psychological HorrorPsychological ThrillerDramaHorrorThriller

Une femme que le sexe révulse et qui désapprouve le petit ami de sa soeur sombre dans la dépression et a des visions horribles de viol et de violence.Une femme que le sexe révulse et qui désapprouve le petit ami de sa soeur sombre dans la dépression et a des visions horribles de viol et de violence.Une femme que le sexe révulse et qui désapprouve le petit ami de sa soeur sombre dans la dépression et a des visions horribles de viol et de violence.

  • Réalisation
    • Roman Polanski
  • Scénario
    • Roman Polanski
    • Gérard Brach
    • David Stone
  • Casting principal
    • Catherine Deneuve
    • Ian Hendry
    • John Fraser
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    60 k
    MA NOTE
    • Réalisation
      • Roman Polanski
    • Scénario
      • Roman Polanski
      • Gérard Brach
      • David Stone
    • Casting principal
      • Catherine Deneuve
      • Ian Hendry
      • John Fraser
    • 284avis d'utilisateurs
    • 126avis des critiques
    • 91Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nomination aux 1 BAFTA Award
      • 2 victoires et 4 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:22
    Official Trailer

    Photos117

    Voir l'affiche
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    + 110
    Voir l'affiche

    Rôles principaux30

    Modifier
    Catherine Deneuve
    Catherine Deneuve
    • Carol Ledoux
    Ian Hendry
    Ian Hendry
    • Michael
    John Fraser
    John Fraser
    • Colin
    Yvonne Furneaux
    Yvonne Furneaux
    • Helen Ledoux
    Patrick Wymark
    Patrick Wymark
    • Landlord
    Renee Houston
    Renee Houston
    • Miss Balch
    Valerie Taylor
    Valerie Taylor
    • Madame Denise
    James Villiers
    James Villiers
    • John
    Helen Fraser
    • Bridget
    Hugh Futcher
    Hugh Futcher
    • Reggie
    Monica Merlin
    • Mrs. Rendlesham
    Imogen Graham
    • Manicurist
    Mike Pratt
    Mike Pratt
    • Workman
    Lewis Alexander
    • Neighbour
    • (non crédité)
    Tony Allen
    • Neighbor
    • (non crédité)
    Joe Beckett
    • Neighbour
    • (non crédité)
    Hercules Bellville
    • Passer-by on South Kensington Street
    • (non crédité)
    Wallace Bosco
    • Old Man
    • (non crédité)
    • Réalisation
      • Roman Polanski
    • Scénario
      • Roman Polanski
      • Gérard Brach
      • David Stone
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs284

    7,659.9K
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    Avis à la une

    10tonyt86

    One of the "best of" of psychological thrillers

    Extremely shocking if you consider the time it was filmed!

    Carole, a beautiful, young, unusually shy, fragile, foreigner, works in a beauty salon and lives with her older sister Helene in London. Her behavior at first seems "faintly strange" and distant, but it appears like this is normal for everyone around her. Soon we realize she is antisocial and has a psycho-pathological fear of males and sex. When Helene leaves for a trip with her lover, Carole isolates herself in her sister's apartment and surrenders to her morbid fantasies that lead her down a path of hallucinations all the way to murder.

    Polanski uses "the world outside" in a clever way, to give us the whole parameter that helps bring about Carole's downfall. The social alienation a foreigner feels, the domination games and the self-interest of the people close to her. The men that approach her together with her own sexual fears, are all catalysts. They create the image of a threatening world and her helpless existence in it, as seen from inside her already troubled mind. Then begins a very true, detailed description of her problematic mind that slowly worsens into madness. Done in a natural and simple way and perhaps that is what makes it so haunting.

    The first part is purposely slow. A moment-to-moment reality that builds up tension and soon gives way to a nightmarish world. We watch as everyday reality transforms into a closed-door hell and as Carole transforms from "strange" into a clinical psychopath. The house becomes a character, its dimensions distorted and Carole is left there, to wander in it alone, with the house and the objects acting as symbols to portray exactly what is going on inside her head. (Everything symbolizes Carole's mental decline in parallel). Space becomes distorted. Time becomes distorted. She becomes distorted.

    The black and white makes you focus exactly where the director wanted and the visual effects are very limited compared to todays psychological thrillers. Here, the girl and the apartment are enough. The violence is not graphic it is psychological. Polanski's expert use of sound, sets, camera angles and framing all play a great role in creating the horror atmosphere.

    Deneuve is Fantastic! In a very difficult part (if you consider she plays alone and without dialogue most of the time) delivering an extremely complex role (her best performance to date) perfectly!! People have rushed to say she was "flat" but in this specific film, I believe that was the intention. The MIND is the protagonist here; she is only the vehicle where the mind lives. Her "underplaying" helps the viewer focus on what is happening inside her head, makes you follow her and go through the experience with her. If one decides to watch this film and not experience it, then yes, she looks hypnotized.

    By the time Helene and her boyfriend return, the viewer is just as shocked to have seen what the couple finds there. It is heartbreaking. The very last scene then finishes you off, perhaps giving the biggest clue. Revealing a secret as to why this has happened. And the way this scene is filmed leaves you with a chill in the spine. I became even more disturbed well after the movie was over and my thoughts had settled down. This is why I call this film an "experience".

    I think that some factors always needed when putting a "value" on films are often overlooked. Things like: Time of release, Level of difficulty in achievement of the story itself and Level of difficulty because of the budget or the country of production. Based on these, I think that Polanski has created masterwork. It could be considered very slow, especially for today's viewers. And for others it could even be considered a claustrophobic hell. In respecting everyone's personal opinions I would only recommend this to a specific audience and specific friends. Mostly ones who want to concentrate and allow themselves to be taken in by this type of film. For them, I am sure the experience will be rewarding.
    10Quinoa1984

    a truly psychotic picture- one of Polanski's best

    Sometimes not saying anything in a horror movie, and letting a character lose his/her mind in a setting can really get the goosebumps going, more so than with the recent 'shockers' of late that all seem to take place within a haunted house or have some kind of ghostly secret. The most frightening thing about Repulsion, Roman Polanski's first film in English (and filmed in England) is that everything that can terrify the audience is within the lead character's mind. In this case, the young Catherine Deneuve plays Carole, a part-time manicurist who spends most of her time inside of her apartment she shares with her sister. Polanski piles on the atmosphere like fudge on a sundae- we literally get thrust inside of her mind as she goes into this down-ward spiral.

    It would be one thing if the film was a great success just because of Polanski's tricks with adding true fear into the audience, but Deneuve is a big factor in this too. It may be a triumph of under-acting, or even over-acting from a point of view. All through the movie she plays her paranoia and sexual frustration (if not repression) almost like a kind of doll, following orders we can't quite understand. Sometimes she interacts or sees things that are strange (i.e. a cooked and eaten rabbit; the cracks in the walls springing up), but then as the film winds into its climax, she becomes perfected into this kind of traumatized, crazed creature. She is a beautiful person who plays a not too beautiful being, but she somehow pulls it off, even better than in her role in Belle du Jour. Bottom line, if you're tired of getting disappointed with the latest horror films where unexplained phenomena in a house terrorize its main character(s), take a look at this film and see if it will leave you when you're finished with it. A+
    9preppy-3

    MUST be seen in a theatre

    Disturbing, harrowing tale of one girls' (Catherine Deneuve) descent into madness.

    Catherine Deneuve's performance is fantastic--she plays it just right. Quite an accomplishment considering she was only 22 at the time! Roman Polanski's direction, beautiful black and white photography and effective use of sound really helps the film. Ahead of it's time.

    Some people have complained about being bored by this film...I'm assuming they're watching in on TV. It's true--the film doesn't play as well on TV. I was lucky enough to see it for the first time in a theatre and it scared me silly. On a big screen you're pulled into the girls' madness--I was jumpy for days afterwards.

    On TV it just doesn't work. It's still good, but nowhere near as unsettling. So, if you're going to see it, try to see it on a big-screen TV. This film almost never plays at revival cinemas--a real shame. Probably Polanski's best film next to "Chinatown".
    9mywebspace

    Utterly Amazed....!!!!

    This is only my second comment on a film on here as normally just read others but i had to leave a short comment on this film. I consider myself pretty scare proof as I'm a massive fan of psychological horror but i just caught Repulsion on TV tonight at 1.40am alone, in the dark. As i write its now 6am as all i can think about is this film.

    I have never been affected by a film as much this before. Whilst some may consider the first part rather slow i found its a wonderful set-up for what follows. I wont review it as many others already have but all i wanted to say is that this film truly haunted me, genuinely made me jump and kept me tense as hell!.....i cant put it into words

    The cinematography is amazing, much better than anything current. The lead actress is astonishing to say the least and unlike other films, this film is truly disturbing. I advise watching alone, in total peace, in the dark.

    I can see where lynch got many of his ideas but this is far superior.The last shot is pure genius and very unsettling.

    I can honestly say this is now my favourite film of all time.
    8philiponel

    Terrifying and well-made movie.

    This young woman's descent into insanity is so well documented that you truly thank God that it is not you that is going through this. Leave it to Roman Polanski to scare the hell out of you! I was grieving the death of someone who was very close to me when I saw this movie, and this movie snapped me out of that grief; the awareness that it could always be worse helped. Highly recommended.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Features the first depiction of female orgasm (sound only) to be passed by the British Board of Film Censors.
    • Gaffes
      Near the beginning of the film, when Carol has gone out to lunch from work and is walking on the street past the Saloon Bar, the shadow of the camera can be seen on her blouse.
    • Citations

      Carol: We must get this crack mended.

    • Versions alternatives
      Entertainment Programs Inc. DVD release only runs 100 minutes (despite the 105 minute running time listed on the package).
    • Connexions
      Featured in Patsy, mi amor (1969)
    • Bandes originales
      Seduzione Al Buio
      Written, Arranged and Conducted by John Scott

      Performed by John Scott and Chico Hamilton

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    FAQ25

    • How long is Repulsion?Alimenté par Alexa
    • What is 'Repulsion' about?
    • Is 'Repulsion' based on a book?
    • Where in the movie does it say that Michael is married?

    Détails

    Modifier
    • Date de sortie
      • 7 janvier 1966 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Repulsión
    • Lieux de tournage
      • Hammersmith Bridge, Hammersmith, Londres, Angleterre, Royaume-Uni(Carol walking by a car accident)
    • Sociétés de production
      • Compton Films
      • Tekli British Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 300 000 $US (estimé)
    • Montant brut mondial
      • 33 174 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 45 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.66 : 1

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