À corps perdu

I decided to watch A Rage to Live on a whim and am very happy that I did. Suzanne Pleshette gives a wonderful performance. Seeing her here makes me wonder why she never became a bigger star than she did. Along with her unique beauty she is also a completely unique and talented actress. Anyway, she's great and so are Dillman and Gazzara. The story seems a bit dated but looking back to my time a decade later than this film takes place, I can recall seeing this type of double standard between men, women, and sex quite often. As such, it's not as outdated as it seems or actually should have been by this time. Overall, I enjoyed A Rage to Live.

A Rage to Live (1965)

A fabulous movie, well written, beautifully filmed and acted, intense and fast and beautiful, a real dramatic drama. And Suzanne Pleshette as the star is an astonishment, subtle and sharp and exactly what her part demands as the rich and sexually charged girl in a sleepy Pennsylvania town. Her two main men, played by Ben Gazzara and Bradford Dillman, are right on as well, and throw in Peter Graves as a third man in her life, and you get the range of characters and a sense of the plot. Yes, she's pulled by a handsome guy whether it's her husband or not.

And yet she never comes off to me as the "tramp" that some call her. She's warm and generous and seems to just be living her life as a nice person, even regretting her slipping off the straight and narrow now and then. The town's reaction is startling and believable. A really fabulous situation, a soap opera of sorts, but given a wonderful sense of form and pace and eventually high drama.

Director Walter Grauman is not a household name of course, and he directed mainly television, but he makes this a very slick and powerful production. The second half, especially, where Gazzara and Pleshette have a lot of screen time together, develops emotionally. Yes, the turns and conflicts are not total surprises, but they're well placed. Gazzara might be familiar to some for his role in "Anatomy of a Murder" across from Jimmy Stewart. Pleshette had a career with few great movies, but she did appear (second to Tippy Hedron) in "The Birds."

A vastly underrated movie, coming just a year or so before the big shift in styles and "New Hollywood." It's widescreen black and white, quite a treat to watch on every level. I guarantee it'll rise in value over the next decade.

I know this movie doesn't deserve a 7, but it's very entertaining if you like scandalous happenings amongst the small town elite.

Suzanne Pleshette is gorgeous and alluring even as she is conflicted by inappropriate liaisons with men. It's not her fault that she looks like a lush 30-year old when she's supposed to be 16.

We are led to believe she has a disorder (nymphomania), but maybe her actions are just outside the norms of the town which seems mired more in 1955 than 1965? There is no need to recap the plot here. If you like movies where upset people grip highball glasses and gulp down liquor, or make out with people not their husbands in cars with rain/steamed windows, you'll love A RAGE TO LIVE (based on the novel by John O'Hara).

I really love this movie. Grace Caldwell is the ultimate bad girl, tries to turn her life around, but is crushed in the end. Nothing like the book, A Rage To Live was considered racy for the 60's. Suzanne Pleshette acted her heart out. I've been waiting for years for this to come out on video; in fact, I haven't even seen it on TV for several years.

Movie adaptations from John O'Hara never really get it right. Either they're not frank enough or they sentimentalize or they just plain don't have the budget to put his world on screen. He's very specific about the historical moment when his stories take place. "A Rage to Live" (like "From the Terrace" and "Butterfield 8" as well) is transposed to a later time. It really might have helped if it could have shown us the changing manners and mores of a very specific Pennsylvania world. What I mainly remember it for is one of the two flat-out sexiest performances by a male in the movies that I can readily recall. The other one is Ray Danton in "Too Much, Too Soon." Gazzara is hotter than blazes in his part. A few years ago, when the actor Harry Reems was extradited to Tennessee for appearing in a porn film shot elsewhere that just happened to be sold there, Gazzara was one of his most vocal defenders. He was no kid, Gazzara, but he said "I work out every day. My body is in WONDERFUL shape. And if I want to do a porn film, I want the right to do one." Any surprise that he was so sexy in this film, or in "The Strange One"?