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Un jeune homme se rend dans la propriété de sa fiancée pour découvrir que son père, un scientifique en fauteuil roulant, a découvert une météorite qui émet des radiations mutantes qui ont tr... Tout lireUn jeune homme se rend dans la propriété de sa fiancée pour découvrir que son père, un scientifique en fauteuil roulant, a découvert une météorite qui émet des radiations mutantes qui ont transformé les plantes de sa serre en géants.Un jeune homme se rend dans la propriété de sa fiancée pour découvrir que son père, un scientifique en fauteuil roulant, a découvert une météorite qui émet des radiations mutantes qui ont transformé les plantes de sa serre en géants.
- Réalisation
- Scénario
- Casting principal
Gretchen Franklin
- Miss Bailey
- (non crédité)
George Moon
- Taxi Driver
- (non crédité)
Avis à la une
The American Stephen Reinhart (Nick Adams) arrives by train in Arkham, a small town in the countryside of England. He tries to travel to the real estate of a man called Witley by taxi or bicycle, but the locals are frightened by the name and refuse to help him. Stephen has to walk to the property and he is badly received by Nahum Witley (Boris Karloff), who is on the wheelchair.
Stephen informs that he had been invited by his fiancée, Susan Witley (Suzan Farmer), who welcomes him when she sees Stephen. The young man is summoned by Susan's mother, Letitia Witley (Freda Jackson), who is very ill, to have a private conversation with her, and she asks Stephen to leave the real estate as soon as possible with Susan. Further he learns that the maid Helga has disappeared and the butler Merwyn (Terence de Marney) is also very ill.
Stephen notes that there are weird things happening in the house, with a woman in black wandering in the garden and screams during the night. He snoops around and finds the Nahum is using the radiation of a meteorite in the greenhouse to turn the wasteland into a place of beauty with giant plants. However the side effect of the radiation has killed Merwyn and affected the health and turned Helga and Letitia into monsters. Now Nahum wants to destroy the stone with tragic consequences.
"Die, Monster, Die!" is a good sci-fi horror movie with Boris Karloff. The creepy story has a promising beginning but when the mystery is disclosed, it is a little disappointing. I was expecting that Corbin Witley was behind the dark events but the plots changes to science fiction and becomes silly. My vote is seven.
Title (Brazil): "Morte Para Um Monstro" ("Death for a Monster")
Stephen informs that he had been invited by his fiancée, Susan Witley (Suzan Farmer), who welcomes him when she sees Stephen. The young man is summoned by Susan's mother, Letitia Witley (Freda Jackson), who is very ill, to have a private conversation with her, and she asks Stephen to leave the real estate as soon as possible with Susan. Further he learns that the maid Helga has disappeared and the butler Merwyn (Terence de Marney) is also very ill.
Stephen notes that there are weird things happening in the house, with a woman in black wandering in the garden and screams during the night. He snoops around and finds the Nahum is using the radiation of a meteorite in the greenhouse to turn the wasteland into a place of beauty with giant plants. However the side effect of the radiation has killed Merwyn and affected the health and turned Helga and Letitia into monsters. Now Nahum wants to destroy the stone with tragic consequences.
"Die, Monster, Die!" is a good sci-fi horror movie with Boris Karloff. The creepy story has a promising beginning but when the mystery is disclosed, it is a little disappointing. I was expecting that Corbin Witley was behind the dark events but the plots changes to science fiction and becomes silly. My vote is seven.
Title (Brazil): "Morte Para Um Monstro" ("Death for a Monster")
Originally filmed under the more atmospheric title 'The House At The End Of The World', sadly both the American ('Die, Monster, Die!') and British ('Monster Of Terror') titles reflect the quality of the movie.
An adaptation of H P Lovecraft's 'The Colour Out Of Space' it feels more like a Poe adaptation, with its old dark mansion, subterranean corridors and air of family secrets. Unsurprisingly first-time director Haller was Corman's production designer/art director on the Poe series and the end result is a good-looking movie ruined by a poor script.
Karloff is wasted as is the cast, which is a shame as it is a fine one. Freda Jackson, Suzan Farmer and Patrick Magee are genre veterans who have given (or would go on to give) fine horror performances in other movies, here they are just thrown away in small cameo roles or, in Farmer's case, a stiff, disconnected leading role.
Haller would go on to make the far better Lovecraft adaptation, 'The Dunwich Horror', which, while flawed, is well worth checking out.
An adaptation of H P Lovecraft's 'The Colour Out Of Space' it feels more like a Poe adaptation, with its old dark mansion, subterranean corridors and air of family secrets. Unsurprisingly first-time director Haller was Corman's production designer/art director on the Poe series and the end result is a good-looking movie ruined by a poor script.
Karloff is wasted as is the cast, which is a shame as it is a fine one. Freda Jackson, Suzan Farmer and Patrick Magee are genre veterans who have given (or would go on to give) fine horror performances in other movies, here they are just thrown away in small cameo roles or, in Farmer's case, a stiff, disconnected leading role.
Haller would go on to make the far better Lovecraft adaptation, 'The Dunwich Horror', which, while flawed, is well worth checking out.
Nick Adams arrives in a town in rural England to visit a young lady he met in college. However, when he tries to get a ride or rent a vehicle to take him to her manor home, the villagers are downright nasty--refusing to help him as well as inexplicably saying nothing about why they are so angry. Eventually, he just walks to her home. However, once there, the welcome is just as chilled and her father (Boris Karloff) treats him like a leper--telling him to go. However, it soon becomes apparent that the girl and her mother want Nick to stay and finally Boris reluctantly agrees to let him stay one night.
This is a movie in search of a decent ending. During the first half of the film, the audience is highly entertained in a tale of possible madness or Satanism and the mood is terrific--eerie and with a strong sense of foreboding. However, despite a wonderful buildup, the ending is a major disappointment and can't help but sink this movie to the "barely watchable" level. The deep and dark secret just seemed rather dull and uninteresting.
It's worth seeing if you are a Boris Karloff fan, but otherwise it's pretty skipable.
This is a movie in search of a decent ending. During the first half of the film, the audience is highly entertained in a tale of possible madness or Satanism and the mood is terrific--eerie and with a strong sense of foreboding. However, despite a wonderful buildup, the ending is a major disappointment and can't help but sink this movie to the "barely watchable" level. The deep and dark secret just seemed rather dull and uninteresting.
It's worth seeing if you are a Boris Karloff fan, but otherwise it's pretty skipable.
If there is one thing I don't like in horror films (well, it's more than one, but never mind) it's those long, dialogue-free scenes of people-investigating-strange-noises-in-dark-rooms. "Die, Monster, Die!" has more than its share of such scenes, and this results in a draggy pace: the movie runs only 80 minutes but seems much longer than that. However, there are some good things to be said about it: the prologue is funny ("He wants to go to the Witley house. Ha ha ha ha!"), the mansion where most of the action takes place is a marvelously old-fashioned and atmospheric set, and the special effects are pretty good - perhaps even ahead of their time. Of course, Boris Karloff fans will want to see him in any film, and despite his health problems at the time he was still an inimitable actor, but in this film he wasn't given enough juicy dialogue to chew on. For me, the standout in the cast is the sweet Suzan Farmer as Karloff's daughter. (**)
AIP decided to try cashing in on Lovecraft rather than Poe this time around.What we get is an above average movie that is hampered by its budget.
Nick Adams plays Stephen Reinhart who arrives in the small english town of Arkham.When he tries various means to travel to the Witley estate he is rebuffed by the townsfolk and has to walk.We're treated to some decent matte shots of a desolate countryside.
Arriving at the estate the young man is met by Nahum Witley (Boris Karloff).He is pointedly told to leave.Sticking to his guns Steve informs the man that he was invited by Mrs Witley.Of course Susan (Witley's daughter) rushes down to clear up some confusion.
Here we learn that there are some weird goings on involving everyone at the house. A maid has disappeared,weird screams are heard at night and Mrs Witley hides behind curtains.A real miasma lurks in this house. Nahum has a strange secret in the basement that seems to be killing everyone who comes in contact with it.
Rather than go further into the plot which is really basic there are a few things that lift this above your standard haunted (for lack of a better word) house story.This movie just reeks with atmosphere.It is very opressive and claustrophobic.The sets are wonderful and nicely done on the cheap.Boris Karloff gives his usual wonderful performance. Nick Adams actually holds his own here.
On the downside the special effects are very limited due to the budget. A minor quibble.Patrick Magee shows up for a role that will leave you scratching your head wondering what that was all about.
Definitely worth a look if you catch it on AMC or find the dvd cheaply.
Nick Adams plays Stephen Reinhart who arrives in the small english town of Arkham.When he tries various means to travel to the Witley estate he is rebuffed by the townsfolk and has to walk.We're treated to some decent matte shots of a desolate countryside.
Arriving at the estate the young man is met by Nahum Witley (Boris Karloff).He is pointedly told to leave.Sticking to his guns Steve informs the man that he was invited by Mrs Witley.Of course Susan (Witley's daughter) rushes down to clear up some confusion.
Here we learn that there are some weird goings on involving everyone at the house. A maid has disappeared,weird screams are heard at night and Mrs Witley hides behind curtains.A real miasma lurks in this house. Nahum has a strange secret in the basement that seems to be killing everyone who comes in contact with it.
Rather than go further into the plot which is really basic there are a few things that lift this above your standard haunted (for lack of a better word) house story.This movie just reeks with atmosphere.It is very opressive and claustrophobic.The sets are wonderful and nicely done on the cheap.Boris Karloff gives his usual wonderful performance. Nick Adams actually holds his own here.
On the downside the special effects are very limited due to the budget. A minor quibble.Patrick Magee shows up for a role that will leave you scratching your head wondering what that was all about.
Definitely worth a look if you catch it on AMC or find the dvd cheaply.
Le saviez-vous
- AnecdotesBecause of his back problems and his difficulty walking, the screenplay was written so that Boris Karloff could perform his role while seated in a wheelchair.
- GaffesWhen the stranger arrives, looking to get to "the Witley Estate", can't get a taxi, hire a car or even a bicycle, several times he asks directions which he never gets, told the only way he'll ever get there is to walk, he wanders off with no directions and yet in the absence of any signposts arrives at a locked front gate which has NO name (no "Witley Manor") but only "Keep Out" signs which he proceeds to get around and into the grounds. The bicycle shop proprietor raises an arm to indicate the direction, but after that there are branched off roads, where either direction could be the correct one, and he even walks across rough ground with no path, but somehow manages to reach the house he's looking for.
- Citations
Susan Witley: Father has never allowed me to go on the heath.
- ConnexionsEdited into FrightMare Theater: Die, Monster, Die (2018)
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- Die, Monster, Die!
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- Durée1 heure 20 minutes
- Rapport de forme
- 2.35 : 1
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