Le Knack... et comment l'avoir

Richard Lester was the one with the knack...the knack for providing snapshots of Swinging London, and for that we should all be grateful. With The Knack...and How To Get It, Lester builds on his triumph of A Hard Day's Night with a winning cast, dynamic cinematography and a hilarious screenplay.

Michael Crawford carries this film. He is, in short, adorable as the sexually frustrated milquetoast Colin. Another actor may have played Colin as pathetic; Crawford seems to have insight as to Colin's predicament and instead plays him as a well-meaning innocent. Ray Brooks is suitably slimy as skirt-chasing Tolen. Rita Tushingham is the very portrait of a British bird circa 1965, and a fine comedienne at that. My favorite character in the film, though, is Donal Donnelly as Tom. He really serves no ostensible purpose other than comic relief, which he amply provides. His timing is wonderful, especially playing off Ray Brooks.

Lines from the screenplay make me laugh as I think about them, and the various plays on words throughout the film are incredibly clever.

"Skirt is meat." Watch this film and see what I mean.

Attention, All You Carnally-Curious Viewers! - If you want the "knack" and seriously wanna know "how to get it" - Then steer clear of this quirky, off-the-wall, 1965, comedy - 'Cause it's sure to leave your head spinning, as you find yourself even more clueless than you already are.

If nothing else - "The Knack" (directed by American film-maker, Richard Lester) is (movie-wise) historically significant in that it is sandwiched in between 2 of Lester's more notable pictures - "A Hard Day's Night" and "Help!", which, of course, starred the Beatles.

Even though "The Knack" (which was set in London and filmed in b&w) is a pretty silly and scatterbrained tale about the lustful pursuit for sexual conquests - It certainly did have its interesting and entertaining moments.

And, yes - With "The Knack" now being 52 years old - It is, indeed, dated - But still definitely worth a view. Yet - With that said - I do caution you, that its decidedly-eccentric brand of humour isn't gonna appeal to everyone.

Reviewers fell all over themselves to praise this film when it came out. I personally tend to be a sucker for good, wild British comedy. I wanted to believe the reviews.

Why did they lie to me?!? Oh, have no doubt that at the time this was wild and crazy and totally unlike just about anything out there. I can see that in the film and I can also see the whole generation gap thing playing itself out in there as well. I see all that was said to be in there, except for great performances and the wacky comedy.

I shall not try to comment on story or plot. This film doesn't even pretend that those elements matter, and they certainly don't if you should happen to see this movie. You're there for the "event" of the film itself. Other than Rita Tushingham's heavenly eyes and lips, there IS no "event" worth hanging around to see.

This is one of those films that should be viewed only in the context of its place in film history. It fails to survive the passage of time on its own merits. It is merely an interesting curiosity from the 60s.

On another, short note, the soundtrack is incredible. It makes the film worth sitting through.

There are lots of things to like in this movie: glimpses of London, black and white photography, likable young actors, old fogies, fast pace, great music, but one gets the impression that the original play was cut, and there is nothing that would have interested me more than the uncut play, flaws and all. That would have been more interesting than the touches from Max Sennett and Jacques Tati.

The play's central message seems quite conventional: nerd gets the best girl, playboy overwhelmed with his mannequins. For all the mockery of the old folks, the values permeating this plot are old folks' values. The view of women is passive. They don't swing, they are merely "taken advantage of", and the nicest girls is the most virginal, as if sexual activity were incompatible with niceness, and virginity were incompatible with napalm. But that's movies for you: always asserting the unassailable, rocking the cradle instead of the boat.

Tushingam steals the show. She has more screen presence than Garbo.

A young and sexually frustrated school teacher rents out a room in his old house to a hip drummer with a motorcycle who is an expert at seduction in the hope of learning how he does it. Crazy editing and a haphazard style make it a challenge for those of us brought up on westerns and film noirs. A youth movie for the 60's with Rita Tushingham who seemed to embody that period of youthful British cinema, with a decidedly British humor and a take on society and sex, all wrapped up in the anarchy of free form movie making. Similar in style to Lester's "Hard Day's Night" but without the Beatles to carry it, this film relies more on the patience of the viewer, as it has a nice little story within the chaos.