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Le lâche

Titre original : Kapurush
  • 1965
  • Tous publics
  • 1h 10min
NOTE IMDb
7,6/10
2,6 k
MA NOTE
Haradhan Bannerjee, Soumitra Chatterjee, and Madhavi Mukherjee in Le lâche (1965)
DramaRomance

Ajouter une intrigue dans votre langueA chance meeting rekindles old memories between a screenwriter and his ex-girlfriend, who is by now married to a well-to-do man.A chance meeting rekindles old memories between a screenwriter and his ex-girlfriend, who is by now married to a well-to-do man.A chance meeting rekindles old memories between a screenwriter and his ex-girlfriend, who is by now married to a well-to-do man.

  • Réalisation
    • Satyajit Ray
  • Scénario
    • Premendra Mitra
    • Satyajit Ray
  • Casting principal
    • Soumitra Chatterjee
    • Madhavi Mukherjee
    • Haradhan Bannerjee
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    2,6 k
    MA NOTE
    • Réalisation
      • Satyajit Ray
    • Scénario
      • Premendra Mitra
      • Satyajit Ray
    • Casting principal
      • Soumitra Chatterjee
      • Madhavi Mukherjee
      • Haradhan Bannerjee
    • 17avis d'utilisateurs
    • 26avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Photos45

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    Rôles principaux6

    Modifier
    Soumitra Chatterjee
    Soumitra Chatterjee
    • Amitabha Roy
    • (as Soumitra Chattopadhyay)
    Madhavi Mukherjee
    Madhavi Mukherjee
    • Karuna Gupta
    • (as Madhabi Mukhopadhyay)
    Haradhan Bannerjee
    Haradhan Bannerjee
    • Bimal Gupta
    • (as Haradhan Bandyopadhyay)
    Santi Chatterjee
      Satish Haldar
      Deochand Lal
      • Réalisation
        • Satyajit Ray
      • Scénario
        • Premendra Mitra
        • Satyajit Ray
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs17

      7,62.5K
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      10

      Avis à la une

      10soujatyadg

      The most fascinating quality about Kapurush is its brevity...

      The most fascinating quality about Kapurush is its brevity – the brevity of the film runtime (74 mins), its terseness in dialogues and the concision in expressions delivered by the protagonists of this film. It is a remarkable craft.

      It's hard to imagine for any film maker of international repute to deal with a subject like Kapurush and tackle in-depth human emotions and consciousness, so succinctly and precisely, in just about 74 minutes. Some filmmakers would take alteast the normal 120-140 minutes length to be able to deal with a subject like Kapurush in order to give a wholesome cinematic form. Satyajit Ray took just 74 times to tell a story revolving around 3 main characters, depicting their psyche and intense mental turmoil – all unspoken but using subtle eye movements and small body gestures. The film is the finest example of optimal usage of speech, gesture, expression and length. The film highlights Ray's prowess in the economy of speech and cinematic resources. Kapurush inevitably epitomizes Ray's mastery and control over every aspects of film-making.

      The ending of the film is undoubtedly the most exciting part - as with many of Ray's films, it leaves the audience to draw several conclusions, and as a result makes you think. And that's what makes Ray's films so unique – they are all subtle, calm and composed films – but after you have seen them, they bore a deep imprint on your mind and makes you think. Kapurush is one of them.

      Unfortunately, Kapurush is a highly underrated film, perhaps because Ray is impeccable and had consistently produced masterpieces. As a result of this, a film like Kapurush got overshadowed. For any other world-class film-maker of today, it would have been a jewel in his or her oeuvre. Well, as I always say – Satyajit Ray is the God of Cinemas....period.
      7jordondave-28085

      Another character examination study film from Satyajit Ray

      (1965) The Coward/ Kapurush (In Bengali with English subtitles) DRAMA

      Adapted from the short story ""Janaiko Kapurusher Kahini" by Premendra Mitra music, co-written and directed by Satyajit Ray that tells about an inspiring screenwriter, Soumitra Chattopadhyay as Amitabha Roy (also known as the Coward) by chance meeting an ex-former flame, Karuna (Madhabi Mukhopadhyay), and he continues to pursue for her affections despite her already married with an already successful owner Bimal Gupta (Haradhan Bandyopadhyay). Throughout the entire movie, viewers get to witness flashbacks how the two first met and what drove them apart.

      It is not just a movie about a young man vying affections for a former flame, for it is also about class, culture and principle. I love the civil discussions that does not involve murder. This is the sixth of fourteen films actor Soumitra Chatterjee collaborated with writer/ director Satyajit Ray.
      9richardchatten

      Ashes

      This melancholy little chamber piece from the director of 'Pather Panchali' also ends beside a railway line; once again holding out the possibility of a new departure.

      It has much of the mood of the epilogues of 'Une Partie du Champagne' and 'Les Paraplues de Cherbourg', but this time comprises the entire movie, with the sadly recalled happier times just brief flashbacks.
      10mossgrymk

      the coward

      After watching two rather lengthy, rambling Ray films, "Big City" and "Charulata", it was nice to see this concise, 70 minute parable about the folly of turning one's back on love because one is scared to commit. Felt like a combination of DeMaupassant, with the twist of the knife at the end, and Maugham, with the tawdry, tea plantation setting. Add a dash of James M Cain (the lonely, alcoholic husband) and you've got a most satisfying movie. Give it an A.
      pablo16

      Revival of burnt out passions or de-ja vu?

      This can be categorized as another Ray short-of-a-full-length venture! The title could not be more apt, as COWARD is written all over the young writer(Soumitra Chatterjee)- especially after we are told of the past sequence. Some years ago, Amitabh had refused to marry lover Karuna in haste. He needed 'time' to think it over, the city was big, he was starting to work, he wasn't even established properly- how could he marry Karuna suddenly?

      Many years later, his car breaks down and he is given shelter for the evening in Bimal Gupta's house- a successful tea planter somewhere in Darjeeling. The tea-planter is lonely in that part of the world with no neighbors nearby, hence he talks garrulously about his takes on life. Amitabha is now an established screen-writer who talks less but is astounded to meet Bimal's wife- Karuna.

      A breakthrough performance by Madhabi Mukherjee, this is a wonderful movie which will not fail to appeal anyone.

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        This film is featured as a bonus on "The Big City", released by the Criterion Collection, spine #668.
      • Gaffes
        The shadow of the boom mic is clearly visible on the wall at the start of the first flash-back scene.
      • Citations

        Amitabha Roy: All this palm reading was just an excuse to hold your hand.

        Karuna Gupta: You think it wasn't an excuse for me to offer it?

      • Versions alternatives
        There is an Italian edition of this film on DVD (Extra Movie in "APARAJITO"), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
      • Bandes originales
        It's a Long Way to Tipperary
        Composed by Jack Judge

        Performed (whistled) by Haradhan Bannerjee

      Meilleurs choix

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      FAQ14

      • How long is The Coward?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 13 avril 1994 (France)
      • Pays d’origine
        • Inde
      • Site officiel
        • Satyajit Ray (India)
      • Langues
        • Bengali
        • Anglais
      • Aussi connu sous le nom de
        • The Coward
      • Société de production
        • R.D.Banshal & Co.
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        1 heure 10 minutes
      • Couleur
        • Black and White
      • Mixage
        • Mono
      • Rapport de forme
        • 1.37 : 1

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      Haradhan Bannerjee, Soumitra Chatterjee, and Madhavi Mukherjee in Le lâche (1965)
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      By what name was Le lâche (1965) officially released in Canada in English?
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