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7,1/10
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MA NOTE
Après que Ringo a passé à son doigt un curieux anneau, les Beatles se retrouvent pourchassés simultanément par des savants fous, la police londonienne et une mystérieuse secte asiatique qui ... Tout lireAprès que Ringo a passé à son doigt un curieux anneau, les Beatles se retrouvent pourchassés simultanément par des savants fous, la police londonienne et une mystérieuse secte asiatique qui pratique le sacrifice humain..Après que Ringo a passé à son doigt un curieux anneau, les Beatles se retrouvent pourchassés simultanément par des savants fous, la police londonienne et une mystérieuse secte asiatique qui pratique le sacrifice humain..
- Réalisation
- Scénario
- Casting principal
- Nomination aux 2 BAFTA Awards
- 5 nominations au total
John Lennon
- John
- (non crédité)
Paul McCartney
- Paul
- (non crédité)
George Harrison
- George
- (non crédité)
Ringo Starr
- Ringo
- (non crédité)
Ronnie Brody
- Priest
- (non crédité)
- …
Avis à la une
A great movie. People here seem to complain the plotline was too silly. But keep in mind this was during the Bond phase(almost a forerunner to Get Smart). A sacrificial ring caught on the Famous Ringo's finger. A mad scientist trying to take over the world. An evil cult trying to kill our heroes. A girl from that cult secretly helping our heroes. Typical Bondish plotlines.
It also has great one-liners(Maybe it's that I'm just your average 14 year old American who loves British humor), and just weird ones that sound funny. "I don't subscribe to your religion." "He's out to rule the world if he can get a government grant." "Now, look here, Paul. I've had some great times with this finger. How do you know I wouldn't miss it?"
And, of course, greeeeeaaaaat music.
It also has great one-liners(Maybe it's that I'm just your average 14 year old American who loves British humor), and just weird ones that sound funny. "I don't subscribe to your religion." "He's out to rule the world if he can get a government grant." "Now, look here, Paul. I've had some great times with this finger. How do you know I wouldn't miss it?"
And, of course, greeeeeaaaaat music.
"Help" is a nice companion movie to "A Hard Days Night". It is filmed in color, and while it doesn't have the classic look of black and white "Hard Days Night", the script is better, and the Beatles appear more relaxed acting. The music is very good. Ringo, often in the background during in concerts and on recordings, proves he is the best actor of the Fab Four. Paul, John and George come across the screen as genuine and charismatic. "Help!" is filmed in different locations as well, which add to the film's quality. To me, the Beatles are the greatest rock group in history. Before there was MTV, there was "A Hard Days Night" and "Help!". Nothing in music can top that.
This film, suck in the shadow of the criticaly lauded (rightfully so) "A Hard Day's Night", is arguably just as good and maybe more important. Richard Lester's
stuck deep in Buster Keaton mode (the Beatles Digs seem an homage to "the
Electric House") and he never made his modernized version of Buster work
better. Though it lacks "Hard Day's Nights" quicksilver verbal wit; there are
excellent visual jokes to pick up the slack, and the Beatles acting, FAR from being bad, hits just the right tone of throwaway sillyness. The supporting cast are perfect. Of the seven Beatles songs, I would say three( "Help" "The NIght Before" and "You've Got To Hide Your Love Away") are A plus Beatles, setting the bar very high indeed. This style of comedy, as I suggested, had one foot in silent comedy and one in hip detachment; and if that works for you, "Help!" should prove timeless.
stuck deep in Buster Keaton mode (the Beatles Digs seem an homage to "the
Electric House") and he never made his modernized version of Buster work
better. Though it lacks "Hard Day's Nights" quicksilver verbal wit; there are
excellent visual jokes to pick up the slack, and the Beatles acting, FAR from being bad, hits just the right tone of throwaway sillyness. The supporting cast are perfect. Of the seven Beatles songs, I would say three( "Help" "The NIght Before" and "You've Got To Hide Your Love Away") are A plus Beatles, setting the bar very high indeed. This style of comedy, as I suggested, had one foot in silent comedy and one in hip detachment; and if that works for you, "Help!" should prove timeless.
Although not as critically acclaimed as The Beatles' previous movie "A Hard Day's Night", "Help!" is equally as entertaining. In my opinion, the plot is much more interesting because it takes The Beatles to different locations around the world instead of just movie sets and hotel rooms. The first movie was to show how The Beatles lived everyday life and "Help!" was a fresh departure from this. I believe that this film is much more fun because John, Paul, George, and Ringo are having fun and so will you.
Help! has had a bad press, dating back to the 60s - when John Lennon criticises his own work, people listen.
But John wasn't really being fair. His disappointment (and similar comments from the others) reflect that, in this film, the Beatles were playing characters rather than, as in A Hard Day's Night, imitations of themselves.
Personally, I don't see the difference. Unless the cameras are fly-on-the-wall filming you in real life, then you're playing a character - that's what a fiction film is all about! And the Beatles played characters based on themselves in both A Hard Day's Night and Help!, it's just that the former film was staged in a more cine-verite manner.
Help!, on the other hand, is pure escapist nonsense. It's colourful, it has an actual plot (wildly improbable as it might be), the four Beatles discharge their responsibilities adequately, there are some lovely little throwaway bits of humour (check out Paul, Eleanor Bron, George, and the winking), and above everything, the music is great.
Just take it as an opportunity to go back to the summer of 1965 and relish the Beatles providing fun at the height of their popularity!
But John wasn't really being fair. His disappointment (and similar comments from the others) reflect that, in this film, the Beatles were playing characters rather than, as in A Hard Day's Night, imitations of themselves.
Personally, I don't see the difference. Unless the cameras are fly-on-the-wall filming you in real life, then you're playing a character - that's what a fiction film is all about! And the Beatles played characters based on themselves in both A Hard Day's Night and Help!, it's just that the former film was staged in a more cine-verite manner.
Help!, on the other hand, is pure escapist nonsense. It's colourful, it has an actual plot (wildly improbable as it might be), the four Beatles discharge their responsibilities adequately, there are some lovely little throwaway bits of humour (check out Paul, Eleanor Bron, George, and the winking), and above everything, the music is great.
Just take it as an opportunity to go back to the summer of 1965 and relish the Beatles providing fun at the height of their popularity!
Le saviez-vous
- AnecdotesThe swimmer who pops up twice asking for the White Cliffs of Dover, once in the Alps, and once in the Bahamas, is Mal Evans, road manager for The Beatles.
- GaffesDuring the scene in the Beatles' home where John defends himself from cult members using a telephone, one of his blows accidentally connects; he can be heard saying, "Oh sorry, I hit him!"
- Crédits fousThis film is respectfully dedicated to the memory of Mr. Elias Howe, who, in 1846, invented the sewing machine.
- Versions alternativesWhen released on video for the first time in 1989, the film remained in mono but the songs were remixed into stereo, dubbed over with the recordings from the stereo album.
- ConnexionsEdited into Braverman's Condensed Cream of the Beatles (1974)
- Bandes originalesHelp!
(uncredited)
Written by John Lennon with Paul McCartney
Performed by The Beatles
Published by Capitol Records
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- How long is Help!?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 500 000 $US (estimé)
- Durée1 heure 32 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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