Cyclone à la Jamaïque

As many times before, the IMDb has proven to be such a valuable resource. Like others who have written their comments here, I also saw this movie as a child and could never forget it. Besides, I fell completely in love with the little girl's character and somehow retained the actress's name in my memory for over 20 years: Deborah Baxter. In fact, that is how I found the movie again, because I had completely forgotten its title. The only other actor I remembered for sure was Anthony Quinn, so I began looking at the casts of all of his films whose title suggested pirates or ocean, until I arrived here and --to my own astonishment-- discovered that my memory had not failed me: the girl's name actually is Deborah Baxter! It seems that she only ever acted in two movies; what became of her? Anyway, I am happy to announce here that the movie has finally been released on DVD. I'm definitely buying it.

This mood-provoking 60's-style (ballad theme song) drama recounts a moment from an even earlier era, when there was piracy on the high seas.It stars a group of children who prove there is a group of human beings even less civilized than pirates, or can at least give them a run for their money. Anthony Quinn tenders the character of Chavez, captain of a pirate ship, of whole cloth: we always believe in Chavez and find him a worthwhile study. We have loved like him--whether it was a cuddly little animal or a neat person in our world awhile--for no reason other than that the loved delights us. While the love itself is pure, it can bring on trouble. This is demonstrated in both the film story line and the film's history, the latter being that the film has been basically closeted , perhaps due to society's discomfort with a grown-man's-affection-for-a-little-girl story line. Debra Baxter as Emily is a total charmer, realistically skinnier while unparented at sea.The tale evolves around her character, a 10-year-old English kid raised in Jamaica and now being shipped with her siblings and another family to the mother land to be reared out of her heathen ways.While Chavez's gang invades their ship, the children, as always in their own world, explore the pirate vessel and are still aboard when the clueless pirates take off. They are discovered and the pirates want to chunk them on the next island or worse, but Chavez insists the kids stay until they get to a safe port.The crew mutinees, the kids are saved, but Emily thinks she has committed a deed she will be punished for. An excellant dramatization of the potency of the untamed internal value system, aptly including society's "outsider-bad-men" as a frame of reference. It's a movie to chew over and think about. Children of both sexes enjoy it again and again.

I first saw this film as a child, and was surprised that I remembered so much of it over 30 years later. It is an unusual story of children who end up on a pirate ship by a quirk, and their relationship with the pirates, who regard them as unlucky. Which turns out to be true, in an unforeseen way. Anthony Quinn, as pirate captain, is superb, as are all the cast, especially the actress playing Emily, the oldest child.

Forget any preconceived ideas you might have about the plot. This is a haunting, unforgettable story.

I had watched this eons ago on Italian TV but had long forgotten it - the film does come across as somewhat unmemorable at the end of the day, but this offbeat pirate-adventure-with-child-interest has a beguiling charm all its own. That said, the film's very low-key nature might not win it much approval among action-film fans...

Curiously enough, half the film is actually spoken in Spanish (without the benefit of English subtitles!) - and, while it tends to wander because of this, also gives the proceedings a welcome air of full-blooded vividness! Anthony Quinn is his usual larger-than-life self, but his befuddled interaction with the kids endears him to viewers even more here. James Coburn is very amusing as Quinn's second-in-command, who can't speak a word of Spanish and is often at a loss as to what is going on around him (though I would have liked some form of an explanation as to his incongruous presence there). Dennis Price has a notable cameo towards the very end as a solicitor leeringly prying into the children's 'experience' with the pirates, while "guest star" Gert Frobe only appears in one crucial scene as a wounded Dutch captain (but who eventually has a huge bearing on the plot resolution); the film also features Nigel Davenport as the children's father and Lila Kedrova as a 'tavern-keeper'.

The opening hurricane sequence - which gives the film (and the novel it is based on) its title - is extremely well done, though the climactic courtroom sequence and its outcome (the willful execution of the pirates) is rather too rushed to be as effective as it needs to be. The antics of the children, of English and Spanish origins, are fun to watch - but Deborah Baxter leaves the best impression, as she is the one to bond most with Quinn. Larry Adler's lovely score subtly accentuates Douglas Slocombe's colorful widescreen imagery.

Alexander Mackendrick was an American-born/Scotland-bred director who made his name at Britain's famed Ealing Studios and went on to have a very brief but often brilliant career; this was actually his penultimate work. Incidentally, the two films of his I've yet to watch - MANDY (1952) and SAMMY GOING SOUTH (1963) - also feature children as their protagonists.

I had never even heard of this movie before. Probably wouldn't have watched it...but it was on AMC tonight and nothing else was on. I'm glad I didn't miss this one; this movie is very close to what "real" pirates, corsairs and privateers were like in their waning days. Of course there is a bit of artistic license, but the makeup of the crew, the scenes at the Port of Tampico, and the general feel of the film make it good fare, considering the constraints put on motion pictures in the year it was made. Many things implied, and understood behind the PG-rated facade of most scenes. The acting I found very good, the actors showed their contempt, inhumanity, decency, evil etc. (the facial expressions and acting of the madam in Tampico shows the ugliness behind the gilded facade beautifully) without having to "talk down" to the audience. Overall a very pleasant surprise for me, and I won't miss this one the next time it's on.