Cyclone à la Jamaïque

This mood-provoking 60's-style (ballad theme song) drama recounts a moment from an even earlier era, when there was piracy on the high seas.It stars a group of children who prove there is a group of human beings even less civilized than pirates, or can at least give them a run for their money. Anthony Quinn tenders the character of Chavez, captain of a pirate ship, of whole cloth: we always believe in Chavez and find him a worthwhile study. We have loved like him--whether it was a cuddly little animal or a neat person in our world awhile--for no reason other than that the loved delights us. While the love itself is pure, it can bring on trouble. This is demonstrated in both the film story line and the film's history, the latter being that the film has been basically closeted , perhaps due to society's discomfort with a grown-man's-affection-for-a-little-girl story line. Debra Baxter as Emily is a total charmer, realistically skinnier while unparented at sea.The tale evolves around her character, a 10-year-old English kid raised in Jamaica and now being shipped with her siblings and another family to the mother land to be reared out of her heathen ways.While Chavez's gang invades their ship, the children, as always in their own world, explore the pirate vessel and are still aboard when the clueless pirates take off. They are discovered and the pirates want to chunk them on the next island or worse, but Chavez insists the kids stay until they get to a safe port.The crew mutinees, the kids are saved, but Emily thinks she has committed a deed she will be punished for. An excellant dramatization of the potency of the untamed internal value system, aptly including society's "outsider-bad-men" as a frame of reference. It's a movie to chew over and think about. Children of both sexes enjoy it again and again.

One can only be thankful that Disney did not get hold of Richard Hughes' novel. The saccharine sweetness would have made one gag. The only disappointment that I had with the film was that it did not follow the book. Otherwise, this was a superb film in its own right. Anthony Quinn proved that he could play other characters than Zorba, an often overlooked fact.

The children were so prim and Victorian "proper" that their conflict with the pirates. or privateers, as they preferred to call themselves, was at time hilarious. My favorite scenes were when the children, who were on the ship for months without any means of amusing themselves other than their own devices, spooked the crew with various innocent or mischievous plays, such as pretending to do a burial at sea, and turning around the head of the ships figurehead so that it faced backwards. The superstitious sailors were terrified by what was really childish mischievous fun.

When the ship put into Tampico, where the Captain hoped to leave them behined with the local Madame, played by Lila Kedrova who seemed to have taken acting lessons from Carmen Miranda, the children were spruced up and returned to their clean clothes and with their hair combed. As the crew member doing the grooming explained: "the Captain wants you to look your best for the ladies". "What ladies?" asked the children. Under his breath the seaman muttered "You'll find out." Of course, the local ladies were the ladies of ill repute in a Godforsaken part of the Carribean where anything goes and the law would never set foot.

The beauty of the film is that it rises above the mawkish semtimentally that it could have fallen into. The Captain, Chavez, takes to the young girl, Emily, who is as feisty as they come, and she and the other children take to him. A Victorian version of the Stockholm syndrome where the captives idenity with their captors.

The story is a tragedy, as the pirates who after all, were simply making a living in the only way they knew. It wasn't even a profitable living, just a traditional, but dying, occupation. Suddenly they were stuck with some ill-disciplined little English children travelling to England to be paced in English boarding schools and "civilised", and neither side really understood the other. It was the misunderstanding that caused the problems and led to the final tragedy.

I would recommend this film to people who like to think and ponder over what is right and what is wrong, and from what perspective do we view right and wrong.

For those who have written in the "User Comments" that they cannot find "A High Wind in Jamaica" anywhere, they are correct that the movie has not yet been released on DVD or video -- a true disappointment, since this is a fine film -- but fortunately the cable channel American Movie Classics (or "AMC" as it's more commonly known) periodically runs the movie. It was last shown by AMC, in fact, in December 2003, and no doubt it will be again in the future, as all the great movies in their archives are. At their website, a search engine allows viewers to find out when the next showing of a specific film will be, if the scheduling is firm enough in the short term to be included in the search. I hope this helps everyone who admires the film.

I first saw this film as a child, and was surprised that I remembered so much of it over 30 years later. It is an unusual story of children who end up on a pirate ship by a quirk, and their relationship with the pirates, who regard them as unlucky. Which turns out to be true, in an unforeseen way. Anthony Quinn, as pirate captain, is superb, as are all the cast, especially the actress playing Emily, the oldest child.

Forget any preconceived ideas you might have about the plot. This is a haunting, unforgettable story.

I had never even heard of this movie before. Probably wouldn't have watched it...but it was on AMC tonight and nothing else was on. I'm glad I didn't miss this one; this movie is very close to what "real" pirates, corsairs and privateers were like in their waning days. Of course there is a bit of artistic license, but the makeup of the crew, the scenes at the Port of Tampico, and the general feel of the film make it good fare, considering the constraints put on motion pictures in the year it was made. Many things implied, and understood behind the PG-rated facade of most scenes. The acting I found very good, the actors showed their contempt, inhumanity, decency, evil etc. (the facial expressions and acting of the madam in Tampico shows the ugliness behind the gilded facade beautifully) without having to "talk down" to the audience. Overall a very pleasant surprise for me, and I won't miss this one the next time it's on.