C'est la fête au harem

Now this was something, not really a good something but it was something nonetheless. Being a novice when it comes to the filmic work of 'The King' I approached this film and his others from a fresh perspective. I guess I was put off by the stigma of corniness that plagues his filmography. After checking out Jaihouse Rock, Paradise Hawaiian Style and Spinout I thought I'd give this relative b-movie a look.

I enjoyed the pseudo middle eastern soundtrack and expected the visual equivalent here, which essentially is what I got. The faux parody element of the film falls by the wayside pretty quick unfortunately and ultimately becomes another vehicle for Elvis' kung-fu, romancing and spontaneous song performances. Shake Your Tambourine and So Close So Far are the performance highlights and there is some overlooked snappy dialogue. The less said about the creepy Hey Little Girl sequence though the better. My favourite song, the Garage-lite Animal Instinct was sadly not featured in the film.

Its universally looked at as the bottom of the barrel in the career of Elvis but I think its a pretty fun 80 mins or so, there are far worse movies out there.

Elvis returns, this time he is slightly weathered, quite a bit more lethargic, and desperate to escape his captors. But, his captors are not the oil paint smeared Arabs, nor the fairly innocuous women that surround him. His captors are much bigger than one motion picture could possibly describe. They are the entire industry he has found himself immersed in. They are the money-hungry culture vultures that readily devour a popular figure like him until he is but a bloated pasty corpse. This film shows them as they are through their sinister machinations. They can be seen with invisible marionette string as they force Elvis to march around in costume, as they prod him with sharp knives into doing little lackluster dances that turn into morose forced marches across the barren tundra of his once mighty career. This is not the Elvis of folklore, nor is it the Elvis that will return one day and save us from mediocrity. This is the dry Elvis, milked fully, udders raw, yet ever sedated. The Elvis that might have died on the screen in front of your eyes and you might have not even noticed it. Don't let the bright lights and forced smile fool you. It is your duty to lament this vision before you, because it is an ugly one.

For me, "Harum Scarum" is a prime example of different people having different opinions...I honestly don't think this is THAT bad, really. I'm an Elvis fan so I can be accused of bias, but I didn't think every film Elvis did was top notch. I'm not a western kind of guy so "Flaming Star", "Love Me Tender" and "Charro", but I think "Harum Scarum" is far more enjoyable and attention keeping than "Girls!Girls! Girls!", "The Trouble with Girls", "Tickle Me" and even "Blue Hawaii"...like I say, different people have different tastes. I know Priscilla Presley certainly doesn't like "Harum Scarum" she slates it in her autobiography "Elvis and Me" and even The King's Manager Colonel Tom Parker didn't like this and he was the man responsible for holding Elvis back in Hollywood. Once again, Mary Ann Mobley appears as the leading lady, looking even more beautiful than she did in "Girl Happy", as a king's daughter, while another beauty - actress and nude model Fran Jefferies also has a starring role as one of the villains. The director was the dancer and musical director Gene Nelson, and the set was used in a Laurence of Arabia type movie earlier. In "Harum Scarum", Elvis plays actor, singer and martial arts Hollywood star Johnny Tyrone, who is kidnapped by naive sheik's who believe Tyrone's movie skills where he can kill a tiger with his bare hands are real, and they want him to kill a king so they can take over control. Once held captive, Tyrone attempts to escape and return to America. En route, he meets and is smitten by Mary Ann Mobley and his escape plan soon makes way for plan B as he plots to save the King from the evil assassins and win the heart of his daughter. The soundtrack is not bad. They only song I'm not fond on is "Shake That Tambourine". "Kismet" and "Golden Coins" are fine songs, but all are nowhere near the sublime "So Close, Yet So Far (from Paradise)". A real hidden Gem from Elvis' movie soundtracks and one of my top 10 Elvis songs he ever recorded, it's a shame it had to appear in one of his most critically panned movies thus gets so criminally overlooked.

It's very easy to dismiss an Elvis flick with a goofy title like HARUM SCARUM just by hearing it. But I was actually rather surprised by this colorful and unconventional Presley romp. It turned out pretty good for a Presley knock-off, despite the hokum.

Taking Elvis into the odd world of the Middle East is in itself a fresh change of space considering the formulaic nature of his films. It's not high art by any stretch of the imagination, but it's fun. And leading ladies Mary Ann Mobley and Fran Jeffries are gorgeous to behold.

None of the songs are very strong, but there are plenty of them to go around this time.

Harum Scarum may not be Elvis's best movie, yet this Elvis movie is very much worth watching because it is a good movie. But more importantly the movies soundtrack is definitely the greatest album ever recorded, and its percussions are still being felt at the present time. For some reason they failed to play "Wisdom Of The Ages" in this Elvis movie and that is so wrong, because if there is one song from the 1960s that represents the 1960s rock & roll sound, its Elvis's song "Wisdom Of The Ages". Elvis's Harum Scarum soundtrack Middle Eastern infusion changed the world of rock & roll forever, and placed Elvis and his band, among the greatest of rock & roll teachers, who include John Lee Hooker and the most important Howlin Wolf. Yes, the Elvis movie Harum Scarum is worth buying to watch and so is that movies soundtrack.