The Fat Spy

Here's a sidenote to what everyone else posted.

This film was produced in Cape Coral, Florida. It was only filmed there for product placement purposes, well before product placement was ever really heard of.

The developers of Cape Coral were the typical "bought swampland in Florida" types you heard so much about.. so they thought having a movie filmed HERE would advertise their city. They used all the city landmarks at the time and hoped the movie would sell their property sales.

Eventually Cape Coral became as they say "Lies that came true" and is a thriving city today. It's just a very funny thing to watch this film from the angle of it being a sales tool.

That, and watching them hide Jayne Mansfield's very visible pregnancy with statuary and other methods is funny too.

What was everyone thinking when they signed on for this one?

The Fat Spy has just about everything wrong with it, actors not motivated to act, jokes that just fall flat, a plot that makes no sense, and Jack E. Leonard.

I remember Jack E. Leonard from many viewings of the Ed Sullivan show in the Fifties and Sixties. He was the Don Rickles of his day. A roly-poly comedian who made his bones in burlesque, Leonard specialized in insult comedy.

For some reason someone thought he'd be good to star in a feature film. So The Fat Spy was created and we got two Jack E. Leonards. They're playing brothers, one of whom is involved with Jayne Mansfield and the other with Phyllis Diller. Talk about differing tastes, that is the funniest thing about The Fat Spy.

No one ever asked Leonard to star in another film. Jayne Mansfield would make two more and then be tragically taken from us. Phyllis Diller was better served by her appearances with Bob Hope. Brian Donlevy is Jayne's father in this film and he calls her Junior. Donlevy has a look of pain throughout the film, wondering if his paycheck was going to clear the bank.

Anyway a group of treasure hunting teenagers on Brian Donlevy's private island look like they might discover the fabled Fountain of Youth rumored to be there. As Shaw says, "youth is wasted on the young" so the older generation wants to chase the kids off and get the secret of eternal youth for themselves.

Johnny Tillotson who is a fine singer and songwriter made his one and only appearance in film as a character. Acting was not among his talents, but he got to run off with a mermaid.

Pass this one by unless you want to hear Johnny Tillotson sing.

Really one of the worst movies I've ever seen. But funny in the same way "Plan 9 from Outer Space" is. The "musical" scenes are stunningly bad and the songs themselves are worse still. The acting is consistently horrific throughout. The plot and storyline impossible to fathom let alone follow. The 'actors' themselves seem to have no idea what the plot is. High point would be the 'musical' number near the end with Phyllis Diller and Jack E Leonard dancing around in some garden. But even though it's terrible from start to finish, it's watchable on some strange campy level. It's just so incredibly bad ... I kept wondering if it might eventually make some sort of sense before it was all over. But it didn't.

It would be impossible to write a spoiler of 'The Fat Spy' because even after watching it twice, I have no idea what it was about.

I found this on DVD at Wal-Mart for $2.00 CDN.

Not much. BUT, for a low (low, low, low) budget "beach party" film (set in Florida, for a change) there are *just* enough special moments to satisfy the truly curious. Those moments are all found in the musical numbers: Frank E Leonard croons to his long-lost love, cosmetics mogul Phyllis Diller, an amusing "love" song regarding Diller's supposed ugliness in "You Haven't Changed a Bit"....with lines like "the paper said that Peeping Tom was pulling down your shade.." Ironic, as Phyllis Diller looks quite good here. Jayne Mansfield portrays a chubby daddy's girl/bush pilot who is sent by her father (Brian Donlevy) to see what 'those kids' are up to, and in doing so meets up with her beloved (Frank E Leonard, in a second role). Jayne gets to sing one song, the charming "I'd Like To Be a Rose in Your Garden (But I'm Just a Thorn in Your Side)." In real life, Jayne is obviously pregnant (with her youngest child); in some scenes there was no attempt to conceal her growing belly. Maybe the intention was for her character to be plump? Other numbers include cast member Lauree Berger (a very appealing short-haired brunette who could easily have given Annette Funicello a run for her money) singing the weirdly upbeat but submissive ditty "You Put Me Down the Nicest Way You Can." Jordan Christopher and the Wild Ones appear as "the boys" and perform "The Turtle", a slow-moving dance -which is like nothing you'll ever see in the big-budget "beach" movies. However, none of these musical moments belong in the same film with the Jordan Christopher-Lauree Berger duet "Nanette", a dreamily beautiful melody that could have been a hit if it wasn't lost in this film. "The Fat Spy" succeeds in a few fragments -if not as a whole- and for that its worth a look.

Let's not beat around the bush. This movie is terrible. Jack E. Leonard is just not funny. He's fat in a rather unpleasant-looking way, he tries too hard, and he's given nothing funny to do in playing TWO PARTS.

HOWEVER, for fans of the genuinely wrong-headed and insane, this movie has some appealing facets. The music is pretty doggone cool. The film begins very suddenly with two guys singing an acoustic rock number on a dock. Recorded live, they're just singing "People Sure Act Funny When They Get A Little Money", and it goes on for about 5 minutes and you don't know if it is part of the movie or what. It suddenly ends and shifts to a cool, cartoon mid-60s style of credits with a bouncy title tune.

Later the band, The Wild Ones, treat us to their song "The Turtle". It's the "slowest dance you'll ever do," replete with leering camera shots of the chicks in their skimpy suits writhing along. The song really rocks in an intense way. The lead girl character gets a song of her own, which would serve as a brilliant parody of Lesley Gore, if the filmmakers were smart enough. It is unbelievably catchy, but the basic theme is "I'm so glad I never get my way and you are a man, because you put me down the nicest way you can." On second thought, that's the actual chorus!

So these and a few other musical moments bring the movie to a level of disbelieving watchability. Fast forward through all the "comedy".