Ajouter une intrigue dans votre langueAn ex-con manages a top band in the UK, and he wants to re-enter the crime scene.An ex-con manages a top band in the UK, and he wants to re-enter the crime scene.An ex-con manages a top band in the UK, and he wants to re-enter the crime scene.
- Réalisation
- Scénario
- Casting principal
Small Faces
- Themselves
- (as The Small Faces)
Steve Marriott
- Self
- (as Small Faces)
Avis à la une
10kpb1962
There's a song in this i wish I could get on cd first taste of love by rey Anton love this film l was 4 when it came out I got it on DVD they should have had a soundtrack released love all the pirate radio scenes as I love sixties music love a lot of these great sixties musicals great all star cast kenneth cope William lucks patsy Rowlands just three of the great cast the chantells and a great early appearance of Kiki dee
I've just been watching this on Sky Matinée Movies. I am astonished to find a very young Kenny Everett and other Radio London DJs in this film, as well as the Faces, before they were joined by Rod Stewart. Radio London, for those who can't remember the glory days of UK Offshore Radion was THE Pirate Station which nurtured not only Kenny Everett, but also John Peel etc etc. According to the cast list, Tony Windsor is also there. Worth watching for the nostalgia and all those lovely 1960s memories! I forget the plot, but as a historical record, you can't beat it!. So sad that after his wonderfully inventive Radio Days, on both Radio London with the Kenny and Cash programme, and later with the BBC, over-exposure on TV destroyed Kenny.
An otherwise nifty heist caper... with an agenda to promote the British band SMALL FACES... has two fitting actors, old and young, both having starred in several crime b-pictures, beginning with William Lucas, who played every incarnation of criminal... from cold-blooded to cowardly from THE BREAK to CALCULATED RISK to PAYROLL... and the intensely vulnerable Kenneth Cope from JUNGLE STREET, THE CONVICT and THE DAMNED...
Herein, Cope is the crooked manager of the band, and Lucas has his number... an intense actor never using costumes but here he resembles Inspector Clouseau if originally cast Peter Ustinov played him more straight, and his anti-chemistry with the younger Cope works surprisingly well... yet they mostly work together by remaining apart...
One scene shows Lucas stealing the diamonds, practically in real-time, step-by-step for a suspenseful ten-minutes where it seems anything can happen, especially with detective duo Conrad Phillips and George Mikell garnering more sporadic screen-time than the first-billed crooks: but what's supposed to matter is a rushed ending where the band plays a song or two, and the previous dirty work means nothing...
A shame because the terrifically pulpy-titled DATELINE DIAMONDS ultimately wastes a potentially good villain AND cop duo, entangled in an interesting plot... all so a music group could get a number one hit, which never panned-out: at least not because of this mostly forgotten programmer.
Herein, Cope is the crooked manager of the band, and Lucas has his number... an intense actor never using costumes but here he resembles Inspector Clouseau if originally cast Peter Ustinov played him more straight, and his anti-chemistry with the younger Cope works surprisingly well... yet they mostly work together by remaining apart...
One scene shows Lucas stealing the diamonds, practically in real-time, step-by-step for a suspenseful ten-minutes where it seems anything can happen, especially with detective duo Conrad Phillips and George Mikell garnering more sporadic screen-time than the first-billed crooks: but what's supposed to matter is a rushed ending where the band plays a song or two, and the previous dirty work means nothing...
A shame because the terrifically pulpy-titled DATELINE DIAMONDS ultimately wastes a potentially good villain AND cop duo, entangled in an interesting plot... all so a music group could get a number one hit, which never panned-out: at least not because of this mostly forgotten programmer.
DATELINE DIAMONDS is one of those cheesy British films that attempts to prop up a flagging plot by incorporating a number of musical routines into the running time; on offer here are performers including The Small Faces and Kiki Dee. How much you enjoy said music depends on your liking of the talent involved, so as ever, your mileage may vary on this one.
The rest of the film is a kind of quasi-crime thriller in which old hands William Lucas and Kenneth Cope are a couple of robbers who attempt to get away with the perfect crime. The only problem is that CARRY ON stalwart Patsy Rowlands happened to witness the crime, leading to plenty of nonsensical plotting and weak attempts at comedy.
Another stalwart of British crime cinema, Conrad Phillips, also makes an appearance. It's a pity that DATELINE DIAMONDS has such a poor script as with the right tinkering it might have been something more interesting, like the wacky GONKS GO BEAT. As it stands, it's depressingly poor.
The rest of the film is a kind of quasi-crime thriller in which old hands William Lucas and Kenneth Cope are a couple of robbers who attempt to get away with the perfect crime. The only problem is that CARRY ON stalwart Patsy Rowlands happened to witness the crime, leading to plenty of nonsensical plotting and weak attempts at comedy.
Another stalwart of British crime cinema, Conrad Phillips, also makes an appearance. It's a pity that DATELINE DIAMONDS has such a poor script as with the right tinkering it might have been something more interesting, like the wacky GONKS GO BEAT. As it stands, it's depressingly poor.
You're unlikely to come across this movie unless you're a) a big fan of the Small Faces, b) a connoisseur of British B-pictures, or c) an insomniac. However, should an opportunity to see DATELINE DIAMONDS present itself to you, there are worse ways to spend an hour and a half, such as watching Birmingham City FC.
The plot manages to encompass diamond smuggling, '60s music, international police co-operation, safe-cracking, pirate radio, and the frantic plugging of as many different bands as the running time would permit.
There is the customary fun to be had spotting various British actors and actresses although I, as a David Hemmings fan, was disappointed to discover he wasn't in it (unless it was literally a blink-and-you'll-miss-him appearance). There is also quite a well detailed sequence where the chief bounder breaks into a safe in, where else, Hatton Garden.
The plot manages to encompass diamond smuggling, '60s music, international police co-operation, safe-cracking, pirate radio, and the frantic plugging of as many different bands as the running time would permit.
There is the customary fun to be had spotting various British actors and actresses although I, as a David Hemmings fan, was disappointed to discover he wasn't in it (unless it was literally a blink-and-you'll-miss-him appearance). There is also quite a well detailed sequence where the chief bounder breaks into a safe in, where else, Hatton Garden.
Le saviez-vous
- AnecdotesAnna Carteret, Inspector Kate Longton in the BBC series Juliet Bravo, plays the daughter of a policeman here.
- GaffesDuring the dance sequence (filmed at the Rank Ballroom, Watford), there only appear to be about twenty people present. Yet when The Small Faces perform, there seems to be the sound of several hundred teenagers screaming.
- Citations
Mrs. Edgecomb: Not a bit like "Z Cars" is it?
Tom Jenkins: No, not at the moment. It's not a bit like "Z Cars".
- ConnexionsEdited into Small Faces: Under Review (2005)
- Bandes originalesI've Got Mine
Sung by Small Faces (as The Small Faces))
Composed Arranged & Directed by Small Faces (as The Small Faces)
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Détails
- Durée1 heure 13 minutes
- Couleur
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By what name was Dateline Diamonds (1965) officially released in Canada in English?
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