Color Me Blood Red

This is the final film in the infamous Blood Trilogy from director Herschell Gordon Lewis and producer David Friedman. The trilogy also includes superior films "Blood Feast" and "Two Thousand Maniacs". While "Color Me Blood Red" is the most inferior film in the trilogy, it is still worth at least a one time viewing. The film does lack one thing that the other 2 films in the trilogy have and that is an original score. Both of the previous entries include a soundtrack that was scored by Lewis himself but for some odd reason he decided to use "canned" music for this one. The gore effects are also inferior to the other 2 entries...there aren't as many but one effect in particular is especially grotesque (this would be the scene where a woman is shown strung from the ceiling with her intestines dangling out and the villain squeezes the blood out of them in order to finish his painting). All in all this is one of the least entertaining of Lewis' gore films but is definitely worth a peek.

"Color me Blood Red" completes the infamous Blood-trilogy by the even more infamous director Hershell Gordon Lewis and, although my least favorite film of the three, it's another silly entertaining and smutty gore classic. Don't look for many film-making qualities here, as the story is rather unoriginal (imitating Roger Corman's 1959 "Bucket of Blood"), the acting is unspeakable and – especially compared to "Two Thousand Maniacs" – it's clumsily edited together. Good old Lewis brings the art of finger painting to a whole new dimension here, when mentally unstable artist Adam Sorg discovers that the blood of his girlfriend's cut finger supplies him with the exact right shade of red he needs for his macabre paintings. He's going to need more, of course, and thus he kills her as well as various other models in order to complete his masterful art gallery exhibits. I spotted LESS gore than in the previous two Blood-trilogy films, still there are some effectively nauseating scenes, most notably the one where Sorg literally squeezes all the blood out of one his victims' intestines. Other than the gore, there are the hilariously inept dialogues and the complete lack of context to enjoy. If you're not into The Godfather of Gore's work, however, this will just seem like a mindless and sadistic trash-movie.

Artist becomes famous for painting with his own blood. He discovers that he only has so much however so he starts slaughtering models and painting with their blood. Only advised to gorehounds. This is also truly awful like H.G. Lewis' other films. This still is tamer than Blood Feast though.

If you're a horror fan who loves gore and are looking for a gory movie, go check out High Tension. If you hate cheesy movies, go rent a new release from Blockbuster. This movie is for people who like quirkiness, b-grade film-making, c-grade acting, cheesy gore and.. FUN. I get the feeling that a few people who wrote reviews for this were obviously expecting something very different. This is NOT a horror movie, only in a very broad sense could it be considered one. It is a movie that is twice as unintentionally funny as any Ed Wood movie. There is no real comedy in Color Me Blood Red but the acting and direction will have you laughing throughout. This movie defines "grindhouse". Now that I've prepared you - Go buy it.

I rated this movie 8 out of 10. It was very good at doing what it tried to do. Giving this movie a 3/10 is a joke, of course it's bad but that is the whole point! A phrase I see a lot on the IMDb is "BAD meaning GOOD", not many movies are more deserving of that praise than Color Me Blood Red.

Herschell Gordon Lewis and producer David F. Friedman ditched softcorn porn in the early 60's to create a series of gory horror films designed specifically to cater to the increasing demands of the Southern drive-in movie market. The first three of their horror ventures, BLOOD FEAST (1963), 2000 MANIACS (1964) and this feature from 1965 made up what was later to be called their "Blood Trilogy." COLOR ME BLOOD RED is easily the least shocking, least entertaining and least memorable of the bunch, but it does have it's moments...

Adam Sorg (Don Joseph) is a Florida based struggling artist living in a beach house who has not yet been able to break through on the snobbish local art scene. That is, until he stabs his bickering girlfriend and discovers that all his paintings needed were a touch of red...blood red. His new morbid creations suddenly become the craze on the art scene, so he must kill more people for more blood to make more paintings.

Lewis must have really liked "aquacycles," some incredibly slow-moving bikes with floating tires, cause he puts these hilariously dated things in every possible scene. Adam and his girlfriend take a ride on them before he kills her, then a young couple steals them ("Oh, come on! He won't notice!"), prompting Sorg to impale the guy, then kidnap the girl, tie her up in his house, cut open her stomach and squeeze blood out of her guts directly onto a palette!

This film (briefly known as MODEL KILLER) is now noteworthy mainly as a vintage curio, complete with primitive gore FX, dated fashions faux pas and colorful lines of dialogue like "Come out to the patio, daddy-o!"

All in all, a decent watch.