Cat Ballou

Quite a number of reviews of Cat Ballou seem centered on the theme "It didn't make me laugh" or "Lee Marvin didn't deserve Best Actor". Okay, deal with it. My dad took the whole family to the opening of Cat Ballou in a big midwestern town back in the day. We all thought it was funny, we knew it was a comedy, however the audience was not roaring with riotous laughter. That is sometimes a good sign that you are watching a satire. There was plenty of silliness and slapstick as well, and some real wild west weirdness (the sterling silver nose that Kid Strawn wears, etc.) Funny how the opening song stayed with me from 1965 on, although I don't believe I have ever seen the film from the beginning since that first time.

It's a hangin' day in Wolf City Wyomin' Wolf City Wyomin' She killed a man it's tru-ue, And that's a why their hangin' Hangin' Cat Ballou,

This oddball flick seemed to really say something about our view of the western film, and I think that is the one of the points that helped it win some awards.

This HAS to be one of Jane Fonda's favorite movies: she gets to be both shy naive ingenue and rip roaring Western leader of an outlaw gang. Her outlawing is beautifully justified as the evil town members plot to take over her father's spread and finally have him killed. All are in on the plot/take, including the sheriff, a ne'er do well planted in the job. There are many similarities to 'Silverado', an equally well acted ensemble tour de force. Whoever did Lee Marvin's drunken riding, mostly out of the saddle, close to the ground, did a superior riding job. And if it was Lee himself, more credit to him. He got the Oscar and justifiably so. Under the comedy was the message concerning the sheep-like behavior of 'respectable, middle-class people', the wicked townfolk, bankrolled by the Wolf Company (love these names). Katherine Ballou, the respectable lovely schoolmistress, goes bad as the 'nice' people show themselves to be worse than the outlaws. Hole-in-the-Wall outlaws are allowed to live there undisturbed because the scion of the Wolfe company (who is responsible for having Jane's father shot and whom Jane shoots) lets them alone. They existed safely 'under the radar', but they want to put Jane et al out, because her gang's actions make them visible. Reminds me of many Massachusetts politicians, as well as Whitey Bulger.

The 'Indian's' comments are hilarious, expecially about Custer, spoken as he is surrounded by neatly dressed town thugs. It's an up-to-date funny tale with a social morale. You get the lesson without the moralizing. I loved it, and so glad I bought it.

I watched Cat Ballou again the other day after a gap of over 35 years. A spoof western, definitely. That Lee Marvin should not have won the Oscar? No way. It is far more difficult to carry off a role in what is obviously a pastiche than to excel in a serious dramatic part. Lee Marvin plays it to perfection. Watch his face in the bar scene in the hole in the wall, desperately trying to catch the moment to propose a toast - "I'll drink to that!". It's brilliant. This film has to be watched in the context of its time. It is no good trying to compare it to today's special effects dominated blockbusters or Pixar animations. The semi-musical format was innovative, and remains so today. Cat Ballou is a perfect example of 60's "cool".

Cat Ballou is a movie spoof unlike any other, and a great parody of the Western film genre. Jane Fonda appears in one of her most playful film roles ("Barbarella" is another light and funny Fonda classic), and Lee Marvin gives one of his finest film performances (he won his Oscar for his dual roles). Add to this mix a wondrous soundtrack, with Nat King Cole and Stubby Kaye as minstrels of sorts who stroll and sing throughout, making the film almost seem like a musical; an outstanding supporting cast including Michael Callan (who later appeared on TV's "One Life to Live"), and Dwayne Hickman (TV's Dobie Gillis), and the result is this hilarious, thoroughly entertaining film that was nominated for five Academy Awards (Marvin was the sole winner).

Catherine Ballou (Fonda)is a recently graduated-from-school schoolteacher returning home to live with her father on his ranch, but he is gunned down upon her arrival. She enlists the help of a loyal ranch-hand, a couple of outlaws, and most notably, a has-been gunman by the name of Kid Sheleen (Marvin) to help her get revenge. The result is a thoroughly enjoyable film that still stands up today, and Lee Marvin stealing the entire film in his amazing dual role performance as both Tim Strong and Kid Sheleen. Lee Marvin alone makes the film well worth seeing.

The dialogue is great. Take this exchange as an example:

Jackson Two-Bears: "Kid, Kid, what a time to fall off the wagon. Look at your eyes." Kid Sheleen: "What's wrong with my eyes?" Jackson Two-Bears: "Well they're red; bloodshot." Kid Sheleen: "You ought to see 'em from my side."

I was thrilled when the widescreen special edition of this long-time favorite of mine came out in 2003, and on DVD. I have the soundtrack on vinyl, but I have always wished that it would come out on CD; Nat King Cole is one of my all-time favorite singers, and his rendition of "They'll Never Make Me Cry" always makes me...anyway. This film still hasn't lost any of its humor or fun with the passing of time, and stays on of my personal "top ten list" of comedy.

Like beautiful women (as well as wine) CAT BALLOU has grown so much better with age.

Jane Fonda "glows" with not only sex appeal, but with acting genius. She plays it straight as her director instructed...while Callan and Hickman play it "over the top." What a point...and counterpoint.

What a movie.

Lee Marvin (AND HIS HORSE) may have stolen this film, but what remains is what real movies are really about. And what is missing today.

And the music? Well, Frank DeVol (as others back then) knew what importance music makes to EVERY great movie.

What's wrong with today's box office? Today's movies don't even have a clue as to why CAT BALLOU was a good film. It's the same as why today people don't know how the pyramids were really built.

I have heard that nobody wanted to make this movie, so it flew under the radar and got made just as the director and writers wanted. Hurray! The director knew how to get his movie right...and he did...and we are all so much better for it.

Find CAT BALLOU and show it to your children and grandkids every year.

They will love you for it!