Bunny Lake a disparu

Taciturn director Preminger created here an atmospheric, beautifully shot film of mystery and oddity. Though it isn't 100% satisfying, it remains quite entertaining and visually arresting. Lynley, a newcomer to London, England, takes her four year-old daughter to nursery school and, in a hurry to meet movers at her new flat, briefly leaves the child in the custody of a rather unfriendly cook. Later, the cook has quit and the child is gone. Worse, no one seems to have ever known about the child or has ever even seen her except Lynley and Dullea. No tangible trace of the child seems to exist! Olivier is brought in to head up the investigation and scours all the various clues and suspects, all while trying to determine if there even IS a child to be searching for. The film kicks off with famously innovative Saul Bass titles and sets its contrived, but fascinating story in motion with skill. Lynley manages to come off rather well in a difficult role. Dullea is also strong in a part that never gets completely fleshed out. Olivier is reliably commanding and slick and offers a lesson in understated excellence. These performers are surrounded by a lustrous galaxy of terrific British character actors. Most notable is the delicious Hunt as the vaguely sinister, yet delightful headmistress of the school. Massey is also excellent as a frustrated teacher. Coward pops up as a creepy landlord with designs on Lynley. It is not easy to watch the somewhat disintegrated legend put the moves on her. Many other great people show up and, even if they don't get a moment of glory, their participation adds greatly to the class and feel of the film. A sense of dread and uncertainty hangs over the movie as the viewer is never exactly sure what is going on. As stylish and intriguing as the film is, certain sections drag on a bit too long, none more so than the climax, in which Lynley must fend off the villain of the piece and seems to go out of her way NOT to escape or harm the person, at times. Even with this and other gripes (like a needless, annoying and intrusive "appearance" from The Zombies), the film is well worth watching and deserves a better availability and reputation than it currently accords.

Carol Lynley does some fabulous work here as American woman newly arrived in England whose little daughter is apparently kidnapped from school on her first day. The catch is, nobody knows the child and Lynley is having trouble proving she even exists! Terrific mystery from director Otto Preminger, an uneven filmmaker who does strong work just up to the finale (which is somewhat anti-climactic). Laurence Olivier is the police inspector on the case and he's very smooth, cunning and yet sympathetic to Lynley. There are some mod overtures which seem misplaced, and Noël Coward has a gratuitous bit as Carol's drunken landlord (and BBC celebrity!), yet the film does have many sharp bits of minute detail, intriguing and funny supporting characters, terrific cinematography and locations. Does it all add up? No, but it's inscrutable fun nevertheless. *** from ****

Ironically enough, 'Bunny Lake is Missing' actually was missing for years - not listed in movie guides, not on VHS, only rarely making a ghostly appearance on the late late show.

Fortunately it's being remade with a major young star, Reese Witherspoon. Can't wait to see it, Witherspoon was really good in a movie with Keifer Sutherland where she plays a teen runaway.

So as a result of the remake the original is due out on DVD! So technology really does lead to better living.

BLIM is a very well-made, scary movie. Don't watch it alone, unless you are not easily made, well, uneasy. Not a slasher type movie, or a 'watch out it's going to get you ' scariness, but a psychological thriller.

Like other movies from the 1960's set in Europe, Bunny Lake is austere and stark, the characters have an emotionally remote manner, as if in a trance. Other examples are Alfie, Blow-up, Georgy Girl, and the horrifying Repulsion, the last of which if you are going to try to watch at all, you should not do alone, and you should be warned that it's no picnic watching even Catherine Deneuve come totally unglued while no one seems to suspect a thing.

The various settings in the movie, that should be quaint, innocuous or at worst drab but end up being terrifying in their shadowy oddness. A children's day care center, an apartment, a hospital, and a 'doll hospital'.

Maybe the discordant soundtrack of various whistle-y pan pipe -y sounds is a big reason for the desolate mood of the film.

You just fall in love with beatific Carol Lynley, she is adorable in this and very brave, after all if we are having to watch this nightmare her character is actually living it.

Supporting cast boasts kindly detective Sir Larry Olivier, leering neighbor Noel Coward and high-handed brother Keir Dullea.

If you enjoy this one, you may also enjoy 'The Shuttered Room' another scary flick from 1960s Britain with Miss Lynley being threatened by dastardly Oliver Reed as an evil country lout. Haven't seen it in decades but it scared us as children.

Stuffed with wonderful character actors and recognisably shabby locations - like the little school in an old house where the cook is making junket (whatever happened to junket?). Her accent is familiar: she once played a beautiful spy in 39 Steps, warning of leaking "secrets vital to your air defence". After many viewings, it's easy to forget that it's a mystery and everyone is a suspect. Has Bunny been abducted by sinister Martita Hunt (the slightly dotty founder of the school)? Or creepy Noel Coward (the landlord)? The Zombies song "Just Out of Reach" keeps being reprised.

They were more famous, though, for a song called "She's Not There". How's that for intertextuality? The script is by John and Penelope Mortimer. John is famous for the Rumpole series, and Laurence Olivier's detective has echoes of Rumpole, muttering that bus conductors never notice anything - they are dreamers and philosophers. Noel Coward's character too is very Mortimerian: "There are many at the BBC who bear bruises left by the love of Horatio Wilson." Mortimer reveres Shakespeare and Conan Doyle and sometimes it shows.

The plot is stuffed, sometimes clunkily, with issues that were only just beginning to be spoken about: perversion (in the person of whip-wielding Horatio), teen pregnancy (Anne Lake seems about 20), unmarried motherhood and abortion. Anne chose to have her baby and raise it on her own. This is still a difficult course of action, but in 1965 it was groundbreaking, especially if you were - as she is - middle class.

This was an interesting story line to determine for one self if there is actually a little girl nicknamed Bunny Lake, and if this supposedly 4 year old girl who was dropped off at a pre-school daycare center, then went missing, is real or imagined by her mom. Strong performances by the three lead actors, Carol Lynley, Keir Dullea, and Laurence Olivier.

No spoilers here, but to suffice to say the characters are intriguing and you just feel that you have to watch the entire film to determine what really happened. Carol Lynley plays mother Ann Lake, who is obviously distraught when she goes to pick up her little 4 year old Bunny only to find out she is missing. Ann's brother Steven (played by Keir Dullea) appears to be Ann's rock and support system.

When the police are called in to investigate, Superintendent Newhouse (Sir Laurence Olivier) tries to befriend the grieving mother all the while trying to gather information to assess for himself if this little girl nicknamed Bunny Lake is actually real or imagined by her mother.

It is a bit like a cat and mouse game, and children's games certainly play in to the theme of this mystery. But hold onto your swing as the film takes us "higher and higher" until the bitter end to a decent ending.

Well done! I rate the film a 7 out of 10.