Chasseur de primes

What absolute nonsense that a previous reviewer states that Mr. Dureya cannot carry off nice in this film. The guy was acting for over 30 years and was a brilliant, versatile actor. Sure , he could play villains to perfection and because of this was well known and cast in these parts. But during his 30 years of film acting he frequently was cast as a good guy and he played these roles well.The Bounty Killer does ask too much in his age, sure, the part was written for a younger guy but as Dureya is so exceptionally good as the naive easterner it still works well.It's a wonderful film, it's low budget but it's a fine well acted and well written western.

I have just seen this old western on spike TV (UK) today 10/11/16, it was fun to pick out the older stars who at one time or another were top billing in their day.

I spotted the Sheriff was Johnny Mack Brown, Richard Arlen, Buster Crab, Bob Steel who was a B movie star in his early days I did not spot that the love interest was Audrey Dalton, until the credits rolled, all in all a good film if a touch one paced. Dan Duryea was good value as usual, his best roles for me were when he opposite Audie Murphy, they did a few films together and seemed to hit it off. I try to keep up with the movie channels here, in the hope that some of these old westerns are shown, we have nothing to match these old films today, and quite frankly there are not the suitable actors around who could do these parts.

Dan Duryea -- innocent(!?) and decent rube from Vermont, goes west and decides to become a bounty hunter. Embittered by circumstances, he becomes the mean, Dan Duryea-esquire sneering nasty man known as the BOUNTY KILLER.

This episodic movie, chock full of old western stars, is a real frustration, because the elements to an Anthony Mann style western are there -- an intriguing premise, great acting by Duryea in the second half of the movie, and malicious murder of a cheerful sidekick. But...

Well, first and foremost, the role is written for someone who is no older than 30 and who can play somewhat clueless innocence. Duryea looks every bit of 55, which makes his pursuit of the young, pretty heroine a touch creepy. Also, for the first half of the movie, Duryea's attempt to portray youthful innocence is simply awful. Oddly enough -- for someone who, by all accounts, was a nice guy who only married once -- Duryea cannot carry off nice and he really cannot carry off clueless. It is a relief when the script, about 30 minutes in, finally allows him to be sly and tricky. (The performance gets much better when circumstances turn Duryea bitter -- and he gets to show us a darn good depiction of a good man gone drunk and evil.)

Secondly, this movie was made on the cheap, and it shows badly. All the outdoor dramatic scenes take place on the same cheesy "outdoor" set, with a photograph of the desert mountains serving as a backdrop to the plastic trees.

Third, the plot has some big old holes and lines that no actor could make sound right. Also, the ending, alas, is really, really, really predictable.

All in all, this movie is worth seeing, but it probably won't seem that way until you've gotten through 30 minutes of the movie. Fans of the genre should stick it out.

I gave this movie a look because of some of the cast members, then found myself watching it because I couldn't believe how hilariously bad it was.

With one of the most cliché-riddled scripts and some of the most horrific acting, the cast and crew created one of the worst movies I've ever seen. It was so bad, in fact, I think if I were a self-respecting cast member I would have pooled my money with my fellow actors, bought up all of the prints and hauled them off into the desert for a decent burial.

Why anyone would distribute this flick; theater owner would exhibit it; a backwoods TV station/network would buy it, is beyond me. Unless you too are in need of a good laugh, don't waste your time on this turkey!

The Bounty Killer is directed by Spencer Gordon Bennet and written by Ruth Alexander and Leo Gordon. It stars Dan Duryea, Rod Cameron, Audrey Dalton, Richard Arlen, Buster Crabbe, Fuzzy Knight and Johnny Mack Brown. Music is by Ronald Stein and cinematography by Frederick E. West.

Willie Duggans (Duryea) arrives in the Wild West and quickly becomes exposed to its violence. Finding that big money can be made by bringing in bad guys, he takes up arms and plans to make enough money to set him up for a future with Carole Ridgeway (Dalton), a beautiful saloon singer. But the job isn't easy, physically, emotionally and mentally.

It's a film that asks some forgiveness from Western fans, you are asked to accept Duryea being too old for the role, some iffy production issues, coincidences and some giant leaps of faith. Yet if you can do that and just roll with its high energy willingness to keep the Western traditional in the mid 60s? Then this is better than a time waster.

Ultimately it's a message movie about the cycle of violence and how said violence can corrupt the most amiable of minds. The screenplay deftly brings in to the equation the roles of normal outsiders who don't mind violence as long as it is for their own ends, something which brings the best sequence in the film to the fore and lets Duryea once again show his class. Backing the superb Duryea is a roll call of Western movie veterans, all of which - with the leading man - make for a reassuring presence at our Oater dinner table. Neatly photographed out of the Corriganville and Glenmoor ranches in California, this may be a "B Western" trying to keep the traditional Western afloat in the mid 60s, but it's honourable in intent and entertains the Western faithful royally. 7/10