Les éperons noirs

This film begins in Texas with a cowboy named "Santee" (Rory Calhoun) watching as a notorious bandido by the name of "El Pescadore" (Robert Carricart) robs a bank and, after killing the bank manager, quickly riding off with the sheriff and his deputies in hot pursuit. Realizing that there is nothing he can really do about the situation, he then proceeds to take his girlfriend "Anna" (Terry Moore) on a romantic picnic where he subsequently proposes to her. Although she willingly accepts his proposal, to her dismay, Santee then announces that he has decided to pursue El Pescadore in order to collect the $3000 bounty on his head to help start their new lives together. Ten months later, he finally finds the outlaw in a small town in Mexico and proceeds to gun him down in the street. Not only that, but he also dons the bandido's famous black spurs as a trophy of sorts. However, once he rides back to town to see his fiancé, he then learns that she has since married another man by the name of "Ralph Elkins" (James Best). Quite upset with this new development, Santee decides to become a permanent bounty hunter and, in the process, acquires a rather notorious reputation of his own. The scene then shifts to several years later with Santee making a deal with a wealthy businessman named "Gus Kile" (Lon Chaney Jr.) to help divert a proposed railroad line from its original destination of Lark, Kansas to the town of Kile, Kansas where the two of them can make a fortune in real estate. The problem is that Lark, Kansas has a sterling reputation and in order to divert the railroad line Santee has to stir up enough trouble there to change the minds of the railroad executives. What complicates matters, however, is the fact that Lark, Kansas has recently acquired a good sheriff who is determined to keep the town as peaceful as possible-and his name is Ralph Elkins. Now, rather than reveal any more, I will just say that, this was a decent "old-style" Western which benefited by solid performances from both Rory Calhoun and Terry Moore. Along with that, although I would have preferred a slightly different ending, I found the overall story to be fairly enjoyable as well and I have rated it accordingly. Slightly above average.

Santee (Rory Calhoun), a frustrated with his lot in life ranch hand, becomes a bounty hunter when he decides to go after a bank robber with a $3000.00 price on his head. Realizing he has an affinity and skill set for this type work, he sets off chasing down one bad guy after another. Soon he sets his sights even higher when he strikes up a deal with wealthy town big shot Gus Kile (Lon Chaney Jr.) to bring siege upon the neighboring town of Lark so the railroad will divert their planned path to run through Kile's land. In order to decimate the town, Santee buys the local saloon and imports his own band of thugs and saloon girls (Linda Darnell, Bruce Cabot, Richard Arlen) in the hopes of making Lark a crime ridden cesspool. However things go off-kilter when Santee runs into his former fiancee (Terry Moore) who is now married to the local sheriff (James Best).

Pretty typical A. C. Lyles 'second feature' Western. As such Black Spurs had a modest budget with television-like production quality. Much has been made of A. C. Lyles use of superannuated casting in the pursuit of name recognition and that's the case here. Rory Calhoun, even though not an 'old guy', was on the backside of his days as a leading man. Former screen siren Linda Darnell whose career for the previous decade consisted of guest appearances on episodic television, shares lead co-billing with Calhoun but her limited participation in this film amounts to little more than a cameo role in her last screen appearance. Even though past their prime and despite the fading star power, the cast was one of the film's strong points. The story line has an interesting premise but goes off track with characters that are introduced needlessly and subplots that go nowhere but partially saved by director R.G. Springsteen who had done so many of these low budget productions that they could have almost handed him a phone book for a script with passable results.

Black Spurs is a decent flick but suffers in varying degrees from the budget, script and being late in the cycle of the traditional western. By 1965 the Spaghetti Western carried the day at theaters while this type of western had been primarily assigned to network television. Even so, Lyles was able to get a last handful of these old-school westerns made. Some would say with mixed results. Nevertheless western fans may find enough to enjoy here.

Rory Calhoun is Santee, cowboy who wears black spurs and earns money by bounty hunting. when the local sheriff ( Deforest Kelley was Bones, in Star Trek) tries to work a corrupt land deal, bad stuff happens. Santee runs into some old acquaintances when he ends up in Lark, even the blacksmith who wanted him dead. although they hadn't met before this! Terry Moore is the girl Santee proposed to, but didn't wait around for him. Lon Chaney junior is Gus. You'll also recognize James Best as the sheriff in Lark.. he was Rosco in the Dukes of Hazzard tv series! Directed by Robert Springsteen... directed films from the 1940s - 1950s, then moved into television. Story by Steve Fisher, who had also written Tokyo Joe and Destination Tokyo; oscar nominated for Destination Tokyo. Last film for co-star Linda Darnell, she died right after making this at age 41, in a house fire. The film is pretty good... a very typical but in color, blue-jeans western. some scenes filmed at Corriganville, north LA... it's a county park now. fun history. check it out!

1964's "Black Spurs" marked the fourth of 13 A.C. Lyles B-Western productions for Paramount in the mid 60s, and another offbeat choice for the veteran filmmaker in that leading man Rory Calhoun is no shining hero, but a bounty hunter known only as Santee looking for bigger and better paydays. His hard riding presence in every town is enough to make the citizens quake in fear, and his arrival in the Kansas town of Kyle is no coincidence, as Gus Kyle (Lon Chaney) is amenable to any scheme to enrich himself by diverting the railroad from the neighboring town of Lark to his own, with Santee's ultimate reward a tract of land (along with a hefty fee). Complications such as Lark's sheriff (James Best) being married to Santee's old sweetheart (Terry Moore), or its 2 fisted man of the cloth (Scott Brady), are no deterrent to Santee's goal to bring women and gambling to the forefront of the formerly peaceful town. The madam is played by a second billed Linda Darnell, who plays her final role here, while Kyle Sheriff Nemo (STAR TREK's DeForest Kelley) provides an interesting subplot that fizzles out before it catches fire. Veterans Bruce Cabot and Richard Arlen are also among the bad guys, on their way to victory until Santee finds out what they've been doing behind his back. 4 for 4 for producer Lyles, Lon Chaney is as solid as ever (though only around for three scenes), while Scott Brady's Tanner demonstrates how the rope burns around his neck prove that he wasn't always a preacher, something repeated verbatim by John Carradine in a Scott Brady Western just two years later, Al Adamson's "Five Bloody Graves."

Black Spurs is directed by R.G. Springsteen and written by Steve Fisher. It stars Rory Calhoun, Linda Darnell, Lon Chaney Junior, Terry Moore, Bruce Cabot, James Best, DeForest Kelly and Scott Brady. Music is by Jimmie Haskel and Technicolor/Techniscope photography is by Ralph Woolsey.

A brisk and ebullient Oater out of Paramount, Black Spurs finds Calhoun as Santee, a sharp shooting gunman turning to bounty hunting and then paid to corrupt the town of Lark. Lark has been pencilled in to receive the on coming railway, so wealthy town owner of nearby Kile, Gus Kile (Chaney), hires Santee to discredit Lark in order to have the railroad routed through Kile instead. Once in Lark, Santee finds lots of resistance, particularly from an ex-lover and her husband, the sheriff!

Plot holds few surprises as per outcome and characterisations, but the pic is no less entertaining for it. There are a number of live wire action sequences, with Santee often proving he is the number one gun in the West, and there's even some evil nastiness portrayed when things start to come to a head. The seedy saloon set up by Santee is awash with beautiful girls in beautiful costumes, and these girls drink beer out of pint pot tankards! The villains are a gruff, rough and tough bunch, and naturally there's a big good versus evil heart thundering away in the story.

Calhoun has swagger and dangerous sexuality in abundance and he's surrounded by a good cast of pros. Darnell and Chaney, however, were winding down their careers, and in truth there two characterisations could have been played by any studio actors of the time, but they don't disgrace themselves as Springsteen wisely keeps their screen time to a minimum. The Techniscope photography doesn't really add much as more could have been made of the exterior locations, while Haskel's score is a bit too jaunty for its own good.

It feels like a 50s Oater at times, which is no bad thing at all. Not prime Calhoun or a prime 60s Western, but much to enjoy here for the discerning Duster fan. 7/10