Aux postes de combat

Richard Widmark is a determined naval ship captain in "The Bedford Incident," which also stars Sidney Poitier, Eric Portman, Martin Balsam, James Macarthur, and Wally Cox. This is quite a different meeting from the one Widmark and Poitier had in "No Way Out," where Widmark is a bigot who lashes out at Poitier. Poitier in this film plays a journalist, and there is never any mention of his color. This is not only remarkable but marvelous. Martin Balsam is the ship's new doctor. Poitier and Balsam board ship together and pick up almost immediately that there is a tension on board and that the men are intimidated by their cold, tough captain.

The Bedford's assignment is to patrol for Russian subs and ships.

When a submarine is detected in the area, the captain seems to want to take the matter too far. Portman, as a German adviser, disagrees with him.

The role of the captain, Finlander, is the type of role normally associated with Widmark, and he is excellent as an uncompromising man reminiscent of Captain Queeg. Poitier turns in a stellar performance, which really builds as he becomes more and more concerned about the captain and the potential international situation. Martin Balsam is very good, actually providing, along with Wally Cox, a little comic relief.

The scenes showing the gray sea and huge icebergs might be dated now, given what film technology is capable of, but they are no less evocative of the atmosphere. After the buildup of drama and tension, the last moments of the film are incredibly exciting - staggering even. And you'll do what I did - just sit and stare at the words "The End." A very good film.

Along the same lines as FailSafe this is a tense Cold War drama with a cat and mouse game going on between an iron willed Navy Captain and an essentially unseen Soviet submarine. Great performances all around are what make this a good film. Richard Widmark is great as the somewhat tyrannical ships skipper who has his crew drilled, trained and poised for all out war up to the breaking point. Sidney Poitier as always does another superb job as the journalist aboard to do a story of a Navy deployment and gets more than what was expected. Despite the fact that an individual like the Poitier character would not enjoy that much freedom aboard a US Naval vessel this motion picture is quite realistic. Martin Balsam and James MacArthur also put in outstanding performances with Balsam as a newly arrived unappreciated ships doctor and MacArthur as an Ensign who is dogged endlessly by his commanding officer.

I must confess I'd not heard of this film as it was off my radar (no pun intended) despite starring those two fine actors Sidney Poitier and Richard Widmark in the leads and the solid Martin Balsam in support. More fool me as it proved to be a fine, gritty Cold War thriller, highlighting explicitly then and still, I'd contend, now, that one wilful or accidental action in the heat of the moment could lead to catastrophe for the world. The film skilfully combines a study of men under pressure with the wider political picture, at the same time cleverly invoking the classic story of Moby Dick, with Widmark's Captain Freelander as obsessed with catching a fleeing Russian submarine as old Captain Ahab was his pesky whale.

All the action takes place on Freelander's US navy destroyer encompassing a gradually increasing character examination of the wilful Captain, driving his crew to exhaustion and the end of their wits by keeping them constantly at attention or GQ as it's called here, so that in the end a simple misunderstanding by a pressurised, even terrorised young officer of a phrase used by the captain in conversation leads to disaster. The abrupt ending is particularly memorable, the better for being so inevitable and brutal.

Widmark as the crusty old captain is excellent in his portrayal of this particular single-minded sailor, while Poitier is also fine as the journalist who by questioning the captain's methods effectively acts as the conscience of the film, for once his skin colour having no bearing on his character''s relevance to the plot. Balsam too steps up as the passed over new medical officer who yet predicts the climactic outcome from way back.

Tautly directed in black and white, the tension is palpable as the American ship closes in on its prey and nerves become frayed to breaking point on the bridge, in so doing making an early case for greater psychological consideration due to crew members as advocated by Balsam's character.

Topical and relevant, especially with recent events echoing even today in Syria, this is an unflinching and superbly acted contemporary thriller which deserves to be better known.

Having served aboard this very class of ship during the late 60's and early 70's, I can attest that the events, from a technical standpoint, are frighteningly real. The Queeg-like personality of the Captain is a bit of a stretch, but the events in the movie come right out of the battle plans of the Navy (at the time).

The tension of the situation is palpable. Even at the time, the outcome was in doubt, but the outcome was believable. It still is.

For me, this is one of the best movies of the cold war era, up there with the likes of "Fail Safe" and "On the Beach". Extremely well directed and acted, it should be on any collector's shelf as DVD when so released. The tension is maintained throughout and the climax is one of the best in a film that I have ever seen. Also significant is the fact that Sidney Poitier's colour is never an issue either verbally or by implication, something quite remarkable for a movie made over 35 years ago.