La bataille de la Villa Fiorita

This delightful 1965 film appeared at the local theater where I was a 16-year-old usher. Ushers used to tire of repeated film screenings, however, I couldn't get enough of this cinematic gem. An attractive British housewife (Maureen O'Hara) falls for a charming Italian musician (Rosanno Brazzi) and the adventure begins. Her thunderstruck children (Martin Stephens and Elizabeth Dear) become determined to rescue their love-struck mother and to restore family unity. Director Delmar Daves gives the children plenty of opportunities for abundant scene stealing. Olivia Hussey makes an auspicious film debut as the beautiful Donna. Cinematographer Oswald Morris captures the breathtaking beauty of Italy's Lago di Garda. Battle of the Villa Fiorita is an enchanting film that the whole family will enjoy.

Maureen O'Hara has a perfect husband (Richard Todd) and two lovely children, a boy and a girl, in a splendid estate outside London, when she falls in love with an Italian (Rossano Brazzi) and decides to leave her family with him. He brings her to his fabulous estate by the Lago di Garda in Italy (with Gabriele d'Annunzio's working place in sight), where they lead a luxurious life in splendour, until we learn that he also has a child, a daughter (Olivia Hussey in her first part), whom he brings to the villa, shortly after Maureen O'Hara's two children have come there on their own, on a special mission to fetch her back to their father in England, entirely on their own initiative - we never learn that Richard Todd was ever informed about it. Now, what is wrong in all this? That's what the battle of the Villa Fiorita is about, the children fighting hard to separate their parents from their lovers, and they will go to any length. This provides the drama of the film, which actually reaches rather critical heights. Rossano Brazzi, this great invincible lover and he-man, has to finally admit, that the children (especially Maureen's very determined daughter) won the moment they showed up at his house. The film is beautifully made, with gorgeous music all the way by Mischa Spoliansky (Rossano plays a successful composer and pianist, and it's Spoliansky's music he is playing,) with splendid colours and cinematography, but the interesting part is the acting of the children. They take charge of the film and their parents and lead them right, in spite of their almost equally determined resistance. It's a great film and story for child psychology, and as all true and good parents know, children always know better.

While this should have been a rousing success given the stars (Richard Todd none other in a support role) it is lamed by a hopeless script in which a selfish woman (O'Hara) runs off to have an affair pursued by her pretty awful kids. The lover has a daughter (Hussey) who for some reason joins in the plot to separate the lovers and falls in love with the boy. The whole thing is unpleasant and it is difficult to know who is worse, the kids or the adults, so when Hussey gets a (well deserved) spanking from her father you just want to boot his backside to wake him up to his own responsibilities. All together a complete waste of time.

If you're looking for a different type of role for the prim and proper Maureen O'Hara, check out the romantic drama The Battle at Villa Fiorita. She has a devoted wealthy husband, Richard Todd, two children, and a place in society in England. But when she meets visiting Italian Rossano Brazzi (no, this isn't a different type of role for him), she realizes her life will be empty without him. A whirlwind romance, and she leaves her family to join him in Italy. Can you believe it?

Richard is devastated and humiliated, but he lets her go without a fight. If she's that determined to wreck their home, nothing he says will convince her to stay. Their children, Martin Stephens and Elizabeth Dear, aren't of the same mind, and they make it their mission to go to Italy and bring Maureen home. Once there, Rossano tries to win them over with great efforts, but they team up with his pre-teen daughter, Olivia Hussey, who also doesn't approve of the match.

For someone like me, who particularly doesn't like children, I wouldn't recommend this movie. I was cringing the entire time, wishing bad things would happen to the kids when they tried to sabotage their parents. I kept thinking that when the children grow up and have romantic relationships of their own, they'll continue to be selfish and mean-spirited. If their own children try to interfere, they'll go right ahead with their own interests and tell themselves they'll be better parents if they're happy - that they'll be setting a good example to put themselves first. Where did they learn that behavior? Certainly not from their own parents. Maureen and Rossano suffer terribly when their children are unhappy, and they don't subscribe to the theory of putting their own happiness first as a good example.

Maureen O'Hara and Rossano Brazzi are glowing middle-agers in love whose romance is thwarted by their respective pre-teen children: his haughty Italian daughter and her stubborn, bratty British boy and girl. Stories of kids meddling in their parents' love lives are usually successful if played as comedy; here, the melodrama gets to be too much, with the adults continually exasperated and the kids unlikably victorious in their immature pranks. The familial arguments which arise are probably realistic, but here they dissipate interest in the movie, particularly since the love affair between the grown-ups is much more interesting than the finger-pointing. ** from ****