Destination: planète Hydra

This film reminded me a little of Mission Stardust in reverse...the aliens land on our planet instead of what happened in that movie. While fairly coherent, the movie doesn't really know where it's going, as a lot of Italian SF movies didn't in that era.

I'm still trying to figure out what the heck the secret agents were doing in the movie (and please remember, they're "Oriental, not Chinese"). Once the spaceship gets off the ground, we're treated to a lot of stock footage from Toho's Gorath, as a number of space stations and satellites try to pretend they are the starforces of Hydra. Then there's the time travel thing, and the female characters' need to wear fishnet bodystockings with leather or feather bikinis (obviously either an aside to the popularity of the fashions of Barbarella or just standard wear in Italian space operas...lord knows I've seen at least four other movies where leather was the material of choice for spacesuits). And then there's the need for spacehelmets when venturing onto a new planet, but two people can cross the cold void of space between two ships in what amounted to a snorkel and leather.

To me, 2:5: Mission Hydra reminded me a lot of They Came From Beyond Space or the Terrornauts or similar British features made in the mid-sixties...not bad, but not necessarily well thought out.

Unusual mid-sixties science fiction story about three crash landed aliens who "recruit" a scientist and his team to make repairs on their ship, and pilot it back to their home planet. Reasonable effort, although slightly drawn out and uninteresting, still has moments of suspense and character drama. The usual Italian glamour is provided by the sexy wanna-be actress, who goes along with the team, and wears increasingly outrageous outfits, and flirts with one of the male aliens. The lead alien, a fire haired female begins to see the error of her emotionless ways, and at one point exhibits romantic inclinations towards Kirk Morris. Acting is fine, effects average, storyline meandering but rarely fatally dull, with a few good bits, such as a rather weird attack by a group of alien gorillas. Slightly lacking in traditional Italian high octane liveliness, but compelling, and not without a few interesting twists.

Pros;

-Interesting basic storyline

-Most of the film's acting is consistently competent and believable

-Good imagery – especially the pair of skeletons at the cockpit of the other spaceship

Cons;

-Ends rather abruptly

-Some of the movie's logic is questionable

-Quite a few characters are simply left as cardboard cut outs

-The alien race appear completely human and aren't especially convincing as such

-Main room of the spaceship set gets claustrophobic after a while

-A very long sequence where the characters are in space, changing an arial, kills the pace for a bit and is un-necessarily tedious

-A child-like robot is killed early on, and after only a minute's screen time, although its' design was not especially interesting

-Plot stretches thin in some places, as it is a fairly basic idea with little deviation to carry the film along

-A terrible voice over at the start

A muddled, typically bad, campy Italian science fiction film which is nonetheless a must-see for seekers of the weird and delightful. This is a badly-edited, poorly-dubbed mess of a movie, with a non-existent budget and a story which lacks a decent beginning, middle or end. Yet despite all the flaws it may have (including scenes of astronauts floating in space without helmets!), it remains a largely entertaining space vehicle full of strange creatures and bizarre special effects work.

Once the action shifts from Earth to space the film becomes much more interesting as a whole and packs some seriously bizarre situations into the short running time. Okay, so there isn't too much action on view, but we do get scenes of rayguns turning people into flaming skeletons and the 'comedic' effects of anti-gravity on the unwitting human inhabitants of the spacecraft.

The presence of two Italian babes (Leonora Ruffo and Leontine May) also makes things easy on the eye, with the former flame-haired girl in a tight-fitting PVC miniskirt and the latter dressed in a fishnet costume (with appropriate frilly bits; remember the kids) for a substantial part of the running time. For the girls, there are plenty of male models to make up the masculine side of the cast, including the presence of peplum icon Kirk Morris (ATLAS AGAINST THE CZAR) in a tight-fitting full body PVC costume as an alien guard. Eagle-eyed viewers may notice harsh-faced peplum star Gordon Mitchell in a one-scene cameo as the alien 'Murdu', appearing on a monitor, no less! Incidental pleasures include a run-in with a planet full of apes (yet this is no PLANET OF THE APES) who run around waving bones like would-be Ronnie Corbetts; the hilarious heavy breathing that first alerts our scientists to the presence of "something" under the ground; the un-politically correct replacing of the robot slaves with some unwilling Chinese men; plus the hilariously mock-serious "dire warning" of the ending which warns of the consequences of nuclear war. Much like the character of Leontine May in this film, 2 + 5: MISSION HYDRA is a pretty but vacuous Italian gem.

This motion picture is interesting to watch, if for no other reason, then for analysis. It purports to have taken upon itself a complicated history. One fact is known, that of the original release date in Italy of 1966, although a website or two will show 1965. What happened since then is anyones guess. Yes, there was a 1977 release in the United States under the Monarch Releasing Corporation. The titles, "Star Pilot" and "Star Pilots" are given. Yet in the video release by Sinister Cinema the title is shown as "2 + 5: Mission Hydra" although the Monarch Releasing Corporation credit is also listed seemingly indicating this is the same version as the 1977 US dubbed release. The real confusion starts with the footage from other movies spliced in at some points. Another website claims the movies "Kaiju Daisenso(1965)" and "Yusei Gorasu(1962)" are interwoven with the plot. This may very well be, but Casey Kasem is also clearly seen. This would appear to be from "The Doomsday Machine" which had a checkered history of its own, being made in 1967(a year after "2+5"), but released in 1972. So therefore this footage must have been added only in the US release, though "2+5" premiered in West Germany in 1967. Various running times(84, 89, 90 + 92) are given as well depending on what source you refer to. The bottom line on this former late night favorite is, for the male viewers there is Leontine May(who dominates) and for the female viewers, Kirk Morris(pseudonym of Adriano Bellini) and Gordon Mitchell. It should also be mentioned for the classical music crowd, that although the credit is given on the IMDb for "theme from Toccato & Fugue in D Minor by JS Bach", it is not mentioned that it is under the direction of Leopold Stokowsky.

The plot itself involves the usual alien abduction, and is not very original. When compared to Francisci's other films, this one lags remarkably. However, it has a definite B-movie appeal, and is, when viewed as an interstellar espionage film, quite up to par with the later entries of Alfonso Brescia (although Brescia did more of a slap-dash space opera with little of the espionage element). Maybe, then, this film is a big brother of Primo Zeglio's "Mission Stardust." I'll tell you what it isn't, though. It certainly isn't up to par with Antonio Margheriti's sci-fi films, many of which were directed during the same period. Francisci never made such judicious use of miniature models as did Margheriti, and, on a special effects level, this one must be ranked along with Alfonso Brescia's flicks.

One of the highlights of the film, is the return of actress Leonora Ruffo after a three year hiatus. Never a prolific actress, she was at her peak in films such as Francisci's "Queen of Sheba" and Sergio Grieco's "The Black Devil." Being a consummate movie buff, I also admired her performance in Francisci's 1951 film "Le Meravigliose Avventure di Guerrin Meschino," in which Gino Leurini fights stone giants, colossal dragons, and evil witches, in an attempt to free the then 16-year-old actress Ruffo. She looked so beautiful at that time, but in this film she appears... well... matronly. Nevertheless, Pietro Francisci dresses her up in a mini skirt, with a décolleté top-piece, and lets her play the commander of the alien spaceship.

Gordon Mitchell shows up briefly as a dispatcher from the home planet, who gives his orders to Ruffo. As usual, his murderous glare and menacing attitude squeeze him into the plot as a superfluous bad guy, who has very little to do with the film. Some Asian criminals show up, speak bad English, and attempt to take over the ship, but are subdued by the professor and the others after a fist-fight inside the space-ship. Later, Ruffo falls for Nando Angelini's character, while Leontine May gets cozy with Kirk Morris. The film ends rather mysteriously, with some sort of weak message on the horrors of radioactive waste being dumped into the atmosphere, and the ensuing end of mankind.

Now, the ultimate question. Was this just a paycheck for Pietro Francisci, or did he really have serious pretenses when making this film? After viewing "2+5 Mission Hydra", the answer is fairly obvious. Francisci had already made whatever artistic statements he once had in such earlier films as "Hercules," "The Siege of Syracuse," "Attila," "Queen of Sheba," and "Guerrin Meschino." This was a downslide for him, and he didn't shoot another movie until 1973, when he directed the low-budget and somewhat asinine "Sinbad and the Caliph of Bagdad." Francisci was mainly a director of epic films. And I kept that in mind while watching this one. On the whole, this is a film that one should watch if he or she enjoys cheap thrills, or is a die-hard completist. If you're looking for lots of big-budget effects, a well-written script, and superior acting, stick to Margheriti's sci-fi films.