Les arpents verts

Many in my generation (too young to be a boomer and too old to be an "X"er) think this is one of the funniest shows ever. It doesn't have any deeper meanings or ramifications or redeeming social importance. It's funny, and for the sake of being funny. This show proves that humor rises from character. Too often a show gets by on a series of insults, or double entendres, or one-liners. "Green Acres" had characters who were rich and diverse, who might be funny by what they say, or by the fact that they're saying it, or just because they show up at a certain moment. "Hooterville" could, I suppose, be construed as a Kafkaesque construct where even the woman who doesn't want to live there understands what's going on there, and only the man who wants to live there can't comprehend what's going on, or understand what the pig is saying. But why bother with such interpretation? This show is funny, well-written, and performed by fine actors. Shot on a sound-stage, "Green Acres" nevertheless opens out where most shows seem claustrophobic -- there are fields, roads, houses, barns, cows, jeeps, tractors, and all the great outdoors. I'm a country boy myself, and I appreciate that, unlike most shows written by high-handed cityfolk that show country folk as either ignorant bumpkins whose foolishness is the basis of laughs, or makes them more sagely inscrutable than smugly-superior urbanites, "Green Acres" gives the people of Hooterville thier own mindset that is neither better nor worse, just different. And the show itself is different from anything else on television until the arrival of "Newhart" which, for all its humor, nevertheless remained stagey and claustrophobic. "Green Acres" is funny. Enjoy it.

When I watch "Green Acres" I can't help but think that this is what Vaudeville must have been like. There's Oliver Wendell Douglas in his three-piece suit and Phi Beta Kappa key standing in front of an obviously painted backdrop with the most pathetic looking stalk of corn "growing" nearby. Then comes onstage a series of the finest comedians doing their standup routine with Mr. Douglas as the straight man: Mr. Haney (Pat Buttram) with an endless supply of wacky things to sell; Hank Kimball (Alvy Moore) as the oh-so-forgetful farm agent ("Ah, Mr. Douglas! I have a message for you." "What is it?" "What is WHAT?" "The message!" "What message?" "MY MESSAGE!" "You have a message?"); Eb the farmhand (Tom Lester); on and on and on.

Love it.

This programme was traditionally thought of as just another of the cornpone country comedies that CBS used to be noted for, like "Petticoat Junction" or "The Beverly Hillbillies". But with its button-down straight man, Eddie Albert, surrounded by a wild assortment of extraordinary oddballs, "Green Acres" looks both backwards to the screwball comedies of the '30s and ahead to the Bob Newhart series of shows which followed a similar premise.

I am a fan of the British absurdist tradition, as exemplified both by university humour, like "Monty Python" and "Fawlty Towers", with its basis in the antics of the Goons (and Alfred Jarry), and by John Lennon's disassociated imagery, with its basis, probably, in Edward Lear (and Hilaire Belloc), but I personally happen to believe that this particular show belongs to a distinct comedy continuum, one that's entirely American. But I do agree completely that where these two styles are concerned, fans of one are bound to appreciate the other.

This series while as corny as it can be had something which endeared it to all of us who watched it. This series had a heart which beat strongly & carried us through each week to the conclusion with Oliver & Lisa in their Monroe remodeled open air bedroom.

While there were times the series got too hung up on Arnold, & Ebb Dawson's love life, the characters of Hooterville always made for great comedy. There were times that Paul Henning was winking & smiling as he made fun of Lawyers, American Farmers, Mobsters, Hollywood, & many other targets during the shows run.

The characters he created were amazing. The physical comedy in this along with the great verbal comedy blended together into as fine a 1960's sitcom as could be produced.

Eddie Albert was kind of old for his role, but brought it off with an amazing energy. Ava Gabor was given a character where she could put herself into it, & this series turned out to the best role of her life. Pat Buttrum & the rest of the cast were great in support with special credos to Alvy Moore as Mr. Kimble who created one of the more amazing county agents ever portrayed.

All of this, higher pay, full benefits, & a years supply of cracked crab. It just don't get any better than that.

I once heard "Green Acres" described as being "Twin Peaks:the sitcom," which isn't too far off base if you take away the darker elements of "Peaks."

I'm not sure it's the best television series either, but it certainly my favorite, and the best thing about it is that it was funny when I was four years old, still funny when I was a teenager, and even funnier now that I'm in my late 30's and can sit and watch the show with my young sons.

Eddie Albert and Eva Gabor should have won multiple emmy's. The writers stand alone as some of the funniest sitcom writers of all time. Jay Somers and Paul Henning are geniuses. The amazing thing about this show is at a time when most shows were star driven, this show gives all of the actors great lines and showcases for their talent.

Of course, Oliver and Lisa are my favorite denizens of Hooterville, but I have a lot of fondness for Eb (who is endlessly funny), Mr. Haney (who my kids think is the funniest person ever!) and Mr. Kimble (who ALWAYS cracks me up!).

"Green Acres" really is the place to be. It's funny, it's family friendly and it is one of the best shows of all time!

The DVD is great too, but I would have loved some extra commentaries from some of the surviving cast members!



David Cox Independence Missouri