La grande vallée

I am really greatly relieved to read the previous reviews, knowing that I am not alone in being a huge fan of this great series!! There was just something about this show as a whole which really appealed to me - in a big way. I loved all the Barkley characters. Victoria was played to perfection by Stanwyck. The widow Barkley was a curious but convincing mixture of gracious elegance and guts: her Victoria Barkley is practically a cult figure of female characters of the Western genre. Richard Long was genuinely likeable as the level-headed eldest son, Jarrod, who provided a nice balance between the tough, egotistical Nick and the more sensitive half-brother Heath. Linda Evans was astonishingly beautiful as Audra (she alone kept many male baby boomers tuned in!). But there was so much else "right" with this show - artificial though it may have looked to those critical of Stanwyck being "Ben Cartwright in a skirt". The storylines were well-written & original and the shows were well-directed and well-acted. Most every episode was colourful, tasteful, upright & moral - but rarely dull, somehow: there was a larger-than-life quality to the series which appealed to its particular fans: the colour is beautiful to look at, and the score by George Duning is beautiful to hear. The series boasted many interesting guest stars: Julie Harris, Cloris Leachman, Colleen Dewhurst among many others. An embarrassing confession: as a kid, Heath Barkley was my sole hero: I thought Lee Major's playing of the half-breed illegitimate son of Tom Barkley was really inspired. Majors made Heath a really likeable character. Although Majors did many more successful TV roles, it is for his playing of Heath Barkley that I most fondly identify him with to this day.

It's hard to believe that a mid-1960's western could be the favorite TV show of a preteen boy in the 1970's but it's true. This was in reruns at 4:00pm daily and I could not WAIT to get home and see it. My sister felt the same way. I know, based on www pages out there, that I am not alone in my love for "The Big Valley", but I have to admit that it's a strange thing to be addicted to. There's something about the camera-ready cast, the quality of the stories and guest stars, the majestic opening theme and background music in the episodes and the overall aura of "The Barkleys" that is just irresistible to me. The series was just one of many, many TV westerns, but what sets this apart is the female slant and the striking use of color. Was there ever a bluer shirt than Victoria Barkley's? Hair more golden than Audra's? Leather more black than Nick's? Watching reruns of "Gunsmoke" and "Bonanza", they really look like dusty, brown, more authentic (especially with "Gunsmoke") presentations. "BV" started out that way, but soon progressed into an almost surreal blend of authentic locales mixed with '60's styles and colors. How else to describe Lee Majors' sideburns, the clean lines of the womens' riding gear or the ladies' false eyelashes? But I wouldn't change any of it for the world. The Barkleys' world is a world I'd want to live in. Everything is beautiful and they stand for truth, justice and the American way! They are defenders of right and will suffer to preserve integrity. (Kinda like The Super Friends, but with less wacky costumes...) The blend of types in the show is expert. You have scholarly, level-headed Jarrod, tough, explosive Nick, sensitive, handsome Heath, thoughtful, gloriously beautiful Audra and stern, fair, in charge Victoria (...oh, and then some poor kid who was let go right off the bat and never heard from again. That's the breaks, Eugene!) Together, in any combination, or separate, they are a captivating lot. Certain images burn the memory......Victoria cocking her rifle and ordering outlaws away, her croaking Audra's name when the girl has stumbled into trouble, Heath anytime he removed his shirt, Nick raging through the front door, Audra's black riding hat with chin string sitting atop her mane of the most beautiful hair in Hollywood...... Some of the stories were rehashes of other previous works (including Stanwyck's own movies! See "Jeopardy" some time!), but most of the time they were compelling and always they were filmed with skill and class. This is one of the best TV shows ever made.

I read all the comments and no one answered the question. I don't remember him doing anything. He just went off to college and never came back. Didn't the actor get drafted? I think someone mentioned that. The Big Valley was one of my favorite shows when I was a kid. For me it was Barbara Stanwick, the strong woman and Lee Majors, the odd one out that brought me back. Heath and I had a lot in common and I wanted to grow up to be all that Barbara's character represented, strong, confident, admired and rich didn't hurt. I think I grew up with the characters on TV for my role models sense I found the adults in my world so sadly lacking. If she were alive today I would like to thank her for the strong woman she portrayed. In that time of of upheaval, when a woman's role was changing she showed me a woman could be strong and smart and still have a family to love and nurture. Thank you for Victoria, Jared, Nick and Heath. Thank you for the beautiful innocent Audra, and thank you for the forgotten Eugene. Thank you for Big Valley

After reading the comments of others who love The Big Valley, I feel less unusual for enjoying the old show so much. It totally captured my interest when I was a teenager, and I miss watching it, since I cannot locate it. It should have run longer, but I can understand the actors were afraid of typecasting, or had other plans. I love everything about the show, from the opening music, to the stars, to the clothes, and I really loved that house, especially the staircase. I dream of a house like that one. I was pleased to have Linda Evans go on to Dynasty, and to see Lee Majors as The Bionic Man. I hoped to see more of Peter Breck and the others.

I was not a big fan of Westerns, but this one really stands out. I liked it back in the 1970s, and then again lately with its run on the Hallmark Channel.

If this show was not an authentic Western, who cares? The show had enough chutzpah and special qualities to make it so likeable. One episode, "Miranda," which aired 15 January 1968, had one scene that made me take notice. The title character, a Mexican revolutionary played by Barbara Luna, asked Napoleon Whiting, who played the African-American servant Silas, if slavery had been outlawed. The exchange between those two characters was a sort of icebreak, because of the stereotypical roles African-Americans had played in the movies and television for so long. At last, this concept is being questioned! This is the same year that "Julia" (1968) debuted.

The cast is fun. I liked Barbara Stanwyck, and I remember seeing Richard Long in 1970's "Nanny and the Professor." He is definitely missed. Peter Breck is also great, and I also like seeing Lee Majors in this role instead of "The Six Million Dollar Man." It is too bad that the series lasted only four years. It was such a fascinating series!