Witchcraft

A 300 year long feud between a a coven of witches and a family of wealthy land developers comes to a head when an old cemetery plot is disturbed, unearthing the grave of a witch once buried alive. Morgan Whitlock, head of the coven , now has his means to take revenge on the usurpers of his land and sets the resurrected witch upon them.

A rarely seen and almost forgotten horror, Witchcraft is now available on the MGM / Fox "Midnight Movies" label, paired as a double feature with Devils of Darkness. The big draw for me is that it's one of the last legitimate horror films in the career of Lon Chaney Jr., so seeing it nearly pristine on DVD is a treat I never thought I might indulge in. To my surprise, Chaney's part wasn't quite as big as I hoped, but this is okay as the rest of the cast is made up of mostly British actors, and the Brits rarely disappoint in the realm of horror. Better still is that Hammer Film veteran Don Sharp is at the helm, who has given us Kiss of the Vampire, and Rasputin the Mad Monk, among other genre pictures. Handsomely shot in black and white, Witchcraft has all the atmosphere that both Gothic and 60's contemporary horror fans crave. The mute witch makes for an eerie apparition as she silently stalks her prey, I might liken the scenes of her on the prowl to scenes in A Drop of Water from Bava's masterful anthology.

While it's true that the plot is nothing new I do feel the film has style to burn. Modern viewers will likely doze off as it is bloodless and the pacing is a bit lethargic, however in many scenes this deliberate pacing works very well. 7/10

When I finally caught up with it, this turned out to be a nice little mid-1960s thriller, made very much in the style of a Hammer Films production (indeed, as such it makes a suitable double-feature with the film it's paired with on DVD, DEVILS OF DARKNESS)- it makes good use of settings, has a decent script and quite adequate acting (especially a typically hammy late-career performance from Lon Chaney Jr), and evokes a very effective atmosphere of evil. What I was most surprised about (and impressed with) was the striking black-and-white photography and lighting, which really contributed to that atmosphere, particularly in its use of the reawakened witch. Definitely a fun, creepy movie for a rainy Saturday afternoon!

All the ingredients for a good story about witchcraft are assembled for this minor British entry, well photographed in low-key style with effective B&W photography and featuring a competent, but rather not well-known British cast, with the exception of LON CHANEY, JR. who has a minor role despite being top-billed.

JACK HEDLEY is the land developer who is too late in stopping the Lanier family from building a construction site that disturbs the Whitlock graveyard. The feuding families even have a "Romeo and Juliet" sub-plot going with Hedley's son, David WESTON, involved in a romance with Chaney's grand-daughter DIANE CLARE. The desecration of the grave site causes a 300-year-old woman buried alive as a witch to return from the grave to wreck havoc on the Lanier family.

It's a simple plot and it plays fairly well but there is nothing new to the material and it's been done before in a thousand different ways. The vengeance theme gets a workout with various members meeting untimely deaths and there's a big fire at the conclusion where the past is buried once and for all.

Biggest drawback is that Chaney doesn't fit into the proceedings with his American accent, so it's probably a good thing his role is a minor one. He was clearly not in the best of health at the time and it weakens even his subordinate role.

YVETTE REES as the vengeful, wordless witch who was buried alive gives the film's most chillingly sinister performance.

A modest but good British horror film that offers a decent part for aging star Lon Chaney. There has been a feud going on between the Whitlock family and the Lanier family ever since the 17th century when the Laniers denounced young Vanessa Whitlock as a witch and buried her alive. Now in modern day England, the Laniers are part of a land developing business that is running bulldozers over the ancient Whitlock graveyard and disturbing their headstones, much to the protest of head spokesman Morgan Whitlock (Chaney). To make matters worse, Morgan's niece Amy (Diane Claire) is in love with Bill Lanier (Jack Hedley). When the tomb of Vanessa Whitlock gets accidentally desecrated, the angered witch (Yvette Rees) rises to seek vengeance by placing curses on the Laniers. It's nice to see Lon Chaney amidst this devilish action, and he adds dignity to what was one of his last good horror movies. Director Don Sharp (Hammer's KISS OF THE VAMPIRE) sets up a few eerie shots and imbues these black and white proceedings with a haunting atmosphere. This movie would make a fine double feature with HORROR HOTEL (aka "The City of the Dead"). *** out of ****

... who does very little through the entire film but threaten people and wave his cane around. And yet he is top billed.

Morgan Whitlock (Lon Chaney Jr.) is angry with the Lanier family for bulldozing the Whitlock family cemetery so that they can put in new construction. But he's also mad because 300 years ago the Lanier family had condemned a member of his family, Vanessa Whitlock, as a witch and used the opportunity to seize the Whitlock family estate. So the bad blood goes way back.

Unfortunately, the Laniers didn't have her burned at the stake but buried her alive. Also unfortunately, her coffin was disinterred by the bulldozing. And very unfortunately, she is still alive 300 years later, and not in the best of moods.

I'm surprised Vampira didn't sue the makers of this movie because the freed Vanessa never speaks, never makes any telling expression, just stalks about like, well, Vampira! And the Laniers are much too likeable and fair minded individuals to make good objects of revenge for Vanessa Whitlock.

There are some subplots of interest - in the tradition of Romeo and Juliet a young couple, one in the Lanier family the other in the Whitlock family, are in love. The matriarch of the Lanier family hasn't left her room since the death of her husband years ago, and she also has come to believe she cannot walk. And who builds a family crypt that connects to the main house anyway? Finally, as in so many British films, "an inspector calls" as people start dying in weird ways, but atypically turns out to be pretty useless as the Laniers seem to be on their own in figuring this out for themselves.

In an American film you'd probably be able to tell who survives and who is killed by the witch, but since this is a British film the survivors and victims are unexpected. It certainly was better than I expected considering the no-name cast, thus raising my rating of it just a bit.