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Les chevaux de feu

Titre original : Tini zabutykh predkiv
  • 1965
  • Tous publics
  • 1h 37min
NOTE IMDb
7,8/10
9,2 k
MA NOTE
Les chevaux de feu (1965)
A timeless Carpathian story - the young Ivan falls in love with the daughter of his father's killer among the Hutsul people of Ukraine.
Lire trailer0:53
1 Video
97 photos
DramaRomance

Une histoire des Carpates intemporelle - le jeune Ivan tombe amoureux de la fille du meurtrier de son père, au sein du peuple Houtsoul en Ukraine.Une histoire des Carpates intemporelle - le jeune Ivan tombe amoureux de la fille du meurtrier de son père, au sein du peuple Houtsoul en Ukraine.Une histoire des Carpates intemporelle - le jeune Ivan tombe amoureux de la fille du meurtrier de son père, au sein du peuple Houtsoul en Ukraine.

  • Réalisation
    • Sergei Parajanov
  • Scénario
    • Ivan Chendej
    • Mikhail Kotsiubinsky
    • Sergei Parajanov
  • Casting principal
    • Ivan Mikolaychuk
    • Larisa Kadochnikova
    • Tatyana Bestayeva
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    9,2 k
    MA NOTE
    • Réalisation
      • Sergei Parajanov
    • Scénario
      • Ivan Chendej
      • Mikhail Kotsiubinsky
      • Sergei Parajanov
    • Casting principal
      • Ivan Mikolaychuk
      • Larisa Kadochnikova
      • Tatyana Bestayeva
    • 52avis d'utilisateurs
    • 43avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 2 nominations au total

    Vidéos1

    Official Trailer
    Trailer 0:53
    Official Trailer

    Photos97

    Voir l'affiche
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    Rôles principaux14

    Modifier
    Ivan Mikolaychuk
    Ivan Mikolaychuk
    • Ivan Paliychuk
    • (as I. Mykolaichuk)
    Larisa Kadochnikova
    Larisa Kadochnikova
    • Marichka Gutenyuk
    • (as L. Kadochnykova)
    Tatyana Bestayeva
    Tatyana Bestayeva
    • Palagna
    • (as T. Bestayeva)
    Spartak Bagashvili
    Spartak Bagashvili
    • Yurko Malfar
    • (as S. Bagashvili)
    Nikolay Grinko
    Nikolay Grinko
    • Vatag
    • (as M. Grynko)
    Leonid Yengibarov
    • Myko
    • (as L. Yengibarov)
    Nina Alisova
    Nina Alisova
    • Mother of Ivan
    • (as N. Alisova)
    Aleksandr Gai
    Aleksandr Gai
    • Father of Ivan
    • (as O. Gai)
    Neonila Gnepovskaya
    Neonila Gnepovskaya
    • Mother of Marichka
    • (as N. Gnipovska)
    Aleksandr Raydanov
    Aleksandr Raydanov
    • Father of Marichka
    • (as O. Raydanov)
    Igor Dzyura
    Igor Dzyura
    • Ivan as a child
    • (as I. Dzyura)
    Valentina Glinko
    Valentina Glinko
    • Marichka as a child
    • (as V. Glyanko)
    Aleksey Borzunov
    Aleksey Borzunov
    • Narrator
    • (voix)
    Natalya Kandyba
    • Ganna Paliychuk
    • (voix)
    • Réalisation
      • Sergei Parajanov
    • Scénario
      • Ivan Chendej
      • Mikhail Kotsiubinsky
      • Sergei Parajanov
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs52

    7,89.1K
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    Avis à la une

    10mtnshanian

    A movie that actually trascends the viewer to the world of Carpathians, trying to recreate the very essence of their soul and being...

    This is one of the best movies ever made!!! I don't think even that describes how strongly I feel for this movie and its director. In a world of cinematic rubbish Paradjanov stands as a warrior fighting for long lost cause; making a movie that actually transcends the viewer to the world the director is trying to create. It has the most unique camera angles and shots that were made in most amazing proximity. The richness of its photography will take you to the Carpathian Mountains and leave you astonished. This movie is full or drama, folklore and above all, it surpasses all the cinematic standards ever set for a motion picture. Made in the sixties, during Soviet regime, this movie was banned from the screen for it's symbolic context and references to religion. Starting from the opening scene to the very last one, it will keep you on the edge and it will exceed every expectation you have for it. You won't only watch it but you'll live it. If you're a true cinema lover watch this film...it'll change your life.
    9miroslawp

    one of the greatest movies of all times

    I was brought up in a backward Polish village where the Ukrainian background was also present (I could in most part understand the language of the movie). This movie reminded me of my long forgotten childchood in a place where people didn't lock their houses and lived very simple lives. Magnificent visual effects, melodious folk music and probably the music of Sergei Prokofiev or someone close to his style complete the picture. I believe it is a universal story about love, life, death and that all things that are nice are turning into oblivion. I myself emigrated to America, then came back after some years, though changed and working mostly for Western companies. Though being generally a child of Western European and American culture I acknowledge that it pays to keep at least part of our original heritage. Miroslaw
    zoondijkstra

    the most beautifullest thing i´ve ever seen

    ´Shadows´ is one of the best movies i´ve ever seen. The filming is so beautiful that it constantly makes you wonder how they did it, remind you, it was made in 1964. The way the lead characters feel is constantly expressed in color and camera movement, in a way i´ve never seen before. Notice how the colors are full in the first, happy part of the film, and how they get faded more and more to an almost black and white teint along with grief of Ivan, the male lead. At the end it turns to a blood red fury and then there is nothing but the dead. The folk music, with very poetic lyrics also contributes a lot to the sphere in this film. Again, i never saw something like that before, normally i hate folk music, now it fitted perfectly. And then the ending,it´s so sad, i almost cried my eyes out. What an archievement, it´s the most beautifullest thing i´ve ever seen.
    10miloc

    A glorious oddity

    Ingmar Bergman once claimed that the childhood gift of a film projector inspired him to make movies. The feeling of magic in creating images in light upon the wall never left him; perhaps it revealed to him the perfect medium for living out dreams.

    Watching "Shadows of Our Forgotten Ancestors" is like that moment of discovery: it makes us feel the same joy some have felt in discovering Bresson or Godard, the joy of finding out what film can do. It is understanding the director's joy in putting pictures together to tell a story (like a painter finding just the right colors to paint a myth). The movie, a sort of folk- Ukrainian "Romeo and Juliet," bursts with passion and physicality, chasing its protagonists through some of the most wild and beautiful landscapes ever caught on film. Yet the real romance here is between director Parajanov and the camera, which swoons and runs and bounds as ardently as any young lover, whether falling like a tree to the ground or spinning through a field or moping grief-stricken in a corner. Parajanov, like a honeymooning bridegroom, tries everything; he veers from silent-film subtitles to new-wave editing gimmicks to Russian iconography within seconds, and yet the tricks never feel anachronistic. From a torchlit search along a river to witchcraft in a lightning storm to the simple, painful clarity of the hero's eyes, the movie exudes a pagan wildness. (How he smuggled it past Soviet aesthetics is anybody's guess.)

    This is a movie that makes you laugh not from comedy but from sheer pleasure; it is as warm, bold, tragic, profoundly silly, and above all human, as a Shakespeare romance. See it by any means necessary.
    9alice liddell

    Magical, bewildering, essential.

    The first great film from the greatest director in post-war Soviet Union. The experience is almost like being strapped to a malfunctioning rollercoaster, as a relatively straightforward story - young man falls in love with neighbour; she dies; he mourns; remarries; still loves dead mate (Wuthering Heights anyone?) - is violently attacked by hurling camera movements that reveal the most vertiginous spaces, both exterior and interior; bizarre angles (eg from a falling tree); a restless mix of music from Kusturica-like horn blowers, shards of modernism and thrilling Romanticism; content that blends myth, dreams, legends, folk tales etc.; and editing that bewilders and disrupts rather than matches and connects. A brilliant recreation of a forgotten culture and times that was a dangerous two-fingers to totalitarianism.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Beyond the main cast, most of the actors in the film were ethnic Hutsuls from the local villages where the film was made.
    • Gaffes
      When the two children run down the hill to have a bath in the river, the entire camera rig, including the operator, can be seen in a shadow on the ground.
    • Crédits fous
      "This film is a poetic drama about the great love of Ivan and Marichka. The film introduces us to the world of folk tales, customs and life of the old Carpathians."
    • Connexions
      Featured in Fejezetek a film történetéböl: A szovjet film 1953-1970 (1990)

    Meilleurs choix

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    FAQ14

    • How long is Shadows of Forgotten Ancestors?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 mars 1966 (France)
    • Pays d’origine
      • Union soviétique
    • Site officiel
      • Parajanov.com
    • Langue
      • Ukrainien
    • Aussi connu sous le nom de
      • Les ombres des ancêtres oubliés
    • Lieux de tournage
      • Kryvorivnia, Ivano-Frankivsk Oblast, Ukraine(village)
    • Société de production
      • Dovzhenko Film Studios
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 1 088 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 37 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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