NOTE IMDb
6,8/10
7,6 k
MA NOTE
Après un séjour de vingt ans dans un asile pour un double meurtre, une mère retourne auprès de sa fille dont elle est séparée où des soupçons surgissent sur son comportement.Après un séjour de vingt ans dans un asile pour un double meurtre, une mère retourne auprès de sa fille dont elle est séparée où des soupçons surgissent sur son comportement.Après un séjour de vingt ans dans un asile pour un double meurtre, une mère retourne auprès de sa fille dont elle est séparée où des soupçons surgissent sur son comportement.
- Récompenses
- 1 nomination au total
Vicki Cos
- Carol Harbin - Age 3
- (non crédité)
Patricia Crest
- Stella Fulton
- (non crédité)
Laura Hess
- Second Little Girl
- (non crédité)
Patty Lee
- First Little Girl
- (non crédité)
Lynn Lundgren
- Beautician
- (non crédité)
Lee Majors
- Frank Harbin
- (non crédité)
Robert Ward
- Shoe Clerk
- (non crédité)
Avis à la une
Joan Crawford's performance is masterful, ranging all the way from pitiful to frightening. Crawford was a great movie actress. She commands the screen and has thoroughly prepared for every scene and every word of dialogue, however good or bad the dialogue might be.
The whole film is never dull for a moment and is well made within the limits of the guilty pleasure sort of style. Like a train wreck, you can't look away.
Supporting cast acting is adequate, especially Diane Baker who works well with Joan Crawford as they create a memorable mother/daughter team.
For the ultimate in absurd, guilty pleasure brilliance by director William Castle and star Joan Crawford, view "Straight Jacket" when you get the chance.
The whole film is never dull for a moment and is well made within the limits of the guilty pleasure sort of style. Like a train wreck, you can't look away.
Supporting cast acting is adequate, especially Diane Baker who works well with Joan Crawford as they create a memorable mother/daughter team.
For the ultimate in absurd, guilty pleasure brilliance by director William Castle and star Joan Crawford, view "Straight Jacket" when you get the chance.
And so with those words begins this wacked out slasher film/murder mystery that shows Joan Crawford lopping off the heads of her husband and his girlfriend while they lie in post-coital repose -- and that's before the opening credits have even started!
"Strait-Jacket" has the look and feel of "What Ever Happened to Baby Jane?" and all of those other exploitative films from the 1960s that put once-great declining actresses in campy schlock and let audiences howl at them. But somehow, this movie doesn't feel exploitative. If Joan Crawford had delivered a bad performance, it would have. But she tackles the role with such seriousness and commitment that she single-handedly ends up selling the film to you, and making you genuinely care about her character and what happens to her. Joan Crawford may have been hell to live and work with in her personal life, but it takes an actress with a unique skill to make a film like this not only competent, but almost fascinating.
As for the movie itself, it's laughably predictable. I called the "surprise" ending about fifteen minutes into the film, and then talked myself out of it because I thought it would be too obvious. Well, I should have stuck to my guns, but it didn't much matter -- by the end I was no longer watching the film for the ending -- I was watching it for Joan, which is the only reason (albeit a damn good one) for watching this film at all.
Grade: B
"Strait-Jacket" has the look and feel of "What Ever Happened to Baby Jane?" and all of those other exploitative films from the 1960s that put once-great declining actresses in campy schlock and let audiences howl at them. But somehow, this movie doesn't feel exploitative. If Joan Crawford had delivered a bad performance, it would have. But she tackles the role with such seriousness and commitment that she single-handedly ends up selling the film to you, and making you genuinely care about her character and what happens to her. Joan Crawford may have been hell to live and work with in her personal life, but it takes an actress with a unique skill to make a film like this not only competent, but almost fascinating.
As for the movie itself, it's laughably predictable. I called the "surprise" ending about fifteen minutes into the film, and then talked myself out of it because I thought it would be too obvious. Well, I should have stuck to my guns, but it didn't much matter -- by the end I was no longer watching the film for the ending -- I was watching it for Joan, which is the only reason (albeit a damn good one) for watching this film at all.
Grade: B
I was expecting this to be another cheesy Castle flick. It would be entertaining but nothing memorable. However, this film was much better than the rest of Castle's films. The direction of the ax sequences was superb. You are constantly expecting the ax to drop, but it just never does. You can definitely see the influence that this film as had on horror films from Halloween to date.
Of course, I would be remiss if I did not also mention that having Crawford and Baker in the cast made it a much better acted film than most of Castle's as well. Crawford's ability to move from mood to mood with her character was mind boggling. It was almost like she was playing three or four different characters in the same film. Baker was beautiful and played really well off of Crawford. For a horror film, this was actually a very good movie.
Of course, I would be remiss if I did not also mention that having Crawford and Baker in the cast made it a much better acted film than most of Castle's as well. Crawford's ability to move from mood to mood with her character was mind boggling. It was almost like she was playing three or four different characters in the same film. Baker was beautiful and played really well off of Crawford. For a horror film, this was actually a very good movie.
Strait-Jacket(1964) a film starring Joan Crawford as a woman who comes home to find her husband getting busy with another woman. Joan snaps and kills both her husband and his mistress with an ax all to the watching eyes of her daughter who at the time was only 4 or 5. Fast forward 20 years and Joan's character is considered reformed and sent to stay with her daughter her brother and his wife. The rest of the movie revolves around deaths that occur at the house and if Joan's character is to blame or someone else.
This is a pretty cool flick all around as it has an ax wielding psycho Joan Crawford, Leif (Invasion from Mars) Erickson and George (Breath Assure) Kennedy giving us a very "heady" performance. It also has some sequences for its time that would have probably made the teeny boppers of the era squirm up to their man in the theater.
All in all I think this is one of those films that if your a horror/thriller fan you owe it to yourself to at least check out once as it does what is trying to do effectively even though you can see the end coming before you get there. With the characters all in place and an interesting story I give Joan's Ax Wielding flick: 7/10 good.
Strait-Jacket is out now on Tri-Star DV. Definitely give it a go!!!
Until next time folks here is a tip: If your married and you want to cheat on your wife make sure you leave the ax locked up real tight in the shed cause if you don't you could lose more than your money if she catches you!!!
I'm out!!
This is a pretty cool flick all around as it has an ax wielding psycho Joan Crawford, Leif (Invasion from Mars) Erickson and George (Breath Assure) Kennedy giving us a very "heady" performance. It also has some sequences for its time that would have probably made the teeny boppers of the era squirm up to their man in the theater.
All in all I think this is one of those films that if your a horror/thriller fan you owe it to yourself to at least check out once as it does what is trying to do effectively even though you can see the end coming before you get there. With the characters all in place and an interesting story I give Joan's Ax Wielding flick: 7/10 good.
Strait-Jacket is out now on Tri-Star DV. Definitely give it a go!!!
Until next time folks here is a tip: If your married and you want to cheat on your wife make sure you leave the ax locked up real tight in the shed cause if you don't you could lose more than your money if she catches you!!!
I'm out!!
The movie opens with shocking betrayal. Lucy Harbin (Joan Crawford) returns from a journey only to find her husband (Lee Majors) in bed with another woman. She spins into a murderous rampage. With an axe, she evens the score by lopping of the heads of her adulterous husband and his mistress with a big, shiny axe. Her revenge is the fuel for local legend, but the price is twenty years in a mental intuition.
When Crawford is released from custody (fully recovered) the story begins.
The prison bus drops Crawford off at the home of her sweet and innocent daughter, who is very popular and happens to be dating the richest boy in town. She also watched as her mother brutally murdered two people, including her father, but in spite of life's little setbacks, Diane Harbin is perfectly fine.
With such a humdrum cast of characters, it seems strange when headless corpses start showing up all over town. Who could the murderer be?
This movie is one of the five best movies I saw in 2003. It's lots of fun, and Crawford's performance outclasses any I've seen. It is a GREAT movie. It's got LOTS of decapitations, but no gore or fake blood! A modern marvel!
When Crawford is released from custody (fully recovered) the story begins.
The prison bus drops Crawford off at the home of her sweet and innocent daughter, who is very popular and happens to be dating the richest boy in town. She also watched as her mother brutally murdered two people, including her father, but in spite of life's little setbacks, Diane Harbin is perfectly fine.
With such a humdrum cast of characters, it seems strange when headless corpses start showing up all over town. Who could the murderer be?
This movie is one of the five best movies I saw in 2003. It's lots of fun, and Crawford's performance outclasses any I've seen. It is a GREAT movie. It's got LOTS of decapitations, but no gore or fake blood! A modern marvel!
Le saviez-vous
- AnecdotesFeature-film debut of Lee Majors, who plays the small role of Lucy Harbin's (Joan Crawford's) husband in the flashback scene. He got the part when his good friend Rock Hudson asked William Castle to please find a job for the 23-year-old actor.
- GaffesThere are several references to the Fields' farm being a dairy farm. However, the cattle in multiple scenes are obviously Black Angus beef cattle.
- Citations
Carol Harbin: I hate you! I hate you! I hate you! No I didn't mean that, I love you. I hate you!
- Crédits fousThe Columbia Pictures logo at the end of the film has the Torch Lady's head chopped off and placed at her feet, and her torch light extinguished.
- ConnexionsEdited into Battle-Axe: The Making of 'Strait-Jacket' (2002)
- Bandes originalesThere Goes That Song Again
(Written by Jule Styne and Sammy Cahn)
Written for the film Carolina Blues (1944) (1944) and performed by Harry Babbitt and Kay Kyser's orchestra.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Camisa de fuerza
- Lieux de tournage
- Riverside, Californie, États-Unis(Carol and Lucy go shopping on Main Street)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 550 000 $US (estimé)
- Montant brut mondial
- 124 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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