L'invasion secrète

I want to like this more than I do. There's solidly admirable stuff at play in the script by R. Wright Campbell, but there's also opaqueness to the action, an overextended cast of characters that don't make enough of an impression, and a need for action beats whether necessary or not that keep the film from really gelling. It's another one of those films where, had Corman directed the scriptwriting process a bit differently, he might have had a special example of a new genre under his belt (the men on a mission, WWII movie). Instead, everything ends up moving too quickly to really land, only the final actions of one character getting real pathos at all despite not even being the main character. It's a thinner exercise than it should be, but it ends up moderately entertaining overall.

The Allied forces want to send a ragtag team of convicts into Yugoslavia to save an Italian general from imprisonment by the Nazis with the promise of pardons. Leading the group is Major Mace (Stewart Granger) who enlists the help of Italian Roberto Rocca (Raf Vallone), the assassin Durrell (Henry Silva), and Terence Scalon (Mickey Rooney). Where my issues begin with the film is in how none of these characters seem that well-drawn. The one who should be best drawn is Mace who has a secret about his brother having been captured by the Nazis. However, it's shrouded in mystery and quickly forgotten as the film prioritizes an action piece on a boat. It's not Corman's best filmed action sequence, and it's not helped by the fact that everything about everyone is still fairly opaque at this point.

The get to Yugoslavia and settle in. They meet locals who will help them, most notably Mila (Mia Massini), a widow with a baby. Mila and Durrell get paired together while the whole group scout out the castle that houses the German soldiers holding the Italian general hostage. It's the kind of extended section of a film where plans are to be laid out, but nothing seems that important (and very little of what gets covered matters that much in the payoff period). In fact, their whole effort to get into the base ends up being a misdirection to the audience. Frustrating.

They all get captured, and it's the earliest example of "get captured on purpose" that I can think of in movies. They get interrogated one by one, and this is where the thin characterization really hampers the film. One-on-one with a Nazi interrogator, they should be revealing themselves in ways that feed...something about the larger narrative. Usually this would at least be a sense of tension, but in more ambitious films it would be characters feeding an underlying thematic concern. Here, it just feels almost...lackadaisical.

Now, I'm complaining a lot, but the film is...fine. It's functional. The action when it pops up is professional and cleanly filmed. The actors are all doing their jobs decently well. The greatest part of the film is how it looks, though. This might be Corman's best looking, naturalist (I prefer the surrealism of House of Usher) film. I complained while watching Atlas, another film Corman made in Europe, that he used sparely the great outdoor scenery. That's definitely not the case here. He uses as much as he possibly can, giving the film not just a larger budgetary feel, but the colors are sumptuously deep and he gets some great shots of the coast and the village on it. Really, I've always felt that Corman had a visually pleasing filmmaker hiding away in his cheap productions, and it's always a joy when it comes out.

The single best part of the film is in the ending. I don't want to spoil it, but it involves mistaken identity, guilt, and self-sacrifice from a minor character that has a shocking punch. It's not just the choices the character makes, but it's how Corman treats the moment with a shockingly deft hand. It's quiet and then loud in just the right measure to have the full impact. It's really good.

However, while it was enough to get me to perk up by the end, it wasn't enough to save the film as a whole for me. Too much of what came before was thin and honestly a bit confused. If Corman ever made a film that needed an extra 30 minutes to draw things out, it's The Secret Invasion. What he ended up making was mildly entertaining, good looking, and with a solid finish, but it really needed more.

Cheapie director Roger Corman brings us this low-budget, high-octane thriller. THE SECRET INVASION was shot in Yugoslavia and released by United Artists in 1964.

In 1943, British intelligence sends five convicted criminals into Yugoslavia to rescue an Italian General and convince him to turn his troops against the occupying Nazi forces. This story was essentially copied a few years later by director Richard Conte in OPERATION CROSS EAGLES, which has a similar look and feel but doesn't hold a candle to this film's characters or action scenes.

Corman's ensemble cast is made up of several familiar veteran actors. Raf Vallone is the leading criminal, who actually wants to earn his amnesty. Mickey Rooney (AMBUSH BAY) is great fun as an Irish demolition expert who can blow up just about anything. The ever-annoying Edd Byrnes doesn't give too hoots about the mission and even attempts to escape to a German PT boat almost immediately, but has come to his senses near the end. Master of disguise William Campbell doesn't trust silent killer Henry Silva (PROBABILITY ZERO), who he thinks is trying to botch the mission. An older Peter Coe (TOBURK) also appears as the Partisan leader, Marko.

Working with a low budget, Corman is surprisingly able to create a high number of suspense scenes and well-done action sequences. One plot aspect has the team keeping time by snapping their fingers when their enemy captors lift their watches. This allows them to time escapes perfectly, springing surprises on the Nazis. During the final battle, the old cliché of killers disguised as hooded monks comes up but is defied as one rips off his disguise; and Granger leads a pack of German attack dogs astray by ripping off his own bandage and allowing them to track his blood as he bleeds to death. The action scenes are excellently filmed, too, making great use of location photography to heighten the suspense. One long, drawn out sequence set in the hills of Dubrovnik involves hundreds of extras, lots of very loud gunfire, excellent explosions and some fine quick cutting. All of this makes the action even more nail-biting, as you never know who will live to the end and who won't.

The film boasts a great Hugo Friedhofer score which adds the perfect mournful touch to a scene involving a dead baby; and just the right rousing action theme for the combat portions. Cinematography is top-notch, with fine camera angles capturing emotions and action perfectly. Even on the small screen, the film has been pan-and-scanned with utmost care so you don't lose as much as you usually do.

I saw this movie on the Encore! Network. It has been excellently cared for, with accurate flesh tones, sharp images all around (Vallone's eyes are a clear blue even from far away). MGM has done a good job recently, digitally remastering a number of their old films (perhaps for future DVD releases?) such as ATTACK ON THE IRON COAST.

This is one of those rare war films which packs the most material possible into its' low budget. The characters are strong, the action spectacular and the suspense truly nail-biting. Corman's unorthodox twists make the far-fetched plot a little more acceptable. This is a 2-hour, no-intelligence-required action fest you'll not want to miss.

7/10

Roger Corman got his largest budget to date and distribution through United Artists for The Secret Invasion. Even though the story is a combination of The Dirty Dozen and The Guns Of Navarone, it's all delivered in nice style.

Heading the mission is Major Stewart Granger and the time is during those days just before the Allies invaded Italy proper having already landed and occupied Sicily. He gets himself a choice team of criminals of varying kind all with certain specialties. His team includes Raf Vallone, Edd Byrnes, William Campbell, Mickey Rooney, and Henry Silva. With Granger that makes it a half a dozen.

These six are to go into occupied Yugoslavia and kidnap a popular Italian general. Remember at this point in time Mussolini had already been overthrown and the Allies were conducting negotiations with Field Marshal Badoglio to take Italy out of the Axis orbit. Command broke down in the Italian Army and Badoglio dragged his feet somewhat. So this was a move in Yugoslavia where the Italians had considerable troops.

Things didn't quite work out for Granger and the rest of his half dozen no more than they did for the Allies and Badoglio. Still the mission is completed kind of and a few actually survive to tell the tale.

Best in the cast is Mickey Rooney who adopts a nice Irish brogue as he plays an IRA man who's good with explosives. Like the rest he's fighting for a pardon if he gets back from Yugoslavia. He looks like he's having a great old time in the part. Given his last name you'd think the Mick would have played more Irish types in films. But remember he was born Joe Yule, Jr. quite Jewish.

The Secret Invasion will not be one of Roger Corman's cult classics, it had too big a budget for that. Still it's an enjoyable film, war film fans will like it.

Although producer/director Roger Corman is known for his "economical" pictures, this World War II actioner belies its $600,000 budget (small by conventional Hollywood standards, but an epic for Corman) and is a well-acted, tightly directed, enjoyable not-quite-so-little picture. The story of a group of misfit Allied soldiers sent to rescue an important Italian general who has been imprisoned by the Nazis, Corman makes good use of the Dubrovnik, Yugoslavia, locations and a cast consisting of much better actors then he usually got, especially Mickey Rooney, Stewart Granger and Henry Silva (in an outstanding performance as a taciturn, deadly killer who isn't quite as cold-blooded as he seems). Even Edd Byrnes is far less annoying than usual, and turns in a good job. The action scenes are very well handled, the picture looks much more expensive than its budget would indicate, and it actually garnered some of the best reviews of Corman's career up to that time, and deservedly so. It's a good one (and compares favorably to "The Dirty Dozen," which it preceded). Check it out.

This exciting and so-so war movie produced by Gene Corman packs thrills, suspense , plot twists , lots of action sequences and climatic ending , but doesn't quite hang together. Passable warfare film follows a group of convicts soldiers played by all star cast who undergoes assignment against the promise of free pardons. It deals with Major Mace (Stewart Granger) , a tough commandant , he assigns a motley team(Mickey Rooney ,Raf Vallone , Edd Byrnes, Henry Silva, William Campbell) for a dangerous mission whose aim is to free an Italian General (Enzo Fiermonte) . As Stewart Granger training an outfit of rebels and misfits soldiers for a risked assault in Yugoslavia where they contact partisans. The commando must participate in a suicidal mission, the first to wipe a Yugoslavian little town and after an assault over a strong position located on Dubrovnik , Croacia, where is imprisoned the Italian General. Each member of the squad keeps time by rhythmically snapping his fingers so the kidnap can be coordinated . They wreak havoc and kill Nazis to earn the respect of military higher-ups in an exciting final .

This low-budgeted and appropriate runtime warfare film concerns about an incredible lesson of courage set in WWII . This flag-waving film packs frantic thrills, perilous adventures, relentless feats , and buck-loads of explosive action and violence . The noisy action is uniformly well-made, especially deserving of mention the rip-roaring final scenes on the mountains and battle at Dubrovnik city . Fine location cinematography by Arthur Arling and powerful musical score by Hugo Friedhofer . Serious and rough Stewart Granger is good as leader of the motley pack together thwart the the Nazi schemes, as well as the largely secondary cast with particular mention to Henry Silva and Raf Vallone who finish developing a sincere friendship . The film belongs to Commandos sub-genre operating beyond enemy lines whose maximum examples result to be the classics as ¨Dirty dozen¨(Robert Aldrich) , ¨Guns of Navarone¨ (J.L. Thompson) , ¨When eagles dare ¨ (Brian G Hutton), ¨ and ¨Kelly's heroes¨ (Hutton) and other movies that were made during the 60s and 70s regarding wartime adventures about special forces in risked missions .

The motion picture is professionally directed by Roger Corman . After his period realizing poverty-budget horror movies as ¨Swamp woman, The beast with a million of eyes, Attack of the crab monsters , Undead¨, then came the cycle of tales of terror based on Poe as ¨ House of Usher, Pit and pendulum, The raven , Tales of terror, The masque of the red death ¨ , and meanwhile Corman made this passable war film that achieved limited success.