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Ajouter une intrigue dans votre langueA former Confederate officer and a Mexican try to prevent a former Confederate colonel from selling stolen rifles to renegade Apaches in Mexico.A former Confederate officer and a Mexican try to prevent a former Confederate colonel from selling stolen rifles to renegade Apaches in Mexico.A former Confederate officer and a Mexican try to prevent a former Confederate colonel from selling stolen rifles to renegade Apaches in Mexico.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Anthony Franciosa
- Rodriguez
- (as Tony Franciosa)
Robert Adler
- Pardee Soldier
- (non crédité)
Eumenio Blanco
- Cantina Patron
- (non crédité)
Timothy Carey
- Chico
- (non crédité)
Roberto Contreras
- Mexican at Corral
- (non crédité)
Linda Cordova
- Mexican Girl
- (non crédité)
Abel Fernandez
- Mexican at Corral
- (non crédité)
Avis à la une
This was directed by Gordon Douglas and stars Richard Boone, Stuart Whitman, Jim Brown and Edmond O'Brien. Boone stars as a former major in the confederate army and is now just a drunk who hates the Indians and kills as many as he can. Boone is found with a repeating rifle that was stolen from the army but he didn't know that and is thrown in jail. Whitman was the soldier who was in charge of the rifles but they were stolen and taken down to Mexico. So Whitman and Brown go after the rifles undercover and they take Boone and Anthony Franciosa, a Mexican who was about to be hanged, along with them. It's a pretty good western and it's nice to see Boone with the starring role instead of playing the villain.
The western was still a going commercial concern when Gordon Douglas made this decent example of the genre in 1964. Within a few years, of course, Peckinpah, Leonne and latterly Clint Eastwood amongst others would completely overturn the genre, giving new meaning to the term 'revisionist'. Douglas was no auteur but a good jobbing director, professional enough to tell a good yarn. There is nothing terribly original about this yarn, (it's really a rehash of "The Commancheros"), as potential enemies Richard Boone, Stuart Whitman, Tony Franciosa and Jim Borwn join forces to find a shipment of rifles stolen by the Indians. There is plenty of sage-brush and desert in the action sequences providing the requisite pleasures we associate with a good horse-opera, even if this one turns surprisingly cynical and bitter. There is a scenery-chewing supporting turn from Edmond O'Brien and Tony Franciosa enjoys himself as a Mexican Lothario whose way with a knife comes in very handy. And Jerry Goldsmith's score is first-rate.
Gritty and well written Western tale with jarring burst of violence . Good western with nifty non-stop action in the old 20th Century Fox tradition set in Texas with towering actors , unstopped action and spectacular scenarios ; dealing with three Army buddies search for 2000 stolen rifles . 1867 , after the Civil War , a weapon shipping has been stolen to army and as responsible appears captain Haven (Stuart Whitman) , he is assigned to go to Mexico as incognito to avoid arms to be sold Apaches , being accompanied by a misfit outfit . He along with a furious racist agree to lead a hazardous expedition through Apace territory . As the group is formed by an ex-Confederate officer called Lassiter (Richard Boone) , a bitter ex-Rebel army major whose wife and children have been killed by the Apaches , the African-American sergeant Franklyn (Jim Brown) and a Mexican prisoner named Rodríguez (Anthony Franciosa) condemned to death row . As two Army officers, an alcoholic ex-Confederate soldier and a womanizing Mexican travel to Mexico , the object is to find another ex-Confederate who is about to sell hundreds of robbed guns to the Indians . They are ¨Comancheros¨ is a word that refers to those who favored or advantaged of Comanche Indians by selling weapons and alcohol . The Indians are out on a rampage of killing , vengeance against the white intruders and with the aim for getting weapons . As four men stalking the Apache nation on a mission that could drench the whole Southwest in blood and flames . From Texas they go to Chihuahua where a megalomaniac Southern ex-general named Pardee (Edmond O'Brien) living at a mansion in Louisiana style and commanding an army of bushwhackers attempts to re-initiate a war by Indian upheaval led by Bloodshirt (Rodolfo Acosta) . At the end there takes places a peculiar apocalypse plenty of explosion , dynamite , powder , fire and rifles .
This actioner Western contains thrills , adventures , rider pursuits , wonderful outdoors , impressive attacks and loads of crossfire . It is a very fine picture that could become another western worthy of any anthology . This is an unusually brutal tale of a hard-bitten sergeant assembling a detail of misfit cavalrymen to hold-off rampaging Indians and rebels . Well developed film with gloomy energy , crafty characters , sober lighting , abundant night scenes , elegant camera movements and especial dramatic pace , including a dialectic about racism . The picture relies heavily on the relationship among the misfit group , though gets enjoyable nuances and charm enough and along the way confront Indians rebels and themselves . In this film "Rio Conchos" also titled ¨Guns of Rio Conchos¨ the spectator enjoys because it has a lot of issues that make it agreeable . Even the female character played by attractive Wende Wagner as India Sally, reveals a woman who knows that she wishes and makes it irresistible . Stuart Whitman and an expert all-star-cast shine in this gripping story about a dangerous mission carried out by a motley bunch and director takes a fine penned screenplay by Clair Huffaker creating a cavalry-Indians tale that is far from ordinary , exploring the anguish and desperation of a varied group . Features convincing playing from the always reliable Richard Boone as a violent and hard-hitting racist and memorable Anthony Franciosa as womanizer Mexican . Jim Brown is good in his film debut and he gave up his football career, at its peak, to try acting . Colorful cinematography in truly De Luxe Colour by Joseph MacDonald . Offbeat musical score in suspenseful and thrilling style by the great Jerry Goldsmith .
The motion picture was professionally directed by Gordon Douglas , at his best . He's an expert on adventures cinema as ¨Black arrow¨ , ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward and Western , as he proved in the films starred by Clint Walker such as ¨Fort Dobbs¨, ¨Yellowstone Kelly¨ , ¨Gold of seven Saints¨ , Gregory Peck as ¨Only the valiant¨ in similar plot to ¨Chuka¨ , Richard Boone as ¨Rio Conchos¨ considered the best , and on bandits legendary as ¨Doolins of Oklahoma¨ , ¨Great Missouri raid¨, among others
This actioner Western contains thrills , adventures , rider pursuits , wonderful outdoors , impressive attacks and loads of crossfire . It is a very fine picture that could become another western worthy of any anthology . This is an unusually brutal tale of a hard-bitten sergeant assembling a detail of misfit cavalrymen to hold-off rampaging Indians and rebels . Well developed film with gloomy energy , crafty characters , sober lighting , abundant night scenes , elegant camera movements and especial dramatic pace , including a dialectic about racism . The picture relies heavily on the relationship among the misfit group , though gets enjoyable nuances and charm enough and along the way confront Indians rebels and themselves . In this film "Rio Conchos" also titled ¨Guns of Rio Conchos¨ the spectator enjoys because it has a lot of issues that make it agreeable . Even the female character played by attractive Wende Wagner as India Sally, reveals a woman who knows that she wishes and makes it irresistible . Stuart Whitman and an expert all-star-cast shine in this gripping story about a dangerous mission carried out by a motley bunch and director takes a fine penned screenplay by Clair Huffaker creating a cavalry-Indians tale that is far from ordinary , exploring the anguish and desperation of a varied group . Features convincing playing from the always reliable Richard Boone as a violent and hard-hitting racist and memorable Anthony Franciosa as womanizer Mexican . Jim Brown is good in his film debut and he gave up his football career, at its peak, to try acting . Colorful cinematography in truly De Luxe Colour by Joseph MacDonald . Offbeat musical score in suspenseful and thrilling style by the great Jerry Goldsmith .
The motion picture was professionally directed by Gordon Douglas , at his best . He's an expert on adventures cinema as ¨Black arrow¨ , ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward and Western , as he proved in the films starred by Clint Walker such as ¨Fort Dobbs¨, ¨Yellowstone Kelly¨ , ¨Gold of seven Saints¨ , Gregory Peck as ¨Only the valiant¨ in similar plot to ¨Chuka¨ , Richard Boone as ¨Rio Conchos¨ considered the best , and on bandits legendary as ¨Doolins of Oklahoma¨ , ¨Great Missouri raid¨, among others
Two years after the Civil War, an unlikely team of four men go on a mission to find a missing cache of Federal rifles; the trail leads to a private army of ex-Rebels and Apaches, as well as a surreal antebellum mansion built in the middle of the desert along the Rio Conchos River in Mexico. The scouting unit consists of an alcoholic ex-Confederate major and Indian-hater (Richard Boone), a gallant but formidable Army captain (Stuart Whitman), a Buffalo Soldier sergeant (Jim Brown), a likable Mexican cutthroat (Tony Franciosa) and, later, an Apache woman (Wende Wagner). The private army is led by a cracked, bitter ex-Rebel general (Edmond O'Brien).
This 1964 Western has uncomfortable similarities to John Wayne's "The Comancheros" (1961), which also co-starred Whitman. "Rio Conchos" is about on par, but I give the edge to "The Comancheros." Anyway, this was the theatrical debut of Jim Brown, who gave up his football career at its peak to try his hand at acting. He would return to the Western genre with the similar "100 Rifles" five years later.
While not ranking with the best 60's Westerns (e.g. "One-Eyed Jacks," "Ride the High Country," "Hombre," "Nevada Smith," "Bandolero!" and "True Grit"), "Rio Conchos" is a brutal, energetic and colorful Western. It's not far behind "Duel at Diablo," "El Dorado" and "Shalako." I'd put it on par with "The Sons of Katie Elder," "The War Wagon" and "The Undefeated."
The film runs 1 hour, 47 minutes and was shot in Arizona and Utah. The effective and timeless score is by Jerry Goldsmith.
GRADE: B
This 1964 Western has uncomfortable similarities to John Wayne's "The Comancheros" (1961), which also co-starred Whitman. "Rio Conchos" is about on par, but I give the edge to "The Comancheros." Anyway, this was the theatrical debut of Jim Brown, who gave up his football career at its peak to try his hand at acting. He would return to the Western genre with the similar "100 Rifles" five years later.
While not ranking with the best 60's Westerns (e.g. "One-Eyed Jacks," "Ride the High Country," "Hombre," "Nevada Smith," "Bandolero!" and "True Grit"), "Rio Conchos" is a brutal, energetic and colorful Western. It's not far behind "Duel at Diablo," "El Dorado" and "Shalako." I'd put it on par with "The Sons of Katie Elder," "The War Wagon" and "The Undefeated."
The film runs 1 hour, 47 minutes and was shot in Arizona and Utah. The effective and timeless score is by Jerry Goldsmith.
GRADE: B
Rio Conchos is directed by Gordon Douglas and adapted to screenplay by Joseph Landon from the Clair Huffaker novel. It stars Richard Boone, Stuart Whitman, Jim Brown, Tony Franciosa, Wende Wagner and Edmond O'Brien. Music is scored by Jerry Goldsmith and Joseph MacDonald is the cinematographer. Out of 20th Century Fox it's a CinemaScope production filmed in De Luxe Color, and primary location used for filming was Moab, Utah.
One ex-Confederate officer out for revenge against the Apache, one Army Captain driven by a sense of duty, one Buffalo Soldier continuing to prove himself and one Mexican convict getting a second shot at freedom. Four men, one journey, a mission to find who is arming the Apache with repeating rifles. Danger, mistrust and hostility are their only companions.
The plot may be routine, and certainly it owes a debt to The Comancheros (Huffaker involved there too), but this is a tough and dark Western propelled by fine acting, quality direction and photography to die for. Structured around a men on a mission basis, each one with their own particular issues, it's very much a character driven piece. It's the time spent in the company of these men that makes the film so riveting, it never gets dull, the character dynamics are such, that we never quite know what to expect from the next part of the journey. Director Douglas also doesn't shy from action, pitting our odd group against Mexican Bandits and Apache Indians along the way, and then delivering a high octane finale that has a few twists and turns to keep it away from being formulaic.
Whitman and Brown acquit themselves well enough, as does Wagner as the sole female of the piece. But acting wise this film belongs to Boone and Franciosa. The former portrays a bitter vengeful heart with ease, with a lived in alcoholic face, his destiny you feel is mapped out from the off. The latter shines as the ebullient character of the group, shifty, sly and as untrustworthy as it gets, Franciosa's play off of Boone gives the film its central pulse beat. But arguably all players are trumped by MacDonald's photography and Douglas' use of the scenery. From pretty much the first frame the landscape is the big character here. Douglas wisely using many long shots to reveal miles of vistas, then knowing when to pull in close to envelope the characters to give off the feeling of mental claustrophobia. Exterior work here belies the budget afforded the film, and all told it's a far better movie than the bigger produced Comancheros. Goldsmith's score is also a plus point, striking the mood from the get go, his arrangements flow at one with the hazardous destiny of the four men.
One of the better 60's Westerns, it's in desperate need of a remastering job being done on it. 8/10
One ex-Confederate officer out for revenge against the Apache, one Army Captain driven by a sense of duty, one Buffalo Soldier continuing to prove himself and one Mexican convict getting a second shot at freedom. Four men, one journey, a mission to find who is arming the Apache with repeating rifles. Danger, mistrust and hostility are their only companions.
The plot may be routine, and certainly it owes a debt to The Comancheros (Huffaker involved there too), but this is a tough and dark Western propelled by fine acting, quality direction and photography to die for. Structured around a men on a mission basis, each one with their own particular issues, it's very much a character driven piece. It's the time spent in the company of these men that makes the film so riveting, it never gets dull, the character dynamics are such, that we never quite know what to expect from the next part of the journey. Director Douglas also doesn't shy from action, pitting our odd group against Mexican Bandits and Apache Indians along the way, and then delivering a high octane finale that has a few twists and turns to keep it away from being formulaic.
Whitman and Brown acquit themselves well enough, as does Wagner as the sole female of the piece. But acting wise this film belongs to Boone and Franciosa. The former portrays a bitter vengeful heart with ease, with a lived in alcoholic face, his destiny you feel is mapped out from the off. The latter shines as the ebullient character of the group, shifty, sly and as untrustworthy as it gets, Franciosa's play off of Boone gives the film its central pulse beat. But arguably all players are trumped by MacDonald's photography and Douglas' use of the scenery. From pretty much the first frame the landscape is the big character here. Douglas wisely using many long shots to reveal miles of vistas, then knowing when to pull in close to envelope the characters to give off the feeling of mental claustrophobia. Exterior work here belies the budget afforded the film, and all told it's a far better movie than the bigger produced Comancheros. Goldsmith's score is also a plus point, striking the mood from the get go, his arrangements flow at one with the hazardous destiny of the four men.
One of the better 60's Westerns, it's in desperate need of a remastering job being done on it. 8/10
Le saviez-vous
- AnecdotesFilm debut of Jim Brown. He gave up his football career, at its peak, to try acting. In One Night in Miami (2020) this is the film Brown tells Cassius Clay about.
- GaffesThe time setting is 1867, but there are 1873 Winchesters being used.
- Citations
Col. Wagner: You can give me your word that you'll get them there?
Maj. James 'Jim' Lassiter: My word?
Col. Wagner: That's right.
Maj. James 'Jim' Lassiter: [laughing] Well colonel, for whatever it's worth, you can have it!
- ConnexionsFeatured in Jim Brown: All American (2002)
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- How long is Rio Conchos?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Silah Peşinde
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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