Les Pirates de Malaisie

The Peplum hero has become an adventurer: Steve Reeves as Sandokan

In Italy, the adventure novels of Emilio Salgari (1862-1911) are about as well known as those of Karl May in German-speaking countries. One of his most popular heroes is the intrepid Sandokan, who fights against English colonial rule in Malaysia. Many novels have been written about him. You can mix up the order if, like cult director Umberto Lenzi, you made several films with different main actors in Southeast Asia in 1963 and 1964. THE (BLACK) PIRATES OF MALAYSIA is Salgari's second novel about the adventures of Sandokan. The third novel is called THE TIGER OF MOMPRACEM, which was the basis for the film SANDOKAN (also starring Steve Reeves). Got it? The second part came to the cinema a year before the first. It's understandable that moviegoers couldn't understand that. SANDOKAN (1963) only sold 263,000 tickets in West Germany, so that THE BLACK PIRATES OF MALAYSIA (1964) was no longer shown in West German cinemas. Planning failed! But the result is two very impressive films, although the 1963 film is a bit better.

Sandokan (Steve Reeves) experiences some adventures in the fight against the English occupier Lord Guillonk (Leo Anchoriz). With his Portuguese friend Yanez (Andrea Bosic) he manages to free the beautiful Hada (Jacqueline Sassard), the lady of Tremal Naik's (Mimmo Palmara). The good one suffers from amnesia, but is supported by her brave comrade-in-arms Kammamuri (Dakar). Since Sandokan also wants to free his own father from captivity, the pirates find themselves in many dangerous situations...

You can tell that the plot is a bit too complicated. But the film is still a lot of fun. Pierre Cressoy and George Wang also appear in other roles. It was shot in Singapore. Oh yes, in the German-speaking world the film is also known as MEUTE DER VERDAMMTEN.

I couldn't work out when this was supposed to be set, because it contained such a weird selection of artifacts and weapons.

Apart from the magical machine gun on a little railway truck - which seemed to fire forever, without feeding any cartridges into the breech, there was the significant quantity of Number 4 Lee Enfield rifles, which weren't manufactured until after the beginning of WW2 in 1940.

Considering that the original novel was written in 1883, that stretches the timeline way beyond the bounds of credibility.

The dubbing is at times hilarious, and occasionally disappears altogether - with sections reverting to Italian, before slipping back into comedic English.

On an extremely wet day, with precious little else on TV, this rescued me from listening to the raindrops bouncing off my roof tiles.

If you're looking for Steve Reeves to unveil that magnificent torso of his in this movie, then skip it. He's clad from head to toe throughout a decent adventure film that could have starred any number of action stars. Reeves trademark: his phenomenal body remains hidden throughout. Even in the scenes where other men are barechested, Reeves coyly keeps his shirt on. This is akin to movie producers putting Marilyn Monroe in potato sacks to prove her dramatic talents. I loved the earlier Reeves movies, especially his masterpiece, "Giant of Marathon" because it was like studying a marvel of nature: a phenomenal physique with charisma to spare. Perhaps Reeves thought it a good idea to downplay his body to show the world that he could act. In any case, this isn't a typical Reeves movie. In fact, it seems that the more movies he made over the years, the more he tried to hide his torso by cloaking it in capes and tunics and cloaks. So enjoy "Hercules," "Hercules Unbound" and "Giant of Marathon" while you can because his body-beautiful movies began wounding down soon after.

"Sandokan : Pirate of Malaysia¨ (1964) is an Italian/Spanish co-production that was decently directed by Umberto Lenzi with an European cast and it contains rousing action , romantic adventure , mayhem and a fine cast doing a fine job . In the further story of ¨Sandokan the Great¨ , our hero pirate saves the damsel in distress and fights an evil Brit imperialist . Filmed in Singapore and Greece ; it tells the tale of Sandokan who is a Malaysian rebel who, with a group of renegades , goes up against a British General called Lord Brook . As Sandokan teams up with a bunch of pirates to even the score with a nasty governor during the 1800 . Exciting story of love and adventure , the complete romance and the exotic events about the famous hero Sandokan (Steve Reeves) based on novels by Emilio Salgari . The Prince Sarawah's kingdom is invaded by troops commanded by Lord Brook from Bombay . Princess Hada Jacqueline Sassard) is abducted and held captive , whose father named Muda Hassin (Giuseppe Addobbati) has been taken prisoner and locked in a monastery located on high mountains . Sandokan , lord of Malaysia , sets out in pursuit enemies and rescue his lover accompanied by his European friend Yañez (Andrea Bosic) , Durango (Nazzareno Zamperla) and Tremal-Naïk (Mimmo Palmara) . Sandokan posing as Raja of Samamutra infiltrates into governor palace but he is betrayed and discovered . Along the way Sandokan takes on several dangers and finally a spectacular battle against Lord Brook (Leo Anchóriz) and his hoodlums who are trying to force the Prince to resign .

This is an entertaining oriental movie , full of action, thrills , double-crosses and of course , a lot of duels and fights . Being a so-so European co-production among several countries such as Italy, France , Spain and West Germany . It is a grade-B flick with noisy adventure , emotion , slavery , breathtaking ship attacks , machine gun provoking a lot of deaths , and many other things . Decent production by Solly V. Bianco with adequate Steve Reeves as Sandokan , and Jacqueline Sassard as Princess Hada . The flick packs enjoyable as well as exotic atmosphere , luxurious gowns , evocative sets , alright cinematography and powerful score . Lots of intrigue , treason , luxurious scenarios , twists and turns . Sympathetic performances by nice main star cast , such as Steve Reeves in one his last films of his fruitful career , gorgeous Jacqueline Sassard and agreeable secondary cast ; as the marvelous main actors are completed by a stellar cast full of veteran Italian players as Mimmo Palmara as Tremal-Naïk , Andrea Bosic as Yanez , George Wang as Sho , Franco Balducci as Sambigliong , Nando Gazzolo as Lt. Clintock , Nazzareno Zamperla as Durango and Spanish players as Jose Torres and special mention Leo Anchóriz as Lord Brook . Splendid color from 16 mm , including appropriate cinematography by Federico G. Larraya and Angelo Lotti . Being shot on location in Singapore and mountains of Meteora in Greece . Imaginative as well as thrilling soundtrack by Giovanni Fusco in oriental style . This was the second part in Steve Reeves/Lenzi Sandokan saga ; the first was "Sandokan, La Tigre di Mompracen¨ or "Sandokan the Great" (1963) with Steve Reeves as Sandokan, Geneviève Grad as Mary Ann and Andrea Bosic as Yanez . The motion picture was professionally directed by Umberto Lenzi . This one was a popular film by that time , getting big success at European Box office .

Other pictures about this fictitious personage are the following ones : ¨Sandokan against Leopard of Sarawak" (1964) by Luigi Capuano with Ray Danton , Franca Bettoia , Mario Petri , Guy Madison , Alberto Farnese ; its sequel ¨Sandokan Fights Back¨(1964) with same players ; "Le Tigri Di Mompracem" (1970) by Mario Sequi with Ivan Rassimov as Sandokan , Claudia Gravy , Andrea Bosic , Luis Dávila , José Torres . And TV ¨Sandokan¨ (vey popular series of the 70s) with Kabir Bedi , Philippe Leroy and Adolfo Celi . And finally "The return of Sandokán" (1996) , ¨Il Figlio Di Sandokan" (1998) , TV series played by Kabir Bedi and directed by Enzo G Castellari .

Out of 8 movies and/or TV mini-series featuring the character of Sandokan currently lying in my unwatched pile, I will most probably end up watching just two – both bearing the original Italian title of I PIRATI DELLA MALESIA – being the film under review and the 1941 original co-starring Massimo Girotti; more than wishing to concentrate on them now that Malaysia is all over the world news due to a mysteriously disappearing plane, I choose not to overdose on any particular character in a short space of time – be it Casanova, The Three Musketeers, The Count of Monte Cristo or what have you – but rather leave the rest for future Epic-themed marathons that I purposely leave for the Easter season...

Anyway, this year I also elected to watch the remaining two Steve Reeves movies I had in my collection that fall under this header – the other was Riccardo Freda's THE WHITE WARRIOR (1959); just as had been the case with his professional rival Mark Forest, there is now only one other Steve Reeves film that I have yet to catch up with (not counting his contested cameo in the star-studded war spoof THE SHORTEST DAY {1963}, which I do own a copy of in any case): the Spaghetti Western A LONG RIDE TO HELL (1968) which, luckily, I also have in my collection. This second stab at the mythical adventurer followed hard on the heels of Lenzi's own SANDOKAN THE GREAT (1963) and, alas, proved to be Reeves' penultimate film; if any proof was needed as to how hard it is to break typecasting in the movies is the fact that it took the former "Mr. Universe" 4 years and a self-financed film (which, sadly, left him in a penurious state afterwards due to his unwise choice of business partners!) for him to test his versatility!! Similarly, out of all the other beefcake musclemen who variously took on the mythological roles prevalent in the "Peplum" subgenre, only craggy-faced Gordon Mitchell had any longevity in other "Euro-Cult" areas...

In this movie, Sandokan is pitted against the villainous British Lord James Brooke (played here by one Leo Anchoriz – who portrayed a different foe in the preceding film!) that had been the Indian rebel's arch-nemesis in the popular, eponymous Italian TV mini-series starring Kabir Bedi and Adolfo Celi that I fondly remember from my childhood days and I have had the pleasure of revisiting many years later. Although I am familiar with SANDOKAN THE GREAT, it has been some time since I watched it and I cannot justly compare the two movies: suffice to say that, apart from Reeves and Anchoriz, they share director Lenzi (the most charismatic and flamboyant of the "Italian Kings Of The Bs" I met at the 2004 Venice Film Festival), actor Andrea Bosic (as Sandokan's renegade chain-smoking Portuguese ally Yanez De Gomera) and composer Giovanni Fusco. Besides, one welcomes the presence of the lovely Jacqueline Sassard (as a battle-scarred fugitive Princess), genre regulars Mimmo Palmara (as Sandokan's equally-famed acolyte Tremal-Naik, who almost blows the latter's cover when he is forced to shoot an approaching alligator while he is strapped to a wooden pole stuck in the swamp!) and Pierre Cressoy (as an ill-fated riverboat captain who had, at one point, 'promoted' passenger Sandokan to perform unlikely cabin-boy duties!) and cinematographer Angelo Lotti; indeed, this second outing is certainly a handsomely-mounted effort (particularly the costumes of Sandokan and Brooke's troops) that cries to be watched via a pristine print for full enjoyment; under the circumstances, the copy of it I acquired for myself was pretty decent and included such action highlights as a tavern brawl, a shipboard mutiny, a jailbreak from a mining camp (preceded by yet another bare-chested wrestling bout from Reeves!) and the climactic mountaintop swordfight between hero and villain.

Incidentally, the characters of Tremal-Naik and Kammamuuri (here employed as Sassard's bodyguard) also feature in another Italian TV adaptation of Sandokan's creator Emilio Salgari's original novel that I watched as a kid: THE MYSTERIES OF THE DARK JUNGLE (1991) in which Kabir Bedi himself appeared. Indeed, Salgari was a very popular writer of adventure hokum on his home ground (if little-known elsewhere) and unsurprisingly proved a reliable source of inspiration to genre film- makers for well-over 50 years; in fact, 13 movies revolving around the Sandokan character alone were made between 1941 and 1998 – apart from the Lenzi/Reeves diptych, there were two with Luigi Pavese in the early 1940s, two non-related Italian flicks starring Ray Danton and two further miniseries with Bedi! For what it is worth, I have initiated proceedings to acquire another Salgari adaptation from Lenzi, TEMPLE OF A THOUSAND LIGHTS (1965) starring Richard Harrison that promises to be good fun in a proto-Indiana Jones vein...but I doubt I will get it in time to be included in this year's Epic batch!