Trois filles à Madrid

The hair, the clothes, the accents, the song and dance numbers by Ann-Margret -- really, what's not to love in this film? Yeah, it's silly, yeah, it's little outdated in gender relations, but who cares? The styling is excellent, Ann-Margret sings her heart out, and the guys are cute. I wanted to buy this DVD the first time I saw the film, but haven't been able to find it for sale anywhere. Please, powers that be, make this film available for sale!!!!!!

Although some consider this a remake of Three Coins In The Fountain and Jean Negulescu directed both films, The Pleasure Seekers takes a decidedly less serious tack. The three women in The Pleasure Seekers are quite a bit younger than the trio in the first film and their romantic problems are similar, but not as critical.

The three girls are Carol Lynley who works for an American wire service in Madrid, entertainer Ann-Margret, and Pamela Tiffin who is fresh off the boat and fresh off the farm so to speak who is bunking in with them temporarily. And all three have their romantic flings that look like they're going to go belly up, but in the end seem to work out.

Lynley's is the most complex and the most interesting. She's the girl Friday of her boss Brian Keith who would like to make the association personal as well as professional. But he's slightly married to Gene Tierney. And on the other end is Gardner McKay another reporter who's interested in Lynley also, but Keith is harassing him, not because of that but because McKay is ruining his career with his late night carousing. It's what inevitably happens when personal and professional lives get mixed.

Tiffin who usually was the wide eyed innocent in her salad days gets zeroed in on by Anthony Franciosa who plays a no account count who just wants into her pants. But she falls in love and if you don't know how this works out, you haven't been to too many films. Franciosa who is a favorite of mine is the best in the film.

Ann-Margret accidentally gets run into by Dr. Andre Lawrence on his motor scooter. He's from the country who is in town to raise money for his clinic. Ann-Margret would like to help, but Lawrence is a macho guy and help from a woman in the culture he was raised would be looked down on. Stupid, but that's how they say it is. This is the weakest part of the film, though Ann-Margret gets some nice musical numbers.

If you watched Three Coins In The Fountain you know how this one comes out. The Pleasure Seekers has no air of sadness over it that the other film has with Clifton Webb's terminal illness. The location cinematography around Madrid is nice to see and certainly stimulated tourism which I'm sure was Francisco Franco's idea in letting the American film company shoot a movie in his capital. There is not one scintilla of a hint of any dictatorship in The Pleasure Seekers.

Jimmy Van Heusen and Sammy Cahn wrote some not too memorable songs for this film and it actually got an Oscar nomination for musical scoring for Alfred Newman.

I was in Madrid in 2001 and it looks pretty much the same as it did in 1964. The scenery and the girls are real pretty, how can you go wrong.

Frivolous, silly, unrealistic, take your pick, any of those adjectives could fit The Pleasure Seekers (20th Century Fox, 1964). However, if you like escapist fare, if you like films that offer nothing more than pure entertainment, and if you like films that feature incredibly beautiful actresses, then this film is definitely for you, and for me.

I've probably seen The Pleasure Seeker at least ten times; it's truly one of my cinematic guilty pleasures. However, this is the kind of film that made me love movies. Its Hollywood at it's superficial best. It's mesmerizing Ann-Margret breaking out in song and dance accompanied by that invisible orchestra. It's beautiful cinematography, capturing magnificent Spanish landscapes and romantic old towns. It's gorgeous people having sex, without taking off their clothes.

What it's not is a great movie; don't get me wrong it's not a bad movie, far from it. It's just pretty predictable, and slightly unbelievable, yes, a little sexist, but it's fun to watch and well, it has Ann-Margret breaking out in song and dance in bikinis and tight dresses. But I digress. So what is the movie about? It's about the romantic adventures of three delectable girls who share an apartment one summer in Madrid, Spain. Ann-Margret plays a struggling nightclub singer and dancer, who's been unlucky in love. Her roommate, super sexy Carol Lynley is the efficient and smart secretary her boss can't do without, literally, They are joined by the scrumptious Pamela Tiffin, who plays Lynley's naive but adorable friend visiting from America, and on the prowl for a husband.

The film progresses through each girl's roller coaster relationship with their prospective love interest. Ann-Margret falls head-over-heels for a Spanish doctor (handsome Andre Lawrence) whose dedication to providing medical care for the people of his village threatens their relationship. Tiffin's adorable dingbat character falls for a smooth talking gigolo (Tony Franciosa, Hollywood's favorite 1960s cad) who of course, manages to break her heart, and finally, Lynley has the most-complicated situation of the three, as she finds herself in a love triangle between her boss (older gray fox Brian Keith) and a slacker journalist (Gardner McKay). If she chooses Keith, she could find herself as his permanent mistress, but if she chooses McKay, does she really love him, or is she merely settling?

Thanks to cinematographer Daniel L. Fapp (West Side Story, Let's Make Love, Our Man Flint among many others) The Pleasure Seekers is a vivid feast, and the three gorgeous actresses are the main course. There is one particularly awesome shot, where the girl's entire apartment can be seen, as they frolic about in various stages of undress going from one bedroom to another (sort of reminiscent of Jerry Lewis' revolutionary open apartment shots in 1961's The Ladies Man).

Veteran director Jean Negulesco (How to Marry A Millionaire, Johnny Belinda, three Coins in The Fountain, of which this film is a remake) takes the simple plot and creates an enjoyable quickly paced film that takes advantage of the witty dialog, and his stars, (male stars included), good locks and sex appeal. One-time screen heartthrob Gene Tierney has a cameo role as Brian Keith's neglected wife. Still a beauty, this would be Ms. Tierney final film as she was suffering through the early stages of Alzheimer's disease.

I'm so glad vintage film channels such as Turner Classic and Fox Movie Channel have resurrected this film Its a slice of American film history, and an example of how movies don't always have to teach a lesson, or expose the dark side of life. Sometimes we just want to escape into our fantasies, our dreams of romance, and that's where The Pleasure Seekers succeeds. Oh, and did I mention that Ann-Margret dances and sings in a bikini?

I liked this one, too. Beautiful locations and great stars! I was a kid when this came out, but it was neat to see a movie about young women who weren't all in a "Bachelor in Paradise" situation. You know, just old men with young girls! (Although, I guess Maggie had to figure her way out of a similar situation! Didn't we all?)

Oh well, Madrid was beautiful! I loved Ann-Magret singing "The Pleasure Seekers" and the end song when she sings "your standing there and your grinning, like you don't know you not winning and all the time we're beginning the next time" (It just came to me- its called "The Next Time!)

I did wish that Pamela Tiffin's character's wasn't so dumb- but then, all of her characters in films were dumb.

I so enjoy teasing a friend of mine about his long-time and, let's face it, abject adoration of the Swedish bombshell, Ms. A-M. This one was shown on American Movie Classics recently, "formatted" (Why do they bother?!?), which reduces one's visual pleasure by approximately 50%! But even without a forty-foot wide screen to celebrate her astonishingly talented assets, Annie is something to behold. When she waggles that tush...well, it's no wonder she performs almost all of her musical numbers indoors on studio sets. The censorious Spanish would have had her arrested! It rivals "Viva! Las Vegas" as her finest hour!

As an artifact of times long gone, this is still fairly enjoyable. Today's young ingenues seem like such tired-out, world weary ladies of the evening compared to the virginal Miss Tiffin, the ambitious Miss Lynley and the incomparable Miss Margret. (Eat your heart out, J. Lo!) And with Brian Keith and Gene Tierney on hand to attest that those beyond their thirties could still care for each other (though it takes the scriptwriters until about the final sequence to maneuver them to that realization), one can regretfully observe that we've come a long way from the bright and beautiful early Sixties, and there's not much to crow about on that score.