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Le Procès de Julie Richards

Titre original : One Potato, Two Potato
  • 1964
  • Tous publics
  • 1h 32min
NOTE IMDb
7,2/10
988
MA NOTE
Le Procès de Julie Richards (1964)
Drame

Une femme tombe amoureuse et épouse un homme afro-américain. Aidé par un juge qui représente les préjugés de l'époque, son ex-mari demande la garde de son enfant, arguant qu'un foyer mixte e... Tout lireUne femme tombe amoureuse et épouse un homme afro-américain. Aidé par un juge qui représente les préjugés de l'époque, son ex-mari demande la garde de son enfant, arguant qu'un foyer mixte est un endroit inapproprié pour élever leur fille.Une femme tombe amoureuse et épouse un homme afro-américain. Aidé par un juge qui représente les préjugés de l'époque, son ex-mari demande la garde de son enfant, arguant qu'un foyer mixte est un endroit inapproprié pour élever leur fille.

  • Réalisation
    • Larry Peerce
  • Scénario
    • Raphael Hayes
    • Orville H. Hampton
  • Casting principal
    • Barbara Barrie
    • Bernie Hamilton
    • Richard Mulligan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    988
    MA NOTE
    • Réalisation
      • Larry Peerce
    • Scénario
      • Raphael Hayes
      • Orville H. Hampton
    • Casting principal
      • Barbara Barrie
      • Bernie Hamilton
      • Richard Mulligan
    • 27avis d'utilisateurs
    • 22avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 2 victoires et 4 nominations au total

    Photos75

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    Rôles principaux21

    Modifier
    Barbara Barrie
    Barbara Barrie
    • Julie Cullen Richards
    Bernie Hamilton
    Bernie Hamilton
    • Frank Richards
    Richard Mulligan
    Richard Mulligan
    • Joe Cullen
    Harry Bellaver
    Harry Bellaver
    • Judge Warren Powell
    Martha L. Mericka
    Martha L. Mericka
    • Ellen Mary
    • (as Marti Mericka)
    Robert Earl Jones
    Robert Earl Jones
    • William Richards
    Vinnette Carroll
    • Martha Richards
    • (as Vinette Carroll)
    Anthony Spinelli
    • Johnny Hruska
    • (as Sam Weston)
    Faith Burwell
    • Ann Hruska
    Jack Stamberger
    Jack Stamberger
    • Minister
    Michael Shane
    • Jordan Hollis
    Kenny Bass
    Kenny Bass
    • Orchestra Leader
    • (non crédité)
    Joel Ehrlich
    • Bart
    • (non crédité)
    Dick Flaisman
    • Saxophone Player
    • (non crédité)
    Doris Helsel
    • Minister's Wife
    • (non crédité)
    Paul S. Orgill
    • Lawyer
    • (non crédité)
    Bea Pestotnik
    • Wedding Guest
    • (non crédité)
    John Pestotnik
    • Wedding Guest
    • (non crédité)
    • Réalisation
      • Larry Peerce
    • Scénario
      • Raphael Hayes
      • Orville H. Hampton
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs27

    7,2988
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    Avis à la une

    10alli_katz

    Classic Independent Still Hits Hard

    I first saw this movie in film class, and was so moved by it that I taped it off the independent Film Channel when they showed it, and watched it twice since. And, it still makes me cry every time I watch it. First, I've never seen a movie so understated about its anger. In this regard Barbara Barrie and Bernie Hamilton are both so good that I don't know the right words to describe it. Second, the girl is not Hollywood "cute", she's not a smarty pants; she is 100% genuine. Third, the Judge is so slick and evil although he comes across so nice just like every Southern judge I have met in real life. My film teacher told me if she could pick one film to give someone the truth of what this country was all about in the early '60's, One Potato Two Potato would be that film. And the love story between Hamilton and Barrie is so real and beset with pain and passion that I can really relate to them.
    myrlcp

    Have never forgotten this movie.

    Maybe it was the racially charged era of the early Civil Rights struggle, or maybe it was because I was a young mother with a child the same age as the one in the movie, but this was one of the most powerful movies I have ever scene. Today, 40 years later, I am still moved whenever I see Barbara Barrie, even if it is in a situation comedy on TV. Certainly, she captured the role of the white mother married to a black man in a racist society. All the other actors performed admirably, the actor playing the second husband was appealing. It was believable that a co-worker would have found him attractive and would have fallen in love, even given the tenor of the times. While the writing may have presented the story a bit "over the top", this movie went beyond civil rights "propaganda", and presented real people dealing with a difficult situation. It certainly was real to me....I had to be led out of the cinema in tears when it ended. A high recommendation!!!
    9tonytomato9

    Watch this film all the way through.

    I just finished watching One Potato Two Potato, which TCM aired. The film is terrific, and by today's standards, it still holds up as a film that resonates emotionally and socially. Without saying too much about what happens, I'll just say that I was simply stunned by the film overall. I'm so glad to have seen it. I'm still affected by what I just saw. Anyone who isn't moved by OPTP is surely in need of a heart transplant. This was a great vehicle for actress Barbara Barrie. And the little girl who plays her daughter is top drawer. Such a good movie!
    8planktonrules

    Sad and frustrating to watch--but that WAS the way it was.

    "One Potato, Two Potato" is a very low budget production that made a bit of commotion back when it debuted in 1964. Despite its lowly pedigree (it was filmed in the Cleveland area and the actors were mostly unknowns at the time), the lead actress (Barbara Barrie) received the Best Actress award at Cannes and the film was nominated for an Oscar (Best Writing, Story and Screenplay - Written Directly for the Screen). Sadly today, it's a pretty obscure picture.

    Julie (Barrie) is a divorced mother of a young girl. The father abandoned them years ago and Julie works at the company where Frank (Bernie Hamilton) works. The meet and through the course of spending time together, they find that there is an attraction. Eventually, they decide to get married--even though they realize it might cause a few heads to turn. After all, she is white and he is black. Despite a bumpy start, things work out and the young family prospers and grows. Things look pretty good, right? Well, they do until the child's biological father shows up unexpectedly. Now the man (?) wants his daughter--mostly because his ego cannot stand that his ex- is with a black man.

    This is a well made film but I must warn you that it will rip your heart out. This is NOT a complaint. Heck, back in 'the good old days', it was STILL illegal for blacks and whites to marry in many southern states and in others it was quite possible to lose custody of a child simply because you married someone of another race. Crazy...and pretty stupid. So, it's great that the movie draws attention to it. My only complaint is that the film, while very interesting, is way underplayed--too underplayed. Some more emotion in the acting and relationship between Frank and Julie would have made the movie better overall.
    9abcowboy

    Daring love story for that time -- or any time since

    This is a story about a black and white couple who fell in love despite their efforts not to cross the color line. I saw the movie in a neighborhood Atlanta cinema and became worried about the audience's reaction both during the movie and as the people left. It was a daring subject to be presented in an angry location at a smoldering year. The audience was absolutely mute ... except for one guy that made an unwise crack to his date as we were leaving. She turned on him, tears in her eyes.

    This movie should be on VHS or DVD but I wouldn't be surprised if it's lost.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Intermarriage between African-Americans and Caucasians was illegal in 16 states until the US Supreme Court decision Loving v. Virginia was handed down on June 12, 1967. The court unanimously ruled that anti-miscegenation marriage laws were unconstitutional. In his opinion, Chief Justice Earl Warren wrote, "The freedom to marry has long been recognized as one of the vital personal rights essential to the orderly pursuit of happiness by free men. Marriage is one of the 'basic civil rights of man, fundamental to our very existence and survival. To deny this fundamental freedom on so unsupportable a basis as the racial classifications embodied in these statutes, classifications so directly subversive of the principle of equality at the heart of the Fourteenth Amendment, is surely to deprive all the State's citizens of liberty without due process of law. The Fourteenth Amendment requires that the freedom of choice to marry not be restricted by invidious racial discriminations. Under our Constitution, the freedom to marry, or not marry, a person of another race resides with the individual and cannot be infringed by the State." Interestingly, many anti-miscegenation marriage laws were enacted in the wake of African-American heavyweight champion Jack Johnson's marriages to two Caucasian women, as pointed out in Ken Burns' documentary Unforgivable Blackness: The Rise and Fall of Jack Johnson (2004). Johnson married his white mistress Etta Duryea in late 1910 or early 1911, then married another white woman, Lucille Cameron, soon after his first wife's September 1911 suicide. The two marriages outraged white America, and Johnson and Cameron fled America for Canada and then Europe under threat of lynching. Their relationship was fictionalized in the stage play, and subsequent movie, L'Insurgé (1970), for which the Caucasian playwright Howard Sackler won the Pulitzer Prize. The 1913 Massachusetts anti-miscegenation marriage law, which did not recognize any marriage made in a state forbidding the marriage of different classifications of people (the law left unspoken the racial issue of black and white; in Virginia, blacks were allowed to marry other, non-white "races"), was considered inoperative after Loving v. Virginia until in 2005, then-governor Mitt Romney used it as the basis to deny out-of-state couples the right to wed in the Commonwealth of Massachusetts after the Bay State's Supreme Court legalized gay marriage.
    • Citations

      Jordan Hollis: What do I have to kid you for. I could get a black eye out of a case like this. What the Hell did you have to come to me for? Why do you have to do this to your friend?

    • Connexions
      Featured in C'est assez noir pour vous?!? (2022)

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    FAQ

    • How long is One Potato, Two Potato?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 28 août 1964 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • One Potato, Two Potato
    • Lieux de tournage
      • Painesville, Ohio, États-Unis(".............where this picture was shot in its entirety, our thanks.")
    • Société de production
      • Bawalco Picture Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 340 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 32 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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