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Le Procès de Julie Richards

Titre original : One Potato, Two Potato
  • 1964
  • Tous publics
  • 1h 32min
NOTE IMDb
7,2/10
989
MA NOTE
Le Procès de Julie Richards (1964)
Drame

Une femme tombe amoureuse et épouse un homme afro-américain. Aidé par un juge qui représente les préjugés de l'époque, son ex-mari demande la garde de son enfant, arguant qu'un foyer mixte e... Tout lireUne femme tombe amoureuse et épouse un homme afro-américain. Aidé par un juge qui représente les préjugés de l'époque, son ex-mari demande la garde de son enfant, arguant qu'un foyer mixte est un endroit inapproprié pour élever leur fille.Une femme tombe amoureuse et épouse un homme afro-américain. Aidé par un juge qui représente les préjugés de l'époque, son ex-mari demande la garde de son enfant, arguant qu'un foyer mixte est un endroit inapproprié pour élever leur fille.

  • Réalisation
    • Larry Peerce
  • Scénario
    • Raphael Hayes
    • Orville H. Hampton
  • Casting principal
    • Barbara Barrie
    • Bernie Hamilton
    • Richard Mulligan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    989
    MA NOTE
    • Réalisation
      • Larry Peerce
    • Scénario
      • Raphael Hayes
      • Orville H. Hampton
    • Casting principal
      • Barbara Barrie
      • Bernie Hamilton
      • Richard Mulligan
    • 27avis d'utilisateurs
    • 22avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 2 victoires et 4 nominations au total

    Photos75

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    Rôles principaux21

    Modifier
    Barbara Barrie
    Barbara Barrie
    • Julie Cullen Richards
    Bernie Hamilton
    Bernie Hamilton
    • Frank Richards
    Richard Mulligan
    Richard Mulligan
    • Joe Cullen
    Harry Bellaver
    Harry Bellaver
    • Judge Warren Powell
    Martha L. Mericka
    Martha L. Mericka
    • Ellen Mary
    • (as Marti Mericka)
    Robert Earl Jones
    Robert Earl Jones
    • William Richards
    Vinnette Carroll
    • Martha Richards
    • (as Vinette Carroll)
    Anthony Spinelli
    • Johnny Hruska
    • (as Sam Weston)
    Faith Burwell
    • Ann Hruska
    Jack Stamberger
    Jack Stamberger
    • Minister
    Michael Shane
    • Jordan Hollis
    Kenny Bass
    Kenny Bass
    • Orchestra Leader
    • (non crédité)
    Joel Ehrlich
    • Bart
    • (non crédité)
    Dick Flaisman
    • Saxophone Player
    • (non crédité)
    Doris Helsel
    • Minister's Wife
    • (non crédité)
    Paul S. Orgill
    • Lawyer
    • (non crédité)
    Bea Pestotnik
    • Wedding Guest
    • (non crédité)
    John Pestotnik
    • Wedding Guest
    • (non crédité)
    • Réalisation
      • Larry Peerce
    • Scénario
      • Raphael Hayes
      • Orville H. Hampton
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs27

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    Avis à la une

    9tavm

    One Potato, Two Potato is a compelling drama about the interracial troubles concerning child custody

    Continuing to review African-Americans in film in chronological order for Black History Month, we're once again in 1964 when another independent film is made to address the issues of the day, this time being about controversial interracial marriage and the ramifications of an ex-husband wanting custody of a child because of it. Dark-skinned Frank Richards (Bernie Hamilton) falls for Caucasian Julie Cullen (Barbara Barrie) and her little girl Ellen Mary (Marti Mericka). Though his parents William (Robert Earl Jones) and Martha (Vinnette Carroll) have warned him what to expect, Frank goes through with the plans. Then when Julie's former spouse Joe Cullen (Richard Mulligan) shows up and he finds out what's what, he decides for himself what's best for Ellen Mary despite not having seen her in four years. The final decision is left to Judge Powell (Harry Bellaver). I'll stop there and just say that this is a very compelling drama about a real-life issue at the time. The only flaw I can think of is we're never really shown how much Ellen Mary loves Frank despite her saying so to Joe who first appears bringing a Teddy Bear and playing shoot-'em-up with her despite his being a stranger at the time. Every cast member is excellent and how funny is hearing that familiar voice of James Earl Jones coming from his father, Robert! So on that note, One Potato, Two Potato comes highly recommended. P.S. Among the players from previous movies I so far reviewed for this month: Hamilton from The Jackie Robinson Story and Take a Giant Step, Robert Earl Jones from Lying Lips and Odds Against Tomorrow, and Harry Bellaver from Sidney Poitier's No Way Out. Oh, and Ms. Barrie and Mr. Bellaver are from my birth state of Illinois, Barbara from Chicago and Harry from Hillsboro.
    8planktonrules

    Sad and frustrating to watch--but that WAS the way it was.

    "One Potato, Two Potato" is a very low budget production that made a bit of commotion back when it debuted in 1964. Despite its lowly pedigree (it was filmed in the Cleveland area and the actors were mostly unknowns at the time), the lead actress (Barbara Barrie) received the Best Actress award at Cannes and the film was nominated for an Oscar (Best Writing, Story and Screenplay - Written Directly for the Screen). Sadly today, it's a pretty obscure picture.

    Julie (Barrie) is a divorced mother of a young girl. The father abandoned them years ago and Julie works at the company where Frank (Bernie Hamilton) works. The meet and through the course of spending time together, they find that there is an attraction. Eventually, they decide to get married--even though they realize it might cause a few heads to turn. After all, she is white and he is black. Despite a bumpy start, things work out and the young family prospers and grows. Things look pretty good, right? Well, they do until the child's biological father shows up unexpectedly. Now the man (?) wants his daughter--mostly because his ego cannot stand that his ex- is with a black man.

    This is a well made film but I must warn you that it will rip your heart out. This is NOT a complaint. Heck, back in 'the good old days', it was STILL illegal for blacks and whites to marry in many southern states and in others it was quite possible to lose custody of a child simply because you married someone of another race. Crazy...and pretty stupid. So, it's great that the movie draws attention to it. My only complaint is that the film, while very interesting, is way underplayed--too underplayed. Some more emotion in the acting and relationship between Frank and Julie would have made the movie better overall.
    10alli_katz

    Classic Independent Still Hits Hard

    I first saw this movie in film class, and was so moved by it that I taped it off the independent Film Channel when they showed it, and watched it twice since. And, it still makes me cry every time I watch it. First, I've never seen a movie so understated about its anger. In this regard Barbara Barrie and Bernie Hamilton are both so good that I don't know the right words to describe it. Second, the girl is not Hollywood "cute", she's not a smarty pants; she is 100% genuine. Third, the Judge is so slick and evil although he comes across so nice just like every Southern judge I have met in real life. My film teacher told me if she could pick one film to give someone the truth of what this country was all about in the early '60's, One Potato Two Potato would be that film. And the love story between Hamilton and Barrie is so real and beset with pain and passion that I can really relate to them.
    9tonytomato9

    Watch this film all the way through.

    I just finished watching One Potato Two Potato, which TCM aired. The film is terrific, and by today's standards, it still holds up as a film that resonates emotionally and socially. Without saying too much about what happens, I'll just say that I was simply stunned by the film overall. I'm so glad to have seen it. I'm still affected by what I just saw. Anyone who isn't moved by OPTP is surely in need of a heart transplant. This was a great vehicle for actress Barbara Barrie. And the little girl who plays her daughter is top drawer. Such a good movie!
    10crsytt

    Powerful movie

    I saw this movie in the mid-60s in a theater and the last scene was heart-wrenching. I felt like I had been hit by a baseball bat. Several years later I saw the movie on TV and was surprised to find that, as that final scene approached, I could feel the same emotions building. The movie had not lost its effect! I would love to watch this movie again to see if it would have the same impact. It would be interesting if young people today would see the power of this film or if, because "things have changed," the story line would seem outdated. Apparently this film is NOT available on video, unfortunately. I wonder why? Who makes that decision?

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Intermarriage between African-Americans and Caucasians was illegal in 16 states until the US Supreme Court decision Loving v. Virginia was handed down on June 12, 1967. The court unanimously ruled that anti-miscegenation marriage laws were unconstitutional. In his opinion, Chief Justice Earl Warren wrote, "The freedom to marry has long been recognized as one of the vital personal rights essential to the orderly pursuit of happiness by free men. Marriage is one of the 'basic civil rights of man, fundamental to our very existence and survival. To deny this fundamental freedom on so unsupportable a basis as the racial classifications embodied in these statutes, classifications so directly subversive of the principle of equality at the heart of the Fourteenth Amendment, is surely to deprive all the State's citizens of liberty without due process of law. The Fourteenth Amendment requires that the freedom of choice to marry not be restricted by invidious racial discriminations. Under our Constitution, the freedom to marry, or not marry, a person of another race resides with the individual and cannot be infringed by the State." Interestingly, many anti-miscegenation marriage laws were enacted in the wake of African-American heavyweight champion Jack Johnson's marriages to two Caucasian women, as pointed out in Ken Burns' documentary Unforgivable Blackness: The Rise and Fall of Jack Johnson (2004). Johnson married his white mistress Etta Duryea in late 1910 or early 1911, then married another white woman, Lucille Cameron, soon after his first wife's September 1911 suicide. The two marriages outraged white America, and Johnson and Cameron fled America for Canada and then Europe under threat of lynching. Their relationship was fictionalized in the stage play, and subsequent movie, L'Insurgé (1970), for which the Caucasian playwright Howard Sackler won the Pulitzer Prize. The 1913 Massachusetts anti-miscegenation marriage law, which did not recognize any marriage made in a state forbidding the marriage of different classifications of people (the law left unspoken the racial issue of black and white; in Virginia, blacks were allowed to marry other, non-white "races"), was considered inoperative after Loving v. Virginia until in 2005, then-governor Mitt Romney used it as the basis to deny out-of-state couples the right to wed in the Commonwealth of Massachusetts after the Bay State's Supreme Court legalized gay marriage.
    • Citations

      Jordan Hollis: What do I have to kid you for. I could get a black eye out of a case like this. What the Hell did you have to come to me for? Why do you have to do this to your friend?

    • Connexions
      Featured in C'est assez noir pour vous?!? (2022)

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    FAQ15

    • How long is One Potato, Two Potato?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 28 août 1964 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • One Potato, Two Potato
    • Lieux de tournage
      • Painesville, Ohio, États-Unis(".............where this picture was shot in its entirety, our thanks.")
    • Société de production
      • Bawalco Picture Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 340 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 32min(92 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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