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L'ange pervers

Titre original : Of Human Bondage
  • 1964
  • Approved
  • 1h 40min
NOTE IMDb
6,5/10
1,2 k
MA NOTE
L'ange pervers (1964)
Official Trailer
Lire trailer2:35
1 Video
17 photos
Medical DramaPeriod DramaDrama

Philipp, un étudiant en médecine tombe amoureux de Mildred, une serveuse. Une passion dont bientôt il n'arrive pas à se défaire.Philipp, un étudiant en médecine tombe amoureux de Mildred, une serveuse. Une passion dont bientôt il n'arrive pas à se défaire.Philipp, un étudiant en médecine tombe amoureux de Mildred, une serveuse. Une passion dont bientôt il n'arrive pas à se défaire.

  • Réalisation
    • Ken Hughes
    • Henry Hathaway
    • Bryan Forbes
  • Scénario
    • W. Somerset Maugham
    • Bryan Forbes
  • Casting principal
    • Kim Novak
    • Laurence Harvey
    • Robert Morley
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    1,2 k
    MA NOTE
    • Réalisation
      • Ken Hughes
      • Henry Hathaway
      • Bryan Forbes
    • Scénario
      • W. Somerset Maugham
      • Bryan Forbes
    • Casting principal
      • Kim Novak
      • Laurence Harvey
      • Robert Morley
    • 40avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nomination aux 1 BAFTA Award
      • 2 nominations au total

    Vidéos1

    Of Human Bondage
    Trailer 2:35
    Of Human Bondage

    Photos17

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Rôles principaux37

    Modifier
    Kim Novak
    Kim Novak
    • Mildred Rogers
    Laurence Harvey
    Laurence Harvey
    • Philip Carey
    Robert Morley
    Robert Morley
    • Dr. Jacobs
    Siobhan McKenna
    Siobhan McKenna
    • Nora Nesbitt
    Roger Livesey
    Roger Livesey
    • Thorpe Athelny
    Jack Hedley
    Jack Hedley
    • Griffiths
    Nanette Newman
    Nanette Newman
    • Sally Athelny
    Ronald Lacey
    Ronald Lacey
    • 'Matty' Mathews
    Olive White
    • Griffith's Girlfriend
    Norman Smythe
    • Cadaver Room Attendant
    David Morris
    • Young Phillip Carey
    Anthony Booth
    Anthony Booth
    • Martin
    • (non crédité)
    Terry Clinton
    • Barmaid
    • (non crédité)
    May Cluskey
    • Sister
    • (non crédité)
    Martin Crosbie
    • Lab Technician
    • (non crédité)
    Alex Dignam
    • Student
    • (non crédité)
    Michael Doolan
    • Boy With Club Foot
    • (non crédité)
    Bryan Forbes
    Bryan Forbes
    • Medical Student
    • (non crédité)
    • Réalisation
      • Ken Hughes
      • Henry Hathaway
      • Bryan Forbes
    • Scénario
      • W. Somerset Maugham
      • Bryan Forbes
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs40

    6,51.1K
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    Avis à la une

    mxvigil

    Captures the true essence of people

    One of the best films I have yet seen. (Then again it helps if you have lived a life in strong coincidence with the lives portrayed; and not merely a commentator, a mere critic of film)

    This film was my first introduction to Ms. Novak, and yes I admit I was, am, smitten. Ms. Novak brings great depth to her role, a woman seemingly comprised of true grit, this only serving to hide her truths, truth which she never admits to herself.

    Love will always be an ever-spring subject, and morality tales their best method to ambitiously telling the nature of human pain and suffering, of which there is much of in this film. The tale of a woman always lost, a woman whose redemption lies solely with the only man that would ever truly Love her.

    Love can be a grand thing, though so often, Love disposes of people with nary a backwards glance.
    6moonspinner55

    A valentine to Kim Novak's fans

    Not-bad third version of W. Somerset Maugham's depressing story about a sluttish waitress in London and the sensitive future doctor who becomes obsessed with her. Ravaged by critics upon its release (and thought bannable for a time for Kim Novak's suggestive scenes), this remake isn't a classic, nor does it improve on the Bette Davis version, but it does have something. Novak is just fine; Laurence Harvey also good as the smitten medico. The biggest problem is the screenplay's faithfulness to Maugham's plot, which by 1964 standards was pretty creaky. Why couldn't they have updated it just a bit? For all the talk about this version being "too shocking", the movie disappoints by not shocking at all, by playing it too safe. A soap opera, to be sure, though a handsome and interesting one. Novak-diehards will love the film, and her. **1/2 from ****
    8MissGirlFriday

    Not Bette Davis, but sometimes that's a *good* thing!

    It is unfortunate that the 1934 version of this film has become the precedent by which all following adaptations seemed to be judged. This version does not try to imitate the "classic" and is an entirely different animal (making up for many of the flaws in the original).

    Whereas Bette Davis portrayed Mildred as an over-the-top shrew, Kim Novak gave her an almost childlike naivety. It is not that Mildred wants purposely to hurt men but rather that she simply does not know how to behave better. Novak's interpretation gives Mildred the much needed humanity that was absent in the first version. Since Mildred now has genuine moments of kindness, it is much easier to see how Philip (Laurence Harvey) becomes obsessed with her.

    Harvey, however, is greatly miscast in this film. As a crippled young man who likes art and helping people through medicine, Philip has a great deal of sensitivity (as seen through Leslie Howard's performance in the original). But Harvey, the actor who relished in being unlikable, is completely unable to deliver this. He fared much better in grimy roles ("Walk on the Wild Side," "Darling") and so he is only convincing in the scenes where he yells and slaps Mildred. (Given the reports that Harvey and Novak loathed each other, it is easy to see why these scenes are the most convincing). He is terrible, however, at looking smitten.

    Performances aside, this version is refreshingly modern. Rather than glaze over the seedier bits to appease the censors, you will actually hear words like `whore' and `syphilis.' The final scenes are quite touching too, thanks in part to Novak's humility (she truly looks decrepit towards the end). The score cascades a little too loud and often though in all the pivotal scenes and this version would have benefited greatly from a more realistic approach.

    This is a must see if you are a fan of the story and Kim Novak. Somerset Maugham supposedly adored Novak's interpretation of Mildred and it truly is a refreshing take on Of Human Bondage.
    Scoval71

    EXCELLENT AND SUPERIOR

    Those are the words to describe this movie. And that honor belongs mostly to Kim Novak who brings absolute realism to the role as Mildred Rogers. The music is great and Kim Novak is so beautiful and completely believable as Maugham's character. Just a movie not to miss. I loved it and have seen it many times and I have the same opinion over and over. The other players are adequate and just as believable but the real reason for this movie is Kim Novak. She is excellent and superior in this movie. And did I say beautiful.....and she still is today as well. A movie not to be missed. A story that will hold your attention as the character of Mildred Rogers evolves.
    6bkoganbing

    ,Back from the abyss

    I've not seen a version with Eleanor Parker in the lead made in the Forties, but the version in 1934 with Bette Davis and Leslie Howard set an impossible standard that sad to say Kim Novak fell short of as the acid tongued amoral Mildred Rogers in Of Human Bondage.

    W. Somerset Maugham's classic of a scheming woman of the low classes is one of the great works of literature in the past 150 years, The role takes a great actress to perform it. Kim was quite a bit out of her depth as compared to Davis and Parker.

    Lawrence Harvey is the club footed and socially unskilled Philip Carey, a medical student who becomes completely infatuated with a woman of the lower classes whom he first meets when she waits on he and his medical school peers in a restaurant. Harvey who in real life was quite the lady killer really took a part so totally opposite his nature. The role he got an Oscar nomination for, Joe Lampton in Room At The Top was far closer to the real Harvey. Still he does pull it off.

    There are a lot of similarities to the other Maugham classic Rain, in fact Of Human Bondage is almost a looking glass version. Both concern very moral and straight forward men degrading themselves over a woman of easy to non-existent virtue. The difference is that in Rain the protagonist Reverend Davidson does destroy himself and Carey pulls himself back from the abyss.

    A couple of other performances of note are Robert Morley in a serious part as Harvey's medical professor and Roger Livesey as a patient who has a daughter who's a nice girl who takes an interest in Harvey. But for the moment he's enthralled with Novak.

    Kim has the beauty for the role, but there is really only one Bette Davis.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was something of a catastrophe for MGM. Filming began early in 1963, but Henry Hathaway resigned as director and Bryan Forbes, who had a prominent supporting role, did a week of directing before also leaving the film. He tried without success to have his credit as writer of the screenplay removed and was replaced as an actor by Jack Hedley. (However, Forbes can be glimpsed, more or less as an extra, in one or two scenes.) Ken Hughes finished the film and reportedly had a very bad time; the film was many months in the editing rooms and was not seen until late in 1964, nearly a year after its scheduled release date. It ran for only 99 minutes - a surprise, as the novel is about 800 pages. It was a commercial and critical disaster, being released in the UK on the lower half of a double-bill. It has only infrequently been seen since, even on TV.
    • Gaffes
      Although set in 1915 or thereabouts, Kim Novak sports the same tousled bouffant she wore in her contemporary films throughout the 1960s.
    • Citations

      Nora Nesbitt: You're well out of it.

      Philip Carey: Out of what?

      Nora Nesbitt: Whatever you came here to forget.

    • Connexions
      Featured in Hollywood and the Stars: In Search of Kim Novak (1964)
    • Bandes originales
      Theme from Of Human Bondage
      Written by Ron Goodwin

      Performed by David Rose And His Orchestra

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    FAQ19

    • How long is Of Human Bondage?Alimenté par Alexa
    • What is 'Of Human Bondage' about?
    • Is 'Of Human Bondage' based on a book?
    • How does the movie end?

    Détails

    Modifier
    • Date de sortie
      • 9 décembre 1964 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • W. Somerset Maugham's of Human Bondage
    • Lieux de tournage
      • Ardmore Studios, Herbert Road, Bray, County Wicklow, Irlande
    • Société de production
      • Metro-Goldwyn-Mayer British Studios
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 3 815 000 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 40 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.85 : 1

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