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Ajouter une intrigue dans votre langueWhen Miss Jane Marple joins a theatrical company after a blackmailer is murdered, several members of the troupe are also dispatched by this mysterious killer.When Miss Jane Marple joins a theatrical company after a blackmailer is murdered, several members of the troupe are also dispatched by this mysterious killer.When Miss Jane Marple joins a theatrical company after a blackmailer is murdered, several members of the troupe are also dispatched by this mysterious killer.
- Réalisation
- Scénario
- Casting principal
Charles 'Bud' Tingwell
- Inspector Craddock
- (as Charles Tingwell)
Andrew Cruickshank
- Justice Crosby
- (as Andrew Cruikshank)
Neil Stacy
- Arthur
- (as Neil Stacey)
Avis à la une
George Pollock's name never gets mentioned among major directors. Yet four of his Miss Marple films as best remembered for Ron Goodwin's music and the wonderful Dame Margaret Rutherford and real life husband Stringer Davis.
The four films of Pollock combined mystery with comedy in a way that it entertains even after 40 years after the films were made. The elements that hold up these four films were great casting, good screenplay, crisp editing, and charming music and sound effects. Pollock is not a David Lean or a philosopher-director. He is merely making cinema that is gripping and entertaining and how well he accomplishes this.
This film is the second only to "Murder Ahoy" among the four. And since "Murder Ahoy" followed "Murder Most Foul", it would be only too clear that Pollock was gaining in confidence and elegance with each film. In each of his "Murder" films Pollock cast a major British actor. In this one it is the talented Ron Moody (Fagin of "Oliver!"). In each of the four films the chosen British actor provides a counterpoint and balance to Dame Rutherford's major role. One tends to remember Miss Marple and not the other meaty roles (Lionel Jeffries, Robert Morley, James Robertson Justice)in each of the "Murder" films. All the four were memorable but Moody and Jeffries were truly remarkable. I found this a major work of Moody though not as memorable as his interpretation of Fagin and Uriah Heep in other films.
The juxtaposition of crime and comedy looks natural thanks to Pollock and imaginative casting. Pollock is probably a quiet achiever deserving more attention by critics and historians of British cinema.
The four films of Pollock combined mystery with comedy in a way that it entertains even after 40 years after the films were made. The elements that hold up these four films were great casting, good screenplay, crisp editing, and charming music and sound effects. Pollock is not a David Lean or a philosopher-director. He is merely making cinema that is gripping and entertaining and how well he accomplishes this.
This film is the second only to "Murder Ahoy" among the four. And since "Murder Ahoy" followed "Murder Most Foul", it would be only too clear that Pollock was gaining in confidence and elegance with each film. In each of his "Murder" films Pollock cast a major British actor. In this one it is the talented Ron Moody (Fagin of "Oliver!"). In each of the four films the chosen British actor provides a counterpoint and balance to Dame Rutherford's major role. One tends to remember Miss Marple and not the other meaty roles (Lionel Jeffries, Robert Morley, James Robertson Justice)in each of the "Murder" films. All the four were memorable but Moody and Jeffries were truly remarkable. I found this a major work of Moody though not as memorable as his interpretation of Fagin and Uriah Heep in other films.
The juxtaposition of crime and comedy looks natural thanks to Pollock and imaginative casting. Pollock is probably a quiet achiever deserving more attention by critics and historians of British cinema.
When Agatha Christie created the spinster detective Jane Marple, she could never have pictured Rutherford playing the role on film.
Leaving aside Rutherfords distance from the written charecter, she does bring a wonderful quality to this film and the others in the series.
Playing opposite her real life husband, Stringer Davies, and with great support from Charles Tingwell, she sets out to prove that a miscarriage of justice is being perpetrated.
This brings her into contact with the Cosgood Players, run by Driffield Cosgood (Ron Moody).
Typically with Christie, the plot is not always fathomable, but the denouement is entertaining.
This film is good fun and Rutherford is hilarious as she gurns her way through the story.
Leaving aside Rutherfords distance from the written charecter, she does bring a wonderful quality to this film and the others in the series.
Playing opposite her real life husband, Stringer Davies, and with great support from Charles Tingwell, she sets out to prove that a miscarriage of justice is being perpetrated.
This brings her into contact with the Cosgood Players, run by Driffield Cosgood (Ron Moody).
Typically with Christie, the plot is not always fathomable, but the denouement is entertaining.
This film is good fun and Rutherford is hilarious as she gurns her way through the story.
Like an intrepid war ship that patrols the high seas, wonderful Margaret Rutherford patrols a theatrical troupe of actors and actresses known as the Cosgood Players, searching for a killer-most-foul amongst them. And a killer she finds, lurking in the backstage shadows, in this screen adaptation of Agatha Christie's book "Mrs. McGinty's Dead".
It's a nifty whodunit. I was fairly sure who the murderer was. But I was dead wrong. With good film direction, and effective plot misdirection, the film cleverly leads viewers down the garden path, with red herrings scattered here and there. As you make your way through the story, you'll be hard pressed to find the relevant clues, plainly visible, but camouflaged amid a complexity of detail. And that's the mark of a good murder mystery.
If I had to pick the script apart, looking for something to complain about, I could point out that the various suspects have back-stories that are all too thin. But that's normal, more or less, for films in this genre.
En route to the solution of the puzzle, Miss Marple (Rutherford) auditions to be part of the theater troupe, in a solo recital of the Robert Service poem "The Shooting Of Dan McGrew". This sequence alone, with Rutherford's terrifically hammy stage performance, is enough to make the film worth watching.
In searching for the killer, the befuddled police don't have a clue, of course. But with her keen wit and perceptive insight into human nature, Miss Marple sifts and sorts through the jumble of facts with cunning effectiveness. The film's final few minutes take place behind the stage of a play in progress, where she conks the murderer over the head with a stage prop. Marvelous.
As a whodunit, "Murder Most Foul" is a good one. But what really makes the film enjoyable is Rutherford in the role of Miss Marple. With her animated facial expressions, her commanding tone of voice, and her formidable and intimidating stage presence, 72 year old Margaret Rutherford is an absolute joy to watch. I'm surprised that the British didn't name a battleship after her.
It's a nifty whodunit. I was fairly sure who the murderer was. But I was dead wrong. With good film direction, and effective plot misdirection, the film cleverly leads viewers down the garden path, with red herrings scattered here and there. As you make your way through the story, you'll be hard pressed to find the relevant clues, plainly visible, but camouflaged amid a complexity of detail. And that's the mark of a good murder mystery.
If I had to pick the script apart, looking for something to complain about, I could point out that the various suspects have back-stories that are all too thin. But that's normal, more or less, for films in this genre.
En route to the solution of the puzzle, Miss Marple (Rutherford) auditions to be part of the theater troupe, in a solo recital of the Robert Service poem "The Shooting Of Dan McGrew". This sequence alone, with Rutherford's terrifically hammy stage performance, is enough to make the film worth watching.
In searching for the killer, the befuddled police don't have a clue, of course. But with her keen wit and perceptive insight into human nature, Miss Marple sifts and sorts through the jumble of facts with cunning effectiveness. The film's final few minutes take place behind the stage of a play in progress, where she conks the murderer over the head with a stage prop. Marvelous.
As a whodunit, "Murder Most Foul" is a good one. But what really makes the film enjoyable is Rutherford in the role of Miss Marple. With her animated facial expressions, her commanding tone of voice, and her formidable and intimidating stage presence, 72 year old Margaret Rutherford is an absolute joy to watch. I'm surprised that the British didn't name a battleship after her.
This MGM British production, part of a series starring the incomparable Margaret Rutherford, is as enjoyable today, as it was when it was released. George Pollock, the director deserves credit for the immensely satisfying film version of Agatha Christie's "Mrs. McGinty's Death". The excellent copy we saw recently on TCM appears as good now, as it probably did when it first made its theatrical debut.
Miss Jane Marple was Agatha Christie's best creation. She is a no nonsense woman who can't be easily persuaded to condemn the man on trial, in which she is seen as part of the jury at the start of the film. Ms. Marple knows the man is not guilty, even when she gets the other jury members to give her dirty looks when she votes against the others to acquit the man on trial.
Miss Marple starts digging around the dead woman's room and discovers the programs for "Murder, She Said", a play by the theatrical production company that is performing at a theater near her. She enlists her friend Jim Stringer to help her catch the culprit. We are not prepared to see Miss Marple become part of a second rate theatrical troupe touring the country.
"Murder Most Foul" is a must to be seen by all Agatha Christie's fans and mystery fans because of the charisma Margaret Rutherford exuded playing the title character. Ms. Rutherford was an actress that always delivered in her many films. She is an acquired taste that ages well as a good wine.
The supporting cast play like an ensemble. Ron Moody, Charles Tingwell, Stringer Davis, Francesca Annis, Terry Scott, Dennis Price, and the rest, do what they do best and in the process enhance the film.
This is a tribute to the genius of the Jane Marple of Margaret Rutherford!
Miss Jane Marple was Agatha Christie's best creation. She is a no nonsense woman who can't be easily persuaded to condemn the man on trial, in which she is seen as part of the jury at the start of the film. Ms. Marple knows the man is not guilty, even when she gets the other jury members to give her dirty looks when she votes against the others to acquit the man on trial.
Miss Marple starts digging around the dead woman's room and discovers the programs for "Murder, She Said", a play by the theatrical production company that is performing at a theater near her. She enlists her friend Jim Stringer to help her catch the culprit. We are not prepared to see Miss Marple become part of a second rate theatrical troupe touring the country.
"Murder Most Foul" is a must to be seen by all Agatha Christie's fans and mystery fans because of the charisma Margaret Rutherford exuded playing the title character. Ms. Rutherford was an actress that always delivered in her many films. She is an acquired taste that ages well as a good wine.
The supporting cast play like an ensemble. Ron Moody, Charles Tingwell, Stringer Davis, Francesca Annis, Terry Scott, Dennis Price, and the rest, do what they do best and in the process enhance the film.
This is a tribute to the genius of the Jane Marple of Margaret Rutherford!
Margaret Rutherford makes an amusing Miss Marple in this all-English version of Agatha Christie's "Mrs. McGinty's Dead". With an outstanding supporting cast she manages to solve the murder mystery after joining the cast of a local theater group. A quiet but very english film; filmed in black and white it looks as if it is an older film than it is, but also has a modern feel to it since it was filmed in 1964. Ron Moody is wonderful as the theatrical Clifford Cosgood, who tries to convince Miss Marple to invest in his next play. Charles Tingwell plays the police inspector who gets all his clues from Miss Marple and seems always to be three steps behind her.
Le saviez-vous
- AnecdotesMiss Jane Marple's audition piece for the Cosgood Players is her dramatic rendering of "The Shooting of Dan McGrew", a 1907 poem by Robert W. Service. Dame Margaret Rutherford was especially fond of the piece and reportedly once intended to give a reading of it at a women's prison to cheer up the inmates.
- GaffesWhen the two cats exit Miss Marple's room, a bird-like toy on a string can be seen moving in the background and up to the ceiling, attracting the cats so they'll follow down the hall.
- Citations
Justice Crosby: Madam, either you will need to cease knitting or I shall need to cease judging.
- ConnexionsFeatured in La vraie Miss Marple - L'etrange cas de Margaret Rutherford (2012)
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- How long is Murder Most Foul?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Murder Most Foul
- Lieux de tournage
- Aylesbury Crown Court, Market Square, Aylesbury, Buckinghamshire, Angleterre, Royaume-Uni(courtroom in opening title sequence)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 30min(90 min)
- Couleur
- Rapport de forme
- 1.66 : 1
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