Mariage à l'italienne

Absolute classic romantic comedy with two of the absolute greats in Marcello Mastroianni and Sophia Loren. The romance is stunningly powerful, the comedy is witty and hilarious. "The more the world changes, the more it stays the same."

Marriage Italian Style is a beautiful love story between Sophia Loren and Marcello Mastroianni, that created electricity when they worked together. Passionate chemistry and amazing acting. A difficult story, which makes you question good and bad, right and wrong. It's a "problem play" which ends up happy, but not happy. You wonder what the future will bring, but hope for the best. Sophia Loren and Marcello Mastroianni could not be better matched or more compelling to watch. Overall, I've seen Marriage Italian Style many times and love it more every time.

Yes, Sophia Loren is breathtakingly beautiful in this movie - at times - but there is much more to it than that.

This movie does a remarkable job of developing two characters, especially Loren's character, over more than 20 years. There are no stereotypes - the warm-hearted prostitute, etc. - here, no facile caricatures. Rather, Loren, directed by di Sica, is able to develop a complex and fascinating character who goes from a 17 year old girl to a woman in her 50s. Loren does this not with fancy make-up, etc., but by ACTING. She is believable as the terrified young girl thrown into prostitution by abject poverty; she is completely believable as the 50+ year old woman defending her three children. (She was 30 when she made this movie.) I couldn't stop watching this movie. Loren is so real in it that you HAVE to find out what will become of her character.

This movie shows you what a good movie can be: something with complex, real characters whom you want to know more about. It is the complete opposite of the caricature-, stereotype-ridden formulaic pictures we get too often.

A fine showcase for Sophia Loren who at the age of thirty portrays and older women seemingly at death's door as well as a young girl of seventeen. And throughout she has a fantastic rapport with Marcello Mastroianni and however fantastical becomes the action, however unrealistic the Italian 'realism' we believe in her. She is not, if there is such a thing, a 'classic' beauty and yet she always looks lovely. Her face can express sadness, concern, happiness and glee, all within seconds of each other and with her all the time remaining attractive. Her body is probably even more remarkable but it is the way she can move that is truly magical, and sexy. She can striptese all day long but the magic is when she begins to walk or skip along the street. Remarkable. And on the screen, of course, quite magical. So if the first half of this Vittorio De Sica film can be sluggish with comedic moments that don't quite cut it today (if they ever did outside of Italy) there is always Loren to look at and the pairing of the two to enjoy. Things get going and if we find it hard to glorify prostitution one moment and femininity and motherhood the next, it is not a problem for the Italians and eventually we too are swept along in a romanticised wave of well being.

One of the biggest hits of the "Italian Comedy", starred by the top of the Italian star-system. De Sica give us a solid film all along the length, taking us from drama to comedy, they're separated by a faint border; as the life itself.

Obviously, the time has passed and some points are old-fashioned (technical resources, technology, life's perspective) but it's true the film gets one realistic approach (it couldn't be less being this film one of the examples of Italian neo-realism) about the drama of a woman who looks for dignity and fights for the good of her children.

This pink neo-realism sows us the common life of Italian people after WWII. Mediterranian country, misogyny, catholic, conservator, noisy… similar to Spain (españolada, Landismo), Greece, etc.

Good performances form Mastroianni, who is a playboy but with a good heart at least, and, especially Sophia Loren, at her prime, as Filomena, a prostitute who will fight for her honesty, dignity and her sons, a woman with attitude, tough in her acts and with some real curves. In other words the best "donna", along with Magnani, in all history.

De Sica, without reaching the lever of previous works in the 40's, makes a gret work in a field he controls like only a few people more. Good photography and ambiance. Music as Italian music, little cloying but it don't bother and it suits the film.

Thou, there are some negative points: - Relationship with children and their reaction are unnatural and the aren't worked as it'd be necessary. - Story could be analyzed in a deeper way. It's a good topic. - Make-up of Loren at 17, she doesn't look even for a moment, her body is different, no one can't do it something about it with that clothes, but the make-up could be better.

But it's a good movie, despise of these thing and the fact that is a movie made in the early 60's and other things I can't remember. You can enjoy this film and discover if you didn't make it earlier the refreshing Italian cinema.

Well I think that you should watch this wonderful Italian film. It is taken from the comedy "Filumena Marturano" by Eduardo De Filippo. Marcello Mastroianni is superb and Sophia Loren is excellent. It's a pity she didn't won the second Oscar as best actress of this film.

The title-song "'O cielo ce manna 'sti 'ccose" by Fred Bongusto is absolutely wonderful.