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La sorcière sanglante

Titre original : I lunghi capelli della morte
  • 1964
  • Not Rated
  • 1h 36min
NOTE IMDb
6,2/10
2 k
MA NOTE
La sorcière sanglante (1964)
FantaisieHorreur

Une femme soupçonnée de sorcellerie est brûlée vive. Sa malédiction la fait revenir d'entre les morts pour se venger. Barbara a rarement été aussi belle. Un thriller d'horreur européen très ... Tout lireUne femme soupçonnée de sorcellerie est brûlée vive. Sa malédiction la fait revenir d'entre les morts pour se venger. Barbara a rarement été aussi belle. Un thriller d'horreur européen très sombre et atmosphérique.Une femme soupçonnée de sorcellerie est brûlée vive. Sa malédiction la fait revenir d'entre les morts pour se venger. Barbara a rarement été aussi belle. Un thriller d'horreur européen très sombre et atmosphérique.

  • Réalisation
    • Antonio Margheriti
  • Scénario
    • Ernesto Gastaldi
    • Tonino Valerii
    • Antonio Margheriti
  • Casting principal
    • Barbara Steele
    • George Ardisson
    • Halina Zalewska
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    2 k
    MA NOTE
    • Réalisation
      • Antonio Margheriti
    • Scénario
      • Ernesto Gastaldi
      • Tonino Valerii
      • Antonio Margheriti
    • Casting principal
      • Barbara Steele
      • George Ardisson
      • Halina Zalewska
    • 56avis d'utilisateurs
    • 58avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos24

    Voir l'affiche
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    + 20
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    Rôles principaux17

    Modifier
    Barbara Steele
    Barbara Steele
    • Helen Karnstein…
    George Ardisson
    George Ardisson
    • Baron Kurt Hummel
    Halina Zalewska
    Halina Zalewska
    • Elizabeth Hummel…
    Umberto Raho
    Umberto Raho
    • Von Klage, the Priest
    • (as Robert Rains)
    Laura Nucci
    Laura Nucci
    • Grumalda
    • (as Laureen Nuyen)
    Giuliano Raffaelli
    Giuliano Raffaelli
    • Count Humboldt
    • (as Jean Rafferty)
    Nello Pazzafini
    Nello Pazzafini
    • Monk, the Servant
    • (as John Carey)
    Jeffrey Darcey
    • the Messenger
    Aldo Barozzi
    • Plague Victim
    • (non crédité)
    Mario Casella
    • Gorca
    • (non crédité)
    Severino D'Ottavi
    • Party Guest
    • (non crédité)
    Alba Maiolini
    Alba Maiolini
    • Wife of Plague Victim
    • (non crédité)
    Aldo Massasso
    • The Priest
    • (non crédité)
    Enzo Mondino
    • Villager at the Execution
    • (non crédité)
    Piero Pastore
    • Baron Von Letz
    • (non crédité)
    Sylvia Sorrente
    • Gorca's Wife
    • (non crédité)
    Terry Velasco
    • Gorca's Daughter
    • (non crédité)
    • Réalisation
      • Antonio Margheriti
    • Scénario
      • Ernesto Gastaldi
      • Tonino Valerii
      • Antonio Margheriti
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs56

    6,22K
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    10

    Avis à la une

    7avidnewbie

    Very rewarding Gothic Horror

    After hearing so much about the often ballyhooed Black Sunday film which predates this one I finally got the chance to check out both films for myself. Black Sunday a.k.a the Mask Of Satan is also a Gothic b/w Italian horror film that features Barbara Steele as it's main character. Every review that I came across recommended the Mario Bava movie without any reservations whatsoever and made constant references to it's beautiful cinematography, period detail and atmosphere. I was super anxious to see this unanimously lauded classic. However, once viewed, I did not find the Mask of Satan to be that great of a movie. Yes, it was beautifully filmed and yes it was quite atmospheric but it was also flat, boring and predictable. It's dated violence and special effects did very little to help liven things up. The eerie soundtrack that seemed to constantly be playing was too loud and it actually served to slaughter, in it's infancy, any tension that possibly might have been building. The film felt like a major let down after hearing so much about it. It was o.k. but nearer to a novelty than a classic. The Long Hair Of Death was a film which I had heard absolutely nothing about. I only just learned of it's existence when it was recently scheduled to be released on blu ray in the near future. The cover art was intriguing and there was Barbara Steele again. So I found the movie on YouTube and set out to see if it was worth adding to my collection. Little did I know what a treat I was in for. This movie is similar in look and feel to Bava's film yet it is superior to that film due to it's character development and it's bizarre and intermittent flashes of kinky eroticism. The pacing is glacial in this one also and yet it doesn't feel quite as moribund as "Sunday". The camera work is lovely and lush and is perfectly enhanced by vividly detailed decorative sets and costumes. The acting is better in this one too although the dialog is pretty standard for this type of fare. All in all, I prefer The Long Hair of Death to Black Sunday on any given day and will be purchasing a copy on blu ray ASAP.
    9Witchfinder-General-666

    The Unique Aura of Barbara Steele

    The great Antonio Margheriti, Italy's second-greatest Gothic Horror director (right after the unmatched Mario Bava), and the wonderful Barbara Steele, Horror's single greatest leading lady ever made two magnificent films in 1964. One was the insanely brilliant "Danza Macabra" (aka. "Castle of Blood"), which doubtlessly ranks among the greatest Gothic Horror films ever to be made. The other is this atmospheres and wonderfully macabre gem called "I Lunghi Capelli Della Morte" aka. "The Long Hair of Death". Maybe not quite as essential a masterpiece as "Danza Macabra", "The Long Hair of Death" is yet another glorious film by Margheriti, which once again proves that Barbara Steele is the ultimate goddess of Horror.

    The film is magnificently set in the 15th century, when accused witch Adele Karnstein is burned in a rather bizarre stake ritual. While she is being lead to the stake, her oldest daughter Helen Karnstein (Barbara Steele)is forced into sex with the Count whom she has begged to set her mother free. Just before being consumed by the flames, however, the condemned witch puts a curse on the responsible Count and his ruthless son, vowing to take revenge from beyond her burning grave...

    This is only a very vague description of the first ten minutes of the film, but since I would hate to spoil any of this gem's wonderful spooks, I will leave it there. The storyline is fascinating and truly macabre, and includes trademark Gothic elements such as curses, resurrection and revenge as well as the black plague. As in all Gothic Horror films by Margheriti, the atmosphere is incredibly eerie and haunting, yet beautiful at the same time. Gloomy castle corridors and dark tombs make an excellent setting for this film's wonderfully creepy storyline. Barbara Steele is, as always, brilliant and absolutely wonderful. As always when reviewing a film with my favorite actress, I get the feeling of not finding the right words, since I simply cannot praise this wonderful actress enough. The other performances are good too, especially Halina Zalewska, who plays the second female lead, is worth mentioning. It's also fun to see a small supporting performance by Italian Cult-cinema regular Nello Pazzafini. Pazzafini's name isn't very well-known, but he was omnipresent in Italian films of many genres in the 60s and 70s, mostly in Spaghetti Westerns, Gialli and Poliziotteschi. This is one of the earlier films I've seen him in. It is, of course, Barbara Steele who is the main attraction, however. As said above, the atmosphere is wonderfully eerie and the settings are great. The film is beautifully shot, even though my copy isn't in the best quality. The score is also very cool and contributes a lot to the film's haunting mood. For all the horny Horror fans out there, an additional quality of this film should be revealed: In one love-making scene Barbara Steele's left breast is revealed! (I am not sure, however, whether it belongs to Barbara Steele or a body double). All things considered, this is yet another great Gothic Horror gem with the genre's undisputed goddess, Barbara Steele, and no Horror/Cult-cinema lover should consider missing it. 8.5/10
    haxan

    Disappointing, though not bad..

    Being a fan of Italian horror, particularly from the 50s and 60s, I was looking forward to this film having recently located a copy of it. However, it was somewhat disappointing. Most European horrors from this era don't move terribly fast, so a slow pace was neither surprising nor a problem in and of itself. This one, however, lacked something to keep it very interesting. The atmosphere wasn't bad; there was a castle and tomb that looked alright. The mood just didn't live up to expectations. It lacked the spooky feel of the greater films of this type such as Mario Bava's Black Sunday and Black Sabbath.

    The plot, roughly, concerns a supposed witch burned at the stake in the late 1400s. She vows revenge, which it is assumed will take form in her two daughters, one of which being Barbara Steele (Black Sunday, Shivers, Castle of Blood). Barbara is as lovely as ever, particularly her long black hair. I prefer not to say more since I personally like seeing a film knowing as little as possible about it. The plot is nothing new anyway; originality in plot is rarely ever the reason fans of the macabre watch this type of film anyway.

    For fans of gothic horror, and Barbara Steele, this is worth seeing though I would not say it is at the top of the list.
    8unbrokenmetal

    Like father, like son

    "I lunghi capelli della morte" by Antonio Margheriti is a classic b/w Gothic movie. Take a flickering candle, go down into the crypt, past the spider webs - and you wouldn't be surprised if Bela Lugosi was lurking in the shadow. Actually it's Barbara Steele which you can't complain about, either. Giorgio Ardisson plays Kurt, the son of a Count, who commits a murder, blames it on a witch, the witch is burnt and leaves a terrible curse behind - maybe the story is not something new, but it matters most in this movie to show how a man is slowly trapped in a revenge plan - so slowly that for most of the running time, he doesn't even realize the torment already began. That not much is happening, as sometimes reviewers do say, is done on purpose: Kurt would like to move, but he is becoming aware more and more of his helplessness, his inability to hide. "I lunghi capelli della morte" is a movie with intensity, atmosphere and beauty in its black and white imagery, and while I just wanted to check out the first chapter for the disc quality when the DVD arrived in the mail, I ended up watching it till the end - it was mesmerizing and really that good. Fans of the genre, don't miss it!
    7Tera-Jones

    Good Gothic Witch Film

    I think this is one of Barbara Steele's better horror films. It does have a creepy Gothic atmosphere - and great Gothic music to go with it. I like quite a few of the Italian horror films from the 1960s - 1970s - this is one of them.

    This film surrounds a witch and lust. A woman with two daughters is taunted by a man who lusts for her - so much so he would force her into making love to him. She refuses him and is accused of witchcraft and therefor put to death. The older daughter is later put to death and leaving the youngest daughter alive. She grows up and marries... later on the older daughter (apparently a witch) comes back from the dead to seek revenge on those who harmed her family.

    Good late night flick!!

    7/10

    Centres d’intérêt connexes

    Elijah Wood in Le Seigneur des anneaux : La Communauté de l'anneau (2001)
    Fantaisie
    Mia Farrow in Rosemary's Baby (1968)
    Horreur

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      Obvious doll is used to replace the actress at the start of the movie in the burning scene.
    • Connexions
      Featured in Moviedrome: Long Hair of Death (I Lunghi Capelli Della Morte) (1988)

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    FAQ13

    • How long is The Long Hair of Death?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 8 août 1970 (France)
    • Pays d’origine
      • Italie
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • Los largos cabellos de la muerte
    • Lieux de tournage
      • Cinecittà Studios, Cinecittà, Rome, Lazio, Italie
    • Société de production
      • Cinegai S.p.A.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 36min(96 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.85 : 1

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