Quatre Garçons dans le vent

I was in my mid-thirties when the Beatles came to America, and appeared at Shea Stadium and (famously) on the Ed Sullivan. I saw their success, with the screaming girls, as just another teen-age phenomenon. I must have read in some column that this film was interesting for its direction and photography. That was true. What I did not expect was that I would be caught up by the Beatles themselves, both as personalities and as musicians. Those who comment adversely on their lack of acting ability are way off base, because neither they nor the director were looking for dramatic skill; only for a degree of naturalness, which was achieved. Those who criticize the technical aspects are not well-acquainted with new developments in film technique especially in France; for instance, the jump shot. Those who criticize lack of plot must be interested only in straight narrative. I suggest that all the previously mentioned critics see the documentary materials on the making of the film, particularly those contained in the DVD set. They will see, for better or worse, that the creators and performers achieved what they wanted, allowing room for the unexpected. For forty years now I have been an admirer, own all their recordings, etc.; and taught this movie in my history of film class regularly. Don't believe the nay-sayers; see for yourself.

"A Hard Days Night" has got to be one of the funniest movies of all time, firmly holding its place with such classics as "Annie Hall" and "Duck Soup". It is also one of my top five favorite films of all time. The film proved that the Beatles could not only write and perform incredible songs, but that they could act as well. They are assisted in no small part by the extraordinary screenplay by Alun Owen. His dialogue is so unreasonable witty that even Groucho Marx himself would be impressed.

In "A Hard Days Night", we not only see the Beatles as great characters, but we also get some other outstanding characters, such as Paul's mischevious grandfather (Wilfred Brambell) and the dim-witted Norm and Shake (Norman Rossington and John Junkin).

This is a great film with great music and a great screenplay. I recommend this not only to avid Beatles fans, but to movie fans in general.

"The first 60's film to ever waken my musical interest in pop music and electric guitars...not to mention, I wasn't even born then!" The film is full of great music and British humor by the Fab Four. It stars The Beatles themselves - John Lennon, Paul McCartney, George Harrison, and Ringo Starr in their first acting debut. The music they perform in this 'black and white' film are 7 'Lennon & McCartney' classics - from the title song, "A Hard Day's Night", to "Can't Buy Me Love" and "She Loves You". In the comedy skits of the film, The Beatles' drummer Ringo Starr, definitely leaves the other lads in a so-call 'run against time'. It's a fun and exciting film...a pop film on what 'Beatlemania' was all about back then in 1964. This classic is a must see for all upcoming Beatle fans from all around the world, as well as people and kids of all ages. "And for those of you who never felt the magic and excitement of The Beatles...like me, I promise that you will by the end of this fab film!"

I first saw this film way back in the day. Saw it, didn't hear or understand much of it, what with all those pubescent young females screaming their lungs out in the audience. When the young females were resting I had to contend with the Fab Four's Liverpudlian speech patterns which were as yet unfamiliar to me. Still very few soundtracks produced as many hits as did A Hard Day's Night.

As much as The Beatles themselves revolutionized popular music, A Hard Day's Night also was a revolutionary film of its own. What you're seeing here is nothing less than the first music video, albeit a rather lengthy 90+ minute one.

Director Richard Lester wisely eschewed the idea of a plot and basically did a docucomedy with songs about 12 hours in the life of John, Paul, George, and Ringo. They gave Paul a grandfather, played by Wilfred Brambell who when he wasn't getting into mischief on his own was influencing Ringo to spread his wings so to speak.

Will Ringo get back to the studio in time for the big Broacast? Actually 32 years before that in Paramount's The Big Broadcast the same was asked of straying Bing Crosby. Of course you know the answer.

A Hard Day's Night is must viewing for anyone who's trying to learn about the sixties. Or somebody who just likes the music of Paul McCartney and the lyrics of John Lennon.

What can you say about the film that started it all? Where popular culture as we know it took shape in a "let there be light" Genesis kind of way? Where pop rock became worth listening and not just dancing to? Where John, Paul, George, and Ringo became firmly established as individual personalities as well as the premier entertainment troupe of the 20th century?

Only this: "A Hard Day's Night" is good, yes, and significant, but it's fun, too. Still, and above everything else, it's a lot of fun.

"A Hard Day's Night" is probably more responsible for the Beatles' enduring image in our culture than any single song they made. It came out in 1964, within a few short months of the Fab Four's sensational appearance on the Ed Sullivan Show that truly launched them globally, though they had been making great pop music for more than a year which was all the rage across Europe. "Hard Day's Night" captures the band when they were still relatively provincial and innocent, not yet in the "marijuana for breakfast" phase they were well into the following year when they made the zanier "Help!" LSD, Yoko, and the Maharishi were not even on the radar, nor was the psychedelic era the Beatles would usher in less than three years later. Finally "Hard Day's Night" clicked not only with the kids but the adults, who previously viewed the band as a motley band of overplayed haircuts. It gave all the generations of the time something they could agree on. These guys were good.

The story of "Hard Day's Night" is thin by design. We see the Beatles in slightly fictionalized form, with a manager named Norm and a roadie named Shake, traveling by train across England and ducking into a studio to make a TV appearance. Paul has his grandfather along, a codgy old troublemaker who nevertheless is "very clean." The irony of the movie is that the old guy, played by British TV star Wilfrid Brambell, is the one that continually ruffles the feathers of society while the Boys themselves play things fairly straight and legal.

Grandpa has the best take on the meager storyline: "I thought I was supposed to be getting a change of scenery, and so far I've been in a train and a room and car and a room and a room and a room!" Brambell works very well in the film, a needful focal point in a film that requires some bearings in order to work. Of the Beatles themselves, Ringo makes the strongest single impression by showcasing his vulnerable side while John probably has the best moments with his wacky, caustic humor. George shines, too, in a scene with a trend-happy fashion maven, and married one of the girls on the train in real life, so he did pretty well here, too.

Is it the best Beatles film? I think "Yellow Submarine" is better for what it's worth, but "Hard Day's Night" is the best film actually featuring the Beatles for who they were and what they were about.

Great music, too. The sequence on the train with "I Should Have Known Better" still works as a video, with all the baggage-car bric-a-brac thrown in for ambiance. Then there's "Can't Buy Me Love," which shows the Beatles in full-tilt boogie mode after momentarily escaping their studio confines. "And I Love Her" has some of the film's greatest camera work, very moody and intense in its focus on how well the Beatles worked in a TV studio setting.

As a film, "Hard Day's Night" lacks a bit of heart. Not that it's cold or cruel, just a trifle too detached to get enveloped by, the way one does with great cinema. I don't really miss the fact that "Help!" wasn't a true sequel; "Hard Day's Night" works for its 90-plus minutes but doesn't leave you wanting more. The relationships between the band members, and with Grandpa, Norm, and Shake, are left unexplored, and you don't really miss that as much as you maybe should.

But as a collection of small, witty moments interspersed with great music, "Hard Day's Night" is a pleasure through-and-through. Like the scene where John cuts the tailor's measure ("I now declare this bridge open") or has that absurd corridor chat with Anna Quayle ("She looks more like him than I do.") Or when Ringo tells the crotchety train passenger who complains he "fought the war for your sort" that "I bet you're sorry you won!"