Geliebte Weiße Maus

1964
1h 16min

NOTE IMDb

MA NOTE

Ajouter une intrigue dans votre langueEvery morning, Helene rides her motor scooter past Fritz, the police officer who controls traffic at the intersection. He shows his affection by favorably switching the green light for her. ... Tout lireEvery morning, Helene rides her motor scooter past Fritz, the police officer who controls traffic at the intersection. He shows his affection by favorably switching the green light for her. However, for their relationship to gain momentum, she has to break some traffic laws. An i... Tout lireEvery morning, Helene rides her motor scooter past Fritz, the police officer who controls traffic at the intersection. He shows his affection by favorably switching the green light for her. However, for their relationship to gain momentum, she has to break some traffic laws. An invitation to Fritz's traffic course is the desired consequence. Frau Messmer, whose traffi... Tout lire

Réalisation
- Gottfried Kolditz
Scénario
- Maurycy Janowski
- Gottfried Kolditz
Casting principal

Voir les informations de production sur IMDbPro

NOTE IMDb

6,5/10

MA NOTE

Réalisation
- Gottfried Kolditz
Scénario
- Maurycy Janowski
- Gottfried Kolditz
Casting principal

1avis d’utilisateur

Voir les informations de production sur IMDbPro

Le saviez-vous

Modifier

Anecdotes
When complaining about Fritz Bachmann to the police captain and talking about justice Mr. Simmel is comparing himself to Michael Kohlhaas. Kohlhaas is the main character from the 1808-novel of the same name by Heinrich von Kleist. The novel is also set in Dresden, like this movie and is inspired by the real-life salesman Hans Kohlhase. In the novel, set in the 16th century, Kohlhaas is a horse salesman who is fighting the injustice that was done to him (he didn't receive a pass paper into Dresden and had to give up his horses for this) with street justice. This cause to him to a death verdict which however, unlike the real-life-prototype, was not executed at the end.

Citations
Fritz Bachmann: [before kissing Helene, directly into the camera] We're not yet at the Happy End, and still we're gonna screen off then.
[pushes the curtain in front of the camera]