La flèche d'or

This is a movie which borrows much of its plot from other movies or legends : the golden arrow is the equivalent of the sword in the stone ; the usurper subject is taken from the 1940 masterpiece "the thief of Baghdad " and countless other films whilst the princess' s desease and the characters who turn to stone are stolen from another "thief of Baghdad ",that starring Steve Reeves the precedent year ; the stars in the sky and the three magicians make one think of the magis ;or of the three good fairies in Walt Disney's "sleeping beauty" (1959) ; without their help,like prince Philip , the hero would be defeated all along the movie.

That said , the movie is eventful , full of special effects -which can seem quaint for today's audience ,that is the children under 12. Tab Hunter has plenty of go ,and he shows a good sense of humor (" the law says : "eternal slavery" !- Have it change !") and the trick of the feather and the final chase on the shrinking flying carpet are moderately funny .But as a blond ,he looks too Nordic for a story more or less inspired by "The Thousand And One Nights "; the make-up man should have had his hair dyed .

Beautiful colors , the landscapes remind you ,towards the end ,of the valley of the Nile and its feluccas ; it was aimed at the children 's market,if they are not too demanding ,they can enjoy it.

Heroic bandit Hassan (Tab Hunter), the rightful Prince of Damascus, falls in love with the Princess Jamila (Rossana Podestà) and, with the help of three genies, searches for the mysterious 'Golden Arrow' before returning (by magic carpet) to save the city from the evil Prince of Basra (Renato Baldini) and win Jamila's hand in marriage. Directed by Antonio Margheriti (the hand behind the 'Gamma One tetralogy' of colourful low-budget space operas), this moderately-budgeted sword and sorcery demi-epic is an odd mix of excellent and awful. The sets and backgrounds are often impressive (the opening scenes especially), as are the location shots in Egypt, the climactic battle scene (before the genies arrive and inject some slapstick into the fight), and the model city Hassan flies over. Some of the 'practical' effects (such as the burning men or the flying carpet that Jamila steps onto at the end) are quite convincing but the optical effects (mattes, superimpositions etc) are terrible (notably the scenes involving the magic arrow or the three genies). In a triumph of colour-blind casting, Hunter may be the least likely-looking 'Hassan' to ever don curly-toed shoes, but the double-dubbed American teen idol seems to be having fun in the improbable role, athletically avoiding the mostly incompetent palace guards and performing his own horseback scenes. The rest of the cast dutifully discharges what is expected from them in an English dubbed peplum although the 'comic relief' genie antics get tiresome quickly. A colourful silly time-passer for kid's not too spoiled by CGI and for aficionados of this sort of endearingly goofy shtick.

Whilst watching this, I couldn't help wonder if Tab Hunter would have made a decent Lawrence of Arabia? He certainly has the looks in his white garb! Sadly though, as an actor his talents don't stretch a great deal further in this amiable fantasy adventure. He has to beat three suitors and a manipulative vizier to win the hand of the Princess "Jamila" (Rossana Podestá). Luckily, he has three genies to help him out as he seeks the golden arrow that will prove his identity as the heir to the kingdom and a worthy husband for the princess. The production is pretty basic, but this is still a colourful romp with plenty of action, bows and arrows, magic carpetry and Hunter has a distinct glint in his eye - especially when talking to people who are clearly going to be superimposed by the visual effects people later! At least they all went to Egypt to film the exteriors, and there is plenty of light-hearted action taking us to the inevitable - and really quite entertaining - battle at the end. I quite enjoyed this.

The only two names us film fans from the English speaking world will recognize is that of Tab Hunter and Rosanna Podesta in The Golden Arrow. This is another of a gazillion epics made in Italy in the late 50s and 60s to take advantage of those Ben-Hur, Quo Vadis, and Cleopatra sets that American companies built for those productions and left for the Italian cinema.

As for Hunter he was one of several B list actors who left for Europe to appear in these and in spaghetti westerns just coming into being at the time. After this one he never did another for which he was grateful no doubt,

It's the usual Arabian Nights type fare with Hunter as a bandit who's really a prince lest how else could he compete for the hand of princess Rosanna Podesta and defeat the evil vizier who's peddling her hand in marriage to an even eviler prince.

But before Hunter can do that he's got to go through a lot of adventures and collect his arsenal which consists of a magic carpet and magic Golden Arrow which always hits what it's aimed at. Like the Lone Ranger, Tab only shoots to wound or disabled. He's got a posse of three wizards who could have been played by the 3 Stooges. Now that might have been interesting.

For reasons only God could imagine they dubbed Hunter's voice with an actor who sounded an awful lot like Stephen Boyd. He might have made more sense than blond All American Tab Hunter in the part.

I was looking forward to this one, being a fan of Arabian Nights fantasies and in view of cult director Margheriti's participation (unusually billed under his real name here, instead of the familiar pseudonym Anthony M. Dawson!); distributed internationally by MGM, the film used to crop up from time to time on the TCM U.K. schedule – but it may have been the 1936 Warner Bros. effort bearing the same title, and which I acquired not too long ago via this very channel, all along!

Anyway, the movie is appropriately colourful and intermittently diverting; yet, given the utter lack of originality, the result is mainly dreary – not helped by lifeless treatment, ill-advised star casting (blond Tab Hunter as the proverbial 'prince who was a thief'!) and ropey special effects (the handiwork of the obligatory suppliers of resistible comedy relief, a buffoonish trio of wizards who literally come down to earth to aid the hero regain his throne)!! The current princess (Rossana Podesta', a regular of such costumed fare) is contended by a number of potentates, one of whom is in league with the – what else? – wicked Grand Vizier (for once, though, he does not covet either the girl or the throne himself, apparently content merely to pull the strings at court!). Eventually, she asks them to bring her the most precious gift – but, what they come up with (a crystal ball, a life- restoring potion and a magic carpet), has equal value in her eyes when she is stricken by a 'mysterious' illness and near death!

Hunter naturally has a coterie of bandit pals (who initially turn against him when he allows the kidnapped princess to flee rather than demand a ransom for her) – but their role is downplayed in favour of the afore-mentioned magicians. Incidentally, the script is indiscriminate in its borrowings: the titular weapon is first presented as having Excalibur-type powers i.e. only the right person can handle it; while, halfway through, we get thoroughly pointless sections that would have better served the peplum genre involving a cave guarded by flaming monsters and, subsequently, a Theban community – from what I could gather, under some sorcerer's spell – which the hero saves (by destroying a temple in the desert)! The climax, then, features the protagonist's 'supernatural' sidekicks dumping jars from the air on the assailing forces and Hunter adopting the golden arrow to slice up the villains' own flying rug!