Point limite

I'm a child of the 1970s, but this movie still scared me. You didn't have to grow up during the 50s or 60s to appreciate this. Anways in the 1980s, when Reagan was in office, nuclear war seemed a very real prospect. This movie is deadly serious, NO humor at all, and lit very sparsely. The battles between Russian and US planes seen as blips on a huge screen, is just as scary as if we had seen it realistically. Frightening, harrowing...hard to believe this film still has that effect now. Well worth watching but it's very very grim. Also, Fonda is superb as the President.

I saw this movie via two instances of serendipity. First I just happened to be living in an area that offered The Disney Channel in the basic cable package (which is all I ever get) and that as a Bruce Springsteen fan I was excited that the Disney Channel was going to broadcast a special concert short on The Boss. Of course I'm an older Springsteen fan, so instead of staying up late to watch it I just put a tape in and pressed record. The next day I enjoyed the concert, but forgot to hit stop when it ended. What followed next was "Fail Safe". After a few minutes it caught my interest, and now is one of my favorite films.

I'm not sure if this was a precursor to "Strangelove" or vice versa, for they are both listed as 1964 releases. Oddly they both have the same texture about them which leads me to believe that there was more than coincidence in their respective productions. Both are piece de resistances in Cold War studies. The main sundering is that where "Strangelove" excels in parody, "Fail Safe" is rich in tension.

Of course an anxious film about nuclear war on the brink can easily invoke tension (remember "War Games"?), but this film exceeds a good plot. The filmmakers use a backdrop of soceital depravity to create neurasthenia and presentiment; as shown by the strange and erotic scene with Walter Matthau and the woman in the car (kind of a mass-sadisim, lust thing) and the implied domestic violence in the apartment scene. The movie is also deliciously philosophical (the clever "criminals and file clerks will survive" theory) as well as adroit phsycological character development for all the main characters.

The picture is also darkly filmed, remarkedly minimalist and low-budget as if to show the limits of technology, in order to symbolize the sophistry of our trust in it. BTW I love the Matthau character's (the political science professor) line as he explains the faults of missles that have no human intuition. "The rockets have the defect of their virtues" he says in explaining how they cannot make a conscious decision to abort after receiving an order. But the message in this film is clear; even if technology breaks down it is only a symptom of our doom, ultimately it is humans who are responsible.

Interesting that both Failsafe and Dr. Strangelove both came out in 1964 the year that Barry Goldwater and his candidacy brought up the nuclear issue. After seeing both those films together with the flip comments Goldwater made about nuclear war, he was never to be anything other than a Senator from Arizona.

Everyone remembers Stanley Kubrick's black comedy Dr. Strangelove about a nuclear exchange. Failsafe which is as serious as a crutch is less remembered. Still viewed today it still has an important message, maybe more important now than when it was a bi-polar world. At least everyone then seemed to be on one side or the other.

My favorite performer in this film is Frank Overton who worked mostly in television. On the big screen he's probably best known as the small town sheriff in To Kill A Mockingbird. Though he did a lot of television work until he died in 1967, Failsafe turned out to be his last big screen performance. Overton does a great job as the general in charge of the Strategic Air Command in Omaha who is very reluctantly trying to help the Russians shoot down SAC bombers who've had one squad of them accidentally given the go ahead for nuclear war.

Henry Fonda is the beleaguered president of the United States who is issuing commands from a deep underground bunker beneath the White House with only Russian interpreter Larry Hagman there. The whole claustrophobic atmosphere adds to the desperation of Fonda's performance. By the way note the large closeups of Fonda as he's trying to order the SAC bombers back from their mission.

You might also note in a tiny role at the SAC command center Dom DeLuise in a very serious role as a sergeant. This may be the only time DeLuise ever had a serious part.

At the Pentagon is Defense Department consultant Walter Matthau also in a serious role as a Herman Kahn type, looking to 'win' a nuclear exchange. He's one frightening fellow.

The world is no longer bi-polar, but the lessons of Failsafe have yet to be learned.

I was thoroughly in suspense throughout this magnificent film. I almost felt as if I was watching World War III unfurl like the Gulf War did on CNN, it was that convincing. Fonda as the President and Matthau as the Professor, in truly memorable performances, are superb in their roles and indeed the entire cast is strongly competent. Besides the unforgettable ending, by way of the President's unthinkable concession, are the arguments and attitudes of the Professor and Colonel Cascio. At the time it must have been very tempting to many hawks in Cold War administrations to end the deadlock whenever a seemingly decisive opening presented itself. I strongly recommend this film for its believablity and realism and even the final credits! 10/10.

This cold war era classic certainly made you think if it's storyline was possible. The plausibility of the solution to avert an all-out retaliatory nuclear war that the American and Soviet leaders decide on in the film is still debated but this film captures the essence of the cold war paranoia in this film directed by Sidney Lumet. This was Lumet's seventh film of his career and he was known for his dramas that were screen stage plays with 12 Angry Men, Long Days Journey Into Night and The Pawnbroker. Henry Fonda heads up an excellent cast including Walter Matthau, Fritz Weaver, Larry Hagman, Dan O'Herlihy, Ed Binns and Frank Overton. In 1958 author Peter George wrote the novel Red Alert and would go on to win an out of court settlement over the authors of Fail Safe, Eugene Burdick and Harvey Wheeler, on plagiarism charges. Interestingly the dramatic novel Red Alert would serve as the basic premise for this dramatic film and in the dark comedy Dr. Strangelove which were both released in the same year by the same studio. Good tension and drama from this script by Walter Bernstein. Weather it could or couldn't have happened as it did in this story it's still a compelling film 42 years later. I would give it an 8.5 out of 10.