Ajouter une intrigue dans votre langueBritish archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed i... Tout lireBritish archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed its tomb.British archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed its tomb.
- Réalisation
- Scénario
- Casting principal
- Workman
- (non crédité)
- Shipboard Thief
- (non crédité)
- Footlights Operator
- (non crédité)
- Housekeeper
- (non crédité)
Avis à la une
All in all, if you're a fan of old horror films, give it a go, whether you're a fan of Hammer studios works or not. At least this one certainly beats the stuffing out of it's follow-up, Mummy's shroud, which in my opinion truly deserves any public stoning it gets.
This is my truth - what is yours?
The story requires a lot of exposition at the start which means a lot of talky and static scenes before the real suspense starts. The tale is not exactly original in concept. Again, the mummy has come to life to kill the people who've exploited him. High among his priorities is the fast-talking, rather obnoxious American showman (FRED CLARK) who is anxious to make a profit on exhibiting the mummy in show biz style.
DICKIE OWEN makes a formidable mummy with the help of some fine make-up effects but it is really the convincing performances of the three principals that makes the story credible.
I missed hearing James Bernard's background music, usually a strong point in any Hammer horror film.
Summing up: Easy enough to watch but you have to be patient to get past the slow start.
It has a rather talky first half but the verbiage is slightly interesting and the "Mummy as Sideshow" is a new take. The second half kicks into gear and moves quite energetically, well as energetic as a Mummy can be. He seems determined to wreak the necessary havoc and does so quite brutally.
In the finale things really come together with a Plot twist and an exciting chase through the sewers. Overall, this is mid-range Hammer and that is almost always better than the Studio's contemporaries. Definitely worth a view for Hammer, Horror, and B-Movie Fans.
I usually try to avoid "Star Quality" as a virtue of film, but Hammer proved it...
The plot is that an archaeological team uncovers the lost tomb of a dead Egyptian prince. The mummy is reanimated and begins to pick off the people who opened his tomb. (Cliche). The twist is that his brother has been cursed to live forever, and wants his brother to kill him, after he took care of those people who desecrated the tomb, of course..
(Now, you'd think that if you were tired of eternal life, you wouldn't focus on snuffing the bit players so much.)
Especially nutty is the evil brother seducing the girlfriend of the head archaeologist....Now you would think that if you are so anxious to die, you wouldn't worry about such side issues...
It's okay to watch, but not great. YOu can see why whoever owns the rights to Hammer films put this on the "collection disk" grouping.
Le saviez-vous
- AnecdotesDuring the Egyptian flashback scenes, Franz Reizenstein's theme from "Hammer"'s original "La Malédiction des pharaons (1959)" can be heard.
- GaffesDuring one of the 19the century scenes, there is a modern lit exit sign visible over a doorway. Those exit signs had not been invented yet.
- Citations
Alexander King: [to a belly dancer] You ever learn to do that to ragtime, give me a call... we'll make a fortune!
- ConnexionsEdited from Atlantique, latitude 41° (1958)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La maldición de la momia
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 18min(78 min)
- Rapport de forme
- 2.35 : 1