Ajouter une intrigue dans votre langueBritish archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed i... Tout lireBritish archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed its tomb.British archaeologists and their American investor ship an Egyptian mummy's sarcophagus to London but someone has the amulet to revive the mummy that will then kill all those who disturbed its tomb.
- Réalisation
- Scénario
- Casting principal
- Workman
- (non crédité)
- Shipboard Thief
- (non crédité)
- Footlights Operator
- (non crédité)
- Housekeeper
- (non crédité)
Avis à la une
This is the second Hammer Horror movie from "The Mummy" franchise and this time the star power has taken quite a dip. No longer did they have the presence of Christopher Lee and Peter Cushing and that really showed.
It tells the story of a rich American who plans on making the opening of a mummy's sarcophagus a tourist event in order to make money but oddly enough things don't go quite as planned.
The film looks great, the performances though spotty are mostly passable and the Hammer Horror brand of musical score is present. It's all very colour by numbers stuff, but that's okay.
Sadly the writing is inconsistent, some is poor and some is baffling especially when it comes to character development.
Passable stuff but again this underlines why though I appreciate Hammer Horror I've never exactly been blown away by it.
The Good:
Looks great
The Bad:
The absence of the likes of Cushing/Lee is very damaging
The bulletproof bandages have returned!
Mummy actually looks worse
No character consistency
Awful cover art
Things I Learnt From This Movie:
Belly dancing is sexy or awkward, never anything inbetween
All in all, if you're a fan of old horror films, give it a go, whether you're a fan of Hammer studios works or not. At least this one certainly beats the stuffing out of it's follow-up, Mummy's shroud, which in my opinion truly deserves any public stoning it gets.
This is my truth - what is yours?
It has a rather talky first half but the verbiage is slightly interesting and the "Mummy as Sideshow" is a new take. The second half kicks into gear and moves quite energetically, well as energetic as a Mummy can be. He seems determined to wreak the necessary havoc and does so quite brutally.
In the finale things really come together with a Plot twist and an exciting chase through the sewers. Overall, this is mid-range Hammer and that is almost always better than the Studio's contemporaries. Definitely worth a view for Hammer, Horror, and B-Movie Fans.
Set at the turn of the last century, three archaeologists unearth the tomb of a crown prince of Egypt who legend has it was slain by his brother a few thousand years BC. But someone with reasons of his own to finance the expedition has used some ancient spells to revive the dead and the prince is out settling a few scores against those who've violated his sleep.
Terrance Morgan stars in this film and he's the fellow with the Dorian Gray situation. He's got an agenda himself working here at it involves putting an end to his Dorian Gray like existence and being reunited in eternity with his true love. In that sense a leaf is borrowed from the classic original Mummy film that starred Boris Karloff.
Which happens to be my favorite horror film of all time so every other mummy film just pales in comparison. Still The Curse Of The Mummy's Tomb has enough on its own merits to rate some comparison and Terrence Morgan who is best remembered on the big screen for playing Laertes to Laurence Olivier's Hamlet does a fine job here as a most tortured soul.
Le saviez-vous
- AnecdotesDuring the Egyptian flashback scenes, Franz Reizenstein's theme from "Hammer"'s original "La Malédiction des pharaons (1959)" can be heard.
- GaffesDuring one of the 19the century scenes, there is a modern lit exit sign visible over a doorway. Those exit signs had not been invented yet.
- Citations
Alexander King: [to a belly dancer] You ever learn to do that to ragtime, give me a call... we'll make a fortune!
- ConnexionsEdited from Atlantique, latitude 41° (1958)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La maldición de la momia
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 18 minutes
- Rapport de forme
- 2.35 : 1