Des proches se réunissent dans une vieille maison pour la lecture d'un testament, mais le "mort" revient à la vie et commence à tuer.Des proches se réunissent dans une vieille maison pour la lecture d'un testament, mais le "mort" revient à la vie et commence à tuer.Des proches se réunissent dans une vieille maison pour la lecture d'un testament, mais le "mort" revient à la vie et commence à tuer.
Roy Scheider
- Philip Sinclair
- (as Roy R. Scheider)
William B. Blood
- Minister
- (as Williiam B. Blood)
Del Tenney
- The Living Corpse
- (non crédité)
‘Snow White’ Stars Test Their Wits
Histoire
Le saviez-vous
- AnecdotesFilm debut of Roy Scheider
- GaffesTowards the end of the movie, the caretaker named Seth was stabbed in the throat and put into a coffin. However, when the coffin is opened, there is the face of a different actor with the throat wound. Apparently, the actor portraying Seth refused to lie in a coffin.
- Citations
Philip Sinclair: The body is a long, insatiable tube - in need of drink and relaxation.
- Versions alternativesSome prints of the film are edited to remove the partial nudity during the bathtub murder sequence, resulting in an obvious audio-visual jump cut.
- ConnexionsFeatured in Son of Svengoolie: The Curse of the Living Corpse (1964) (1981)
Commentaire à la une
This is an obscure little film that is more atmospheric than anything else. It's certainly not original, in fact it's a loose remake of a much earlier film called "Secret of the Blue Room"...which, in itself, was remade as "Murder in the Blue Room". Confused yet?
Here we have a stereotypical rich megalomaniac whose death brings out the worst in his surviving relatives. He threatens to come back to life and murder each of them if they do not conform to the minute details of his burial. Of course they blatantly disregard the orders, and soon they are all being picked off as promised. Not that any of them have the sense to just leave the old manor.
This is particularly interesting for its photography, which makes excellent use of light and shadow. Faces loom out of darkness, small objects are illuminated by tiny shafts of light, and the confines of the gloomy mansion are utilized to the hilt. This takes place in an indeterminate time period, with a glaring lack of modern technology, which adds to the gothic feel of the film.
Candace Hilligoss from "Carnival Of Souls" is our heroine, which is another intriguing aspect of the movie. Truthfully, I wasn't aware that Roy Scheider was even in this film, which makes me want to go back and watch it again just out of curiosity. I musn't have been watching the credits.
If you can find this one, you may enjoy it for the aforementioned reasons, but don't expect any real chills or thrills. If you can't figure out the conclusion ahead of time, you're just not paying close enough attention.
Here we have a stereotypical rich megalomaniac whose death brings out the worst in his surviving relatives. He threatens to come back to life and murder each of them if they do not conform to the minute details of his burial. Of course they blatantly disregard the orders, and soon they are all being picked off as promised. Not that any of them have the sense to just leave the old manor.
This is particularly interesting for its photography, which makes excellent use of light and shadow. Faces loom out of darkness, small objects are illuminated by tiny shafts of light, and the confines of the gloomy mansion are utilized to the hilt. This takes place in an indeterminate time period, with a glaring lack of modern technology, which adds to the gothic feel of the film.
Candace Hilligoss from "Carnival Of Souls" is our heroine, which is another intriguing aspect of the movie. Truthfully, I wasn't aware that Roy Scheider was even in this film, which makes me want to go back and watch it again just out of curiosity. I musn't have been watching the credits.
If you can find this one, you may enjoy it for the aforementioned reasons, but don't expect any real chills or thrills. If you can't figure out the conclusion ahead of time, you're just not paying close enough attention.
- GroovyDoom
- 26 mars 2001
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- How long is The Curse of the Living Corpse?Alimenté par Alexa
Détails
Box-office
- Budget
- 120 000 $US (estimé)
- Durée1 heure 24 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1
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By what name was The Curse of the Living Corpse (1964) officially released in Canada in English?
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