Le Corniaud

a lot of gags and humor of situation. parody of a popular genre. and a couple who gives memorable mark to a film not real different by many others from the French cinematography of ''60's. Louis de Funes and Bourvil. a Cadillac. and a ruined plan. and many hilarious situations who mix ingenuity and neurosis, fights and revenges, stupid characters and insignificant small man who reimpose justice. and the end is a gem. clichés of crime films are exploited with great art. the love has its slice. the tension is not ignored. and few Italian/French classic landscapes are the perfect spices. a popular comedy, off course. special for the art of two great comedians. and for the freshness of irony about lifestyle's aspects from the period, not different by present.

Bourvil plays the role of Antoine Marechal, a seemingly witless insurance salesman, who on his way to a vacation in Italy in his "deux cheveaux" automobile gets hit and has his car literally destroyed by the Rolls Royce of Leopold Saroyan, an affluent industrialist played by Louis de Funes. In order to make amends, Saroyan offers to have Marechal complete his trip to Italy in his convertible Cadillac (replete with a mobile phone and phonograph player - this is no less than twenty years before the advent of cellular phones and CD players). What Marechal doesn't know is that the Cadillac is also laden with stolen jewelry and drugs to be smuggled unwittingly by him across the border. What's more, Saroyan and two cronies as well as a smattering of other criminals tail Marechal during his journey across Italy and try to intercept or recharge, as the case may be, the merchandise on board the Cadillac. The hi-jinks in this movie are incredibly funny. This film is a worthy precursor to de Funes' "The Adventures of Rabbi Jacob."

This new team-up of Bourvil and Fufu have the same recipe that "La Grande Vadrouille". Bourvil is a kind, simple mind whereas Fufu is a Machiavellian crook. However, Bourvil always bores me while Fufu is a delight: he may be nervous but i can feel behind a great humanity and i really like his beat.

Here, they are filmed in Italy in the sixties and it's cool to see how it was like 50 years ago. Personally, i found this movie funnier than the one mentioned above but it lacks its dramatic background as well. The idea of someone who is spied who is spied is original and I don't think it has been used often. Maybe the great surprise of this movie should be its score because Delerue finds a lot of very great themes!

And the car repair scene at night edited with Rossini's TARENTELLA is one of the best comedy scene ever: it's crazy, funny, punchy, lyrical: everything is told without a single words: BRAVISSIMA🇮🇹

I first watched Le Corniaud when I was still a student in colonial Mozambique and found it roaringly funny - the scenes of sugar cubes placed in the gasoline tank (twice) with de Funes promptly getting his aides to suck out the gasoline; that marvellous camp shower scene; and Bourvil missing the plot altogether, unwittingly dispersing the contraband goods all over the place and always finding gorgeous women for company - it is all zany, unpretentious fun from a time long gone when fun could be politically incorrect without anyone giving it a second thought or being offended by it.

I have watched Le Corniaud twice since Mozambique and though the story is a bit patchy the leading duo is in top form, the Italian scenery is to die for, and it has such wonderful vignettes that I cannot help but laugh and laugh and laugh.

One of the classics of French Comedy from the 1960's, Le Corniaud appears regularly on French TV, and is available on DVD and VHS. The film features 2 of France's greatest comedians, both now dead, Louis de Funes and Bourvil ( real name André Raimbourg ). De Funès manic gesticulations coupled with Bourvil's apparent naiveness in a sombre affaire of driving a car loaded with contraband across the Italian border and into France provide a never-ending series of hilarious situations against the 1960's backcloth of carefree life on the Mediterranean. As they say " they just don't make 'em like that any more ". This film together with " La Grande Vadrouille " which features the same stars constitute milestones in the history of popular French comic cinema.