Catacombs

... or so some insurance commercial says. And this great little forgotten British film is exhibit A. Ellen Garth is a thin fiftyish woman of extreme wealth and business acumen. Georgina Cookson plays her and gives her character the eery look of a cross between a mannequin and a female impersonator. Ellen is very wealthy, and her bad decision is to think that money can buy her anything - love in the case of her younger husband Raymond (Gary Merrill) and loyalty in the case of her employee Richard (Neil McCallum), on whom she has evidence of an attempted embezzlement. What it is really buying her is duty sex from Raymond and indentured servitude from her employee. And they commiserate when alone as to how much they'd love to be rid of her. Now Raymond can take being a kept man and boy toy until Ellen's beautiful niece, Alice (Jane Merrow) arrives for a visit all grown up. Suddenly Raymond realizes what he's been missing out on. Or to put it bluntly... boing!!.

When the niece reciprocates Raymond's affection, suddenly it is homicide blueprint time between Raymond and Richard. They plan to murder Ellen in England, have an actress impersonate Ellen in Italy - she had planned a trip there without Raymond - and then murder the actress and make it look like Ellen's tendency to speed finally got the best of her when she dies in a fiery crash in the Italian hills. There are a few kinks in the plan, but it basically looks like it has worked out EXCEPT...Raymond must live in the cottage where he killed his wife for the rest of his life or forfeit his inheritance. And suddenly there are bumps in the night that make it appear Raymond's wife is still alive.

Now why would Raymond think this? Ellen was the follower of some unnamed Eastern religion that believed in coming back from the dead and plus she had the ability when living to put herself in a trance whenever her unspecified hip injury got to be too painful. Was she just in a trance when Raymond thought he killed her? Is somebody trying to run Raymond out of the cottage so he forfeits his inheritance? Something else entirely? Watch and find out.

This is a low budget film as so many British films were for the first twenty years after WWII, but it scares the audience very effectively with what they do not see and what they don't know. I highly recommend this little thriller.

The debut feature of underrated director Gordon Hessler ("The Oblong Box", "Cry of the Banshee") is a sadly obscure but effectively sinister and compelling horror/mystery, with stellar performances, stupendous fright-moments, and an ingenious climax. The basic plot-idea is clearly inspired by the French über-classic "Les Diaboliques", but approximately three hundred movies stole from that film, so you can't really hold that against "Catacombs". Trampled husband wants to get rid of his domineering wife, so that he can inherit her fortune and run off with her much younger and prettier niece. He finds an ally in his wife Ellen's oppressed business partner, but nothing goes as planned. I won't go too much into detail of the plot, as it is much more fun to discover for yourself, but I do want to highlight the masterfully tense sequences at the cottage (never thought the sound of a ticking cane could feel so ominous), and the chemistry between Gary Merrill and Georgine Cookson. "Catacombs" really deserves to be better known!

Gary Merrill plays the husband of a rich dame (Georgina Cookson), who apparently keeps him around for hot sex. She can also put herself into trances, which is probably how she gets through the sex with Merrill. Cookson's gorgeous niece (Jane Merrow) shows up, and Merrill decides he wants to get it on with her. Merrill and his business partner cook up a scheme to off Cookson. After Merrill does the deed, he buries his wife in the pottery shed. Then they hire an actress to impersonate Cookson, so everyone else will think she went to Italy. Then the actress is offed as well. With Merrill and Merrow alone in his dead wife's house, strange events start occurring. Is it Cookson, back from the dead? Is she not really dead? Is someone playing a trick?

The film works, despite the weird casting. It would have worked better with someone younger (and better looking) than Merrill. No one on the planet should believe a babe like Jane Merrow would go for this guy. He is in serious need of some eyebrow trimming, which would at least diminish his Cro-Magnon looks. And Cookson looks like John "One Step Beyond" Newland in a dress and wig. Merrow is worth watching, of course.

This murder mystery borrowed somewhat from the famous Dr. Crippen case has businessman Gary Merrill married most unhappily to Georgina Cookson whom the word shrew was invented. Merrill and business partner Neil McCallum cook up an elaborate murders scheme so he can start kanoodling with his wife's niece the buxom Jane Merrow.

I think I can say things don't quite work out for all of the planners. And a most different twist on the famous Crippen case. Film belongs to Cookson who portrays a character Albert Schweitzer would have offed.

I did not see this film when it went on release nor can I ever remember seeing it on TV.So this was the first time I had seen this.Whilst no great classic it is still a very effective thriller.Gary Merrill plays a bought husband under the thumb of his rich domineering wife.A young niece returns and soon falls in love with Merrill.His wife has a crooked Secretary.Between the both of them they hatch a plot to murder her.However Merrill murders her before the planned time which complicates matters.He buries her in a shed.However when he and the niece spend time in the house they are haunted by the dead wife.There are a number of twists before everyone concerned are brought to justice.