Arrête ton char Cléo

What was more deserving in its day of being given a glorious sendup than the monumental production of "Cleopatra" with Liz and Dick's on- and off-set romantic interludes, so fulsomely (and scandalously - Can you believe it?!?) documented in worldwide tabloids?

20th-Century Fox rather carelessly left behind some quite elaborate sets at Pinewood Studios when production on the first attempt to film this spectacular under the direction of Rouben Mamoulian had to be shut down and then abandoned in London, when Elizabeth Taylor experienced one of her many life-threatening illnesses. (Other IMDb-ers err in stating that the abandoned sets used were those from the Joseph L. Mankiewicz version filmed at Cinecitta in Rome and on various locations in Italy, Spain and Egypt.) When M-G-M finished production of "Ben-Hur" (1959) in Italy they prudently destroyed the massive sets to prevent those cleverly thrifty Italian producers of sword-and-sandal "epics" from taking advantage of the bounty left behind.

The "Carry On" series may not have translated all that well to American shores, but I recall standing in line in Westwood, California, to see "Carry On Nurse" and enjoyed several of the later productions in this lengthy British franchise of satirical and slapstick humor. They were great fun and the new DVD collection is no doubt worth the price for aficionados of the series.

As I make my way into nine of the Carry On movies, there seems to have been a sudden upswing since Cabby, Cruising and Regardless.

Spying and now this one, Carry On Cleo, are funny.

"Cleo" was all Williams as Ceasar. I don't think anyone else could have done that so-so line and made it funny. "Friends, Romans, . . I know that!"

Okay, Sid James and Kenneth Conner had a bit more material to work with here, namely plot and direction.

Direction would have helped more in earlier ones, such as Regardless and Nurse. I guess the history helped drive Carry On Cleo.

Upon seeing Cleo, I thought Barbara Windsor (whom I had only glimpsed for the first time just earlier when I watched Spying) was the Egyptian queen, and deduced, wow, she used alot of padding in her bra.

Now I read I was in error and it was Amanda Barrie as Cleo. I wonder if Windsor was offered the part of Cleo first?

That soothsayer. What a scene stealer and master at his craft that one was! I liked James and Conner here, but the Soothsayer was running with the movie from them all. Had he hung around, he would have shown Williams how to do it as well, no doubt.

Who was he? Jon Pertwee, Doctor Who #3.

No idea where Hattie Jacques would have fit in this tale. I haven't seen her now since Carry On Cabby. Look forward to what is left, with or without her.

Next up: Carry on Screaming! Heard it is a good one.

This is surely one of the most popular "Carry Ons", a spoof on the notoriously expensive CLEOPATRA (1963) and was in fact shot on abandoned sets built in London for that film! The cast is in top form here – Sidney James is Marc Antony, Kenneth Williams Julius Caesar, Joan Sims is Calpurnia (Caesar's wife), Charles Hatwrey Seneca (philosopher and Sims' father); Kenneth Connor (as Hengist Pod, the inventor of a square wheel and who eventually does a stint as Caesar's 'invincible' bodyguard) and Jim Dale are featured as early Britons; Amanda Barrie – who had previously appeared in CARRY ON CABBY (1963) – makes for a delightful Cleopatra.

Though emerging to be somewhat patchy considering its reputation, there are some undeniably uproarious moments throughout – the Roman soldier throwing a shield at Dale during a scuffle and hitting Connor squarely in the face; the famous carpet-rolling scene introducing Cleopatra in the 1963 Hollywood epic being directly lampooned here by having the Egyptian queen roll under a table replenished with food and spilling its contents onto herself and the floor; untrue to history, Antony connives with Cleopatra to murder Caesar and become Emperor himself – she suggests using a poisonous asp and hands him one from a basket, which he mistakes for a local delicacy and promptly bites off its head! Talbot Rothwell's script also includes a running gag involving the famous "Friends, Romans, Countrymen" Shakespearean speech, as well as an in-joke wherein a couple of traders merge their business – to be known from then on as "Marcus & Spencius"!

Carry on Cleo stands head and shoulders above the rest of this variable comic series, combining a genuinely witty script, excellent performances and good production values (thanks to the use of sets from the previous years Burton-Taylor production).

it seems that the scriptwriter and cast,let off the normal constraints of the series, were determined to excel.

In addition to the oft-quoted Kenneth Williams line ('Infamy, Infamy, they've all got it in for me!'), there are other gems; 'Ptolemy?' , 'I AM TELLING YOU!!!', and to Gloria, the British girl who falls ill aboard ship - 'Oh well, Sic Transit Gloria!'.

If you only see one Carry On film, make sure that this is it.

A pretty "unofficial" tale of the intrigues between Cleopatra, Julius Caesar and Marcus Antonius.

Hit-or-miss but frequently hilarious spoof of Joseph L. Mankiewicz' infamous super-epic "Cleopatra", that generates far more amusement than the original. The pace is hectic, the writing unusually clever and most of the actors caught somewhere near their best. Some dull spots, but the whole enterprise remains cheerful and sprightly.